Fine Art Print : 1863-1867 Changed view of human antiquity
Fine Art Prints from Science Photo Library
1863-1867 Changed view of human antiquity
The " Appearnace of Man" from Louis Figuiers Earth Before the Deluge 1863 (above), and below from the same book in its sixth edition of 1867. Engravings by Riou. In 1863, a distinctly Eden-like scene sees a couple gaze out over a benign creation of contemporary animals. In the lower 1867 view the author was forced by recent developments in mainstream geology to promulgate a cave-dwelling tribal view of the first humans. They are surrounded by beasts both living and extinct. This change of emphasis was a result of the recent work of Boucher de Perthes, Falconer, Prestwich and Evans in establishing the case for human antiquity and coexistence with extinct megafauna. Sir Charles Lyells acceptance of this thesis probably caused Figuiers choice of the later representation. The handaxes are wrongly shown hafted (after Boucher de Perthes). See J.S. Rudwick " Scenes from Deep Time" 1992
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6319441
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
Antiquity Of Man Black And White Boucher De Perthes Eden Falconer Figuier Hand Axe Holocene John Evans Lyell Mammoth Pleistocene Pre Historic Pre History Prestwich Stone Tool Boitard Mono Chrome
20"x16" (+3" Border) Fine Art Print
Experience the captivating transformation of human antiquity with Paul D. Stewart's Fine Art Prints from Media Storehouse. This exquisite pair of prints, taken from Louis Figuier's seminal work "Earth Before the Deluge," showcases the evolving perspective of ancient civilizations. The 1863 print, "Appearance of Man," offers a glimpse into the scientific understanding of human origins during that time. In stark contrast, the 1867 print below reveals the progression of knowledge and the shifting narrative of human antiquity. These beautifully detailed engravings by Riou are not just historical artifacts but also an intriguing testament to the evolving nature of human knowledge. Add these stunning prints to your collection and bring a piece of history into your home or office.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 37.1cm x 50.8cm (14.6" x 20")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the evolving perception of human antiquity during the years 1863-1867. The image above, taken from Louis Figuiers' renowned book "Earth Before the Deluge" in 1863, depicts a scene reminiscent of Eden. A couple gazes out over a tranquil landscape teeming with contemporary animals, evoking a sense of harmony and innocence. However, in the lower view from the same book's sixth edition published in 1867, we witness a significant shift in perspective. Recent developments in mainstream geology compelled Figuiers to present a new narrative: that of cave-dwelling tribes as the first humans. This revised representation portrays them surrounded by both living and extinct beasts, symbolizing their coexistence with megafauna long gone. The catalyst for this change was the groundbreaking work of Boucher de Perthes, Falconer, Prestwich, and Evans. Through their research on human antiquity and evidence supporting cohabitation with extinct creatures like mammoths and woolly rhinos, they challenged conventional beliefs. Sir Charles Lyell's acceptance of this thesis likely influenced Figuiers' decision to adopt this later depiction. Notably though, some inaccuracies are evident - such as wrongly showing handaxes hafted - reflecting ongoing scientific discoveries at that time. Paul D. Stewart's masterful monochrome artwork brings these contrasting views to life while capturing the essence of prehistoric times. This thought-provoking print serves as a visual reminder of humanity's ever-evolving understanding of our ancient origins and our intricate relationship with Earth's past inhabitants.
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