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Fine Art Print : Un-named schoolboy sits through the rehearsals of the play

Un-named schoolboy sits through the rehearsals of the play



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Un-named schoolboy sits through the rehearsals of the play

Un-named schoolboy sits through the rehearsals of the play Cry the Beloved Country which is being presented in the church of St Martin-in-the-Fields, London. The play deals with the need for colour reform in South Africa. 5th February 1954

Bela Zola
Daily Mirror
Mirrorpix
London
Greater London
England
E819

Media ID 21802197

© Mirrorpix

1954 City Of London Concentration Fifties One Boy Only School Uniform Serious Pews


20"x20" (+3" Border) Fine Art Print

Step into the world of timeless storytelling with Media Storehouse's exquisite Fine Art Prints from Memory Lane Prints. This captivating image portrays an unnamed schoolboy, deeply engrossed in the rehearsals of Bela Zola's poignant play, "Cry the Beloved Country," held in the hallowed grounds of St Martin-in-the-Fields Church in London. Each print is meticulously crafted to bring the richness and depth of this classic tale to your home or office. Experience the beauty and emotion of live theatre, preserved in a stunning work of art. Order yours today and let the magic unfold.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 50.8cm (20" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > South Africa > Related Images

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Art > Venues > St Martins Theatre

> Europe > United Kingdom > England > London > Boroughs > City of London

> Memory Lane Prints > Mirror > 1100to1199 > 01113


EDITORS COMMENTS
In this photo print, an un-named schoolboy is captured sitting attentively through the rehearsals of the play "Cry the Beloved Country" at St Martin-in-the-Fields church in London. The year is 1954, a time when South Africa was grappling with the urgent need for racial equality. Dressed in his school uniform, this young boy symbolizes innocence amidst a world filled with injustice. The image portrays a sense of concentration as he sits quietly on one of the pews, completely absorbed in the powerful message unfolding before him. His serious expression reflects his understanding of the gravity of the situation and perhaps even hints at his own personal connection to these issues. As we delve into this snapshot from history, it becomes clear that entertainment can be more than just amusement; it can serve as a catalyst for change. This theatrical production serves as both an educational tool and a call to action for those who witness it. Bela Zola's skillful composition captures not only the physical presence of this lone schoolboy but also evokes emotions that transcend time. It reminds us that even within our childhood years, we have the capacity to comprehend complex social issues and become agents of transformation. This poignant photograph transports us back to an era where children were witnesses to historical events and encourages us to reflect on how their experiences shape our collective future.

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