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Framed Print : King Billy (engraving)
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King Billy (engraving)
6008189 King Billy (engraving) by English School, (19th century); Private Collection; (add.info.: King Billy. The Last Aboriginal of Tasmania. Illustration for The British Workman, 1 March 1870.); © Look and Learn
Media ID 23600606
© Look and Learn / Bridgeman Images
Aboriginal Aborigines Drank Drunk Hard King Billy Last Tasmania Booze
18"x14" Modern Frame
Bring history to life with the Media Storehouse Framed Prints featuring the captivating engraving of King Billy, also known as Truganini, by the English School from the Fine Art Finder collection. This 19th-century masterpiece, now privately owned, showcases the last known Aboriginal Tasmanian woman. Each print is meticulously framed to preserve and enhance the intricate details of the original engraving, making it a stunning addition to any home or office decor. Embrace the richness of history with this exquisite piece.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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King Billy - A Glimpse into the Last Aboriginal of Tasmania
EDITORS COMMENTS
. This photo print, titled "King Billy" takes us back to the 19th century, offering a poignant glimpse into the life and struggles of one of Tasmania's last indigenous inhabitants. The engraving, created by an English School artist in 1870, showcases King Billy as he stands tall against a backdrop of historical significance. With its rich Victorian-era details and intricate craftsmanship, this artwork transports us to a time when history was being shaped. It reminds us of the resilience and strength exhibited by indigenous communities amidst colonization. The image also sheds light on the complex relationship between alcohol and society during that period. King Billy's presence evokes discussions around alcohol consumption, highlighting both its allure and detrimental effects on individuals and communities alike. As we delve deeper into this piece, we are prompted to reflect upon Australia's colonial past and recognize the susceptibility faced by Aboriginal people towards addiction. This engraving serves as a reminder not only of their hardships but also their unwavering spirit in preserving their cultural heritage. Through Bridgeman Images' meticulous preservation efforts, this remarkable print invites viewers to explore history through artistry. It encourages dialogue about our shared past while urging us to embrace diversity with compassion in our present-day world.
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