Framed Print : South America divided into its principal States, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection

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South America divided into its principal States, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection

South America divided into its principal States, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785 ca.. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0021

Media ID 33187637

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed

12"x10" Modern Frame

Introducing the Media Storehouse Framed Print of "South America Divided into its Principal States," an exquisite piece of historical cartography. This beautiful engraving, created by G. Zuliani and taken from Tome IV of the "Newest Atlas," published in Venice by Antonio Zatta, showcases the political divisions of South America in intricate detail. With its rich history and stunning visual appeal, this framed print is a must-have for anyone with an interest in geography, history, or art. The high-quality print is carefully framed and ready to hang, making it a perfect addition to any home or office. Own a piece of cartographic history with the Media Storehouse Framed Print of "South America Divided into its Principal States."

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, extracted from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta during the late 18th century. The artwork, entitled "South America divided into its principal States" offers a glimpse into the Renaissance-Baroque styles and periods that flourished in Europe during this era. The intricate details of this engraving transport us back to a time when cartography was not only an essential means of communication but also an art form in itself. Zuliani's masterful craftsmanship is evident as he skillfully depicts the geographical or topographical map of South America with precision and elegance. Beyond its practical purpose, this artwork carries deeper symbolic meaning. It serves as an allegory for exploration, discovery, and territorial expansion – concepts that were highly valued during the first and second millennium A. D. The abstract representation of each state conveys both their individuality and interconnectedness within the continent. As we admire this piece, we are reminded of how maps have always been vital instruments for documenting our world's ever-changing landscapes. They provide us with valuable insights into history, culture, and geography while igniting our curiosity about far-off lands. This particular print captures a moment frozen in time - taken in 2009 - showcasing an artwork created around 1785. Its presence within a private collection adds to its allure and rarity. Through Alinari's lens, we are granted access to appreciate not only Zuliani's artistic prowess but also gain insight into the rich tapestry woven by European Renaissance-Baroque styles across centuries past. This photograph invites us to explore new horizons while celebrating humanity's enduring fascination with maps as tools for understanding our world better.

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