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Fine Art Print : The Taking of Christ. Painting ascribed to Gerard Seghers
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The Taking of Christ. Painting ascribed to Gerard Seghers
Painting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019
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Media ID 32245942
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Academia Academy Apostle Artes Arts Ascribed Baroque Bellas Biblical Chiaroscuro Christ Darkness Episode Fernando Flanders Flemish Gerard Jesus Judas Netherlandish Netherlands Passion Peter Real Taking Testament Torch Seghers
21"x14" (+3" Border) Fine Art Print
Experience the profound emotion of The Taking of Christ, a masterpiece from the Flemish Baroque era, ascribed to Gerard Seghers. This exquisite Fine Art Print, sourced from Prisma Archivo Fotografico at Mary Evans Prints Online, captures the intensity of the moment as Christ is led away by Roman soldiers. The intricate details and rich colors of this San Fernando Royal Academy of Fine Arts masterpiece are brought to life in this high-quality print, making it a stunning addition to any home or office space. Embrace the power of art to inspire and uplift with this timeless piece.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 34.1cm (21" x 13.4")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The Taking of Christ," a masterpiece ascribed to the Flemish Baroque painter Gerard Seghers (1591-1651), is a powerful and dramatic depiction of an essential episode from the New Testament. This painting, dated back to the 17th century, is now part of the prestigious collection at the San Fernando Royal Academy of Fine Arts in Madrid, Spain. The scene portrayed in this artwork represents the moment when Judas Iscariot, one of the twelve apostles, betrays Jesus Christ by kissing him in front of a group of soldiers. The betrayal was a pivotal event leading to Jesus' arrest and eventual crucifixion. Seghers expertly captures the intensity of the moment through his use of chiaroscuro, a technique that creates strong contrasts between light and dark areas, heightening the sense of drama and tension. In the painting, Jesus stands calmly amidst the chaos, with his disciples Peter and John reacting in shock and disbelief. The soldiers, led by Judas, approach Jesus with torches and a lantern, their faces illuminated by the flickering flames. The contrast between the darkness surrounding Jesus and the soldiers, and the light emanating from the lantern, emphasizes the stark difference between good and evil. This painting is a testament to Seghers' skill as a painter and his ability to capture the essence of a biblical scene. The work is a significant example of Caravagism, a movement that emerged in the late 16th and early 17th centuries, characterized by its dramatic use of light and shadow. The Taking of Christ remains an essential piece of European art history, showcasing the richness and complexity of the Flemish artistic tradition. The painting's presence in the San Fernando Royal Academy of Fine Arts in Madrid is a testament to its historical and artistic significance. It continues to captivate audiences and inspire artists, reminding us of the enduring power of religious art and the human capacity for storytelling through visual mediums.
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