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Fine Art Print : Archbishop of York cursing William the Conqueror

Archbishop of York cursing William the Conqueror



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Archbishop of York cursing William the Conqueror

Archbishop of York cursing William the Conqueror Date: 11th century

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 32260444

© Mary Evans Picture Library

11th 1850s 1853 Angry Archbishop Briton Chronicles Conqueror Curse Cursing Merry Mitre Throne True Vestments


20"x16" (+3" Border) Fine Art Print

Step into the rich history of medieval England with this captivating Fine Art Print from Media Storehouse, featuring the iconic image of Archbishop Thomas of Bayeux, also known as Thurstan, cursing William the Conqueror by renowned artist Terry Parker. This evocative 11th-century illustration, sourced from Mary Evans Prints Online, showcases a pivotal moment in English history, where the Archbishop boldly challenges the power of the Normans' leader. Add this stunning print to your collection and bring a touch of history and intrigue to your home or office decor.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 49.9cm (16" x 19.6")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Art Movements > Medieval Art

> Arts > Literature > Magazines

> Europe > United Kingdom > England > Posters

> Europe > United Kingdom > England > York

> Mary Evans Prints Online > New Images July 2023


EDITORS COMMENTS
In this intriguing and enigmatic image from the 11th century, Archbishop Thomas of York is depicted with a fierce expression as he raises his hand, seemingly to curse William the Conqueror. The scene unfolds in a grand setting, with the Archbishop seated on a throne adorned with intricate carvings, wearing his mitre and vestments. William, the powerful and formidable King of England and Normandy, is shown standing before him, wearing his crown. The origins of this image are shrouded in mystery, as it is not mentioned in any contemporary chronicles or historical records. However, it is believed to have been inspired by the complex relationship between the Church and the state during the Middle Ages. The Archbishop of York, as the second most senior bishop in the English Church, held significant political power and influence. However, this power was often at odds with the ambitions of the monarch, leading to numerous conflicts and tensions. The exact reason for the Archbishop's curse remains a subject of debate among historians. Some believe it may have been related to William's seizure of Church lands and the imposition of Norman bishops in English sees. Others suggest it may have been a symbolic act of defiance against the king's growing secular power. This striking image, which dates from the 1850s and was published in a Victorian-era magazine, offers a fascinating glimpse into the complexities of medieval English history. The contrasting expressions and body language of the two figures, the richly decorated throne and the somber colors of the Archbishop's vestments, all contribute to a sense of drama and intrigue. The image serves as a reminder of the complex and often tumultuous relationship between the Church and the state in medieval England, and the enduring power of symbolism and storytelling in shaping our understanding of the past.

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