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Framed Print : Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland, dit prince Bonaparte (1858-1924)

Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland, dit prince Bonaparte (1858-1924)



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Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland, dit prince Bonaparte (1858-1924)

ICA4918762 Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland, dit prince Bonaparte (1858-1924) by Le Petit, Alfred (1841-1909); (add.info.: Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland, dit prince Bonaparte (1858-1924) - Illustration by Alfred Le Petit (1841-1909)); Photo © Caricadoc

Media ID 25905530

© Caricadoc / Bridgeman Images

Alfred Le Petit Bandit Bonaparte Family Daily Newspaper Defense Expulsion Fragile Guard Le Petit Alfred 1841 1909 Malefactor Marianne Newspaper Stand State Newspaper Woman Symbol A Journal Caricadoc Journalism Newspapers


18"x14" Modern Frame

Introducing the captivating Framed Print from Media Storehouse, featuring the satirical cover of Le Grelot, number 162, titled "Le coup de l'âne - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland" (ICA4918762). This exquisite piece, published in 1874, is a brilliant work from Bridgeman Images, sourced from Fine Art Finder. This satirical image showcases an intriguing blend of historical figures and symbolism, including Marianne, the symbol of France, an ass (âne), Legitimists, Orleanists, and Prince Bonaparte Roland. With its rich colors and intricate details, this Framed Print is a must-have for any art or history enthusiast, adding a touch of elegance and intrigue to your home or office decor.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Alfred Le Petit

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> Arts > Artists > L > Alfred Le Petit


EDITORS COMMENTS
The captivating print titled "Cover of Le Grelot, number 162, Satirique en Couleurs, 1874_5_17: Le coup de l donkey - Marianne, Ane, Legitimist, Orleaniste, Bonaparte Roland" transports us back to the vibrant world of French satire in the late 19th century. Created by Alfred Le Petit and captured beautifully by Caricadoc's lens, this engraving showcases a powerful allegory that speaks volumes about the political climate of the time. In this scene filled with symbolism and caricatured figures, we witness an intriguing clash between Marianne (the female symbol of France) and various political factions represented by an ass. The Legitimists, Orleanistes, and members of the Bonaparte family are all depicted as bandits or guards surrounding Marianne. This visual metaphor highlights the struggle for power and defense within French society during this era. Le Petit's attention to detail is evident in every stroke; his mastery shines through as he skillfully captures each character's expression and costume. The print serves as a testament to his artistic prowess while also shedding light on social issues such as fragility in health and senilization. As we delve into this artwork from Fine Art Finder's collection, we are transported not only to a different time but also to a realm where art becomes a mirror reflecting societal complexities. It reminds us that even centuries later, these works continue to hold relevance in our understanding of history and human nature.

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