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Framed Print : The Fall of Mankind, 1511 (woodcut)
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The Fall of Mankind, 1511 (woodcut)
5858421 The Fall of Mankind, 1511 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38--25.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: on upper plaque: LAPSUS HUMA: / NI GENERIS )
Media ID 25496178
© Bridgeman Images
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18"x14" Modern Frame
Introducing the captivating Framed Prints from Media Storehouse, featuring the iconic masterpiece "The Fall of Mankind, 1511 (woodcut)" by Hans Baldung Grien from Bridgeman Images. This exquisite work of art, sourced from the esteemed Metropolitan Museum of Art in New York, showcases intricate woodcut detail and vivid colors. The image, titled "Lapsus Huma: Nihil Genesis" in Latin, depicts the biblical story of the fall of mankind. Each print is meticulously framed to preserve and enhance the artwork's beauty, making it a stunning addition to any home or office space. Experience the essence of fine art with Media Storehouse's Framed Prints.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Fall of Mankind, 1511 - A Captivating Woodcut Depicting the Genesis Story
EDITORS COMMENTS
. This mesmerizing woodcut print by Hans Baldung Grien, titled "The Fall of Mankind" transports viewers back to the Renaissance era with its intricate details and masterful technique. Measuring 38 by 25.8 cm, this artwork is housed in the prestigious Metropolitan Museum of Art in New York. Grien's portrayal captures a pivotal moment from the Book of Genesis, where Adam and Eve succumb to temptation in the Garden of Eden. The artist skillfully depicts their vulnerability and desire through nuanced gestures and expressions. The naked figures evoke both sensuality and innocence as they engage in an intimate caress amidst lush foliage. A serpent cunningly entwines itself around a tree branch while whispering deceit into Eve's ear—a visual representation of Satan's influence on mankind's downfall. Meanwhile, rabbits symbolize fertility and abundance within this idyllic setting. Through chiaroscuro woodcut techniques, Grien expertly plays with light and shadow to create depth and drama within the composition. This interplay enhances our understanding of human nature—our capacity for both virtue and sin. "The Fall of Mankind" serves as a timeless reminder that even paradise can be lost due to our inherent flaws. It invites contemplation on themes such as original sin, morality, desire, and consequences—an enduring testament to Grien's artistic prowess during Northern Renaissance artistry.
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