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Framed Print : The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744
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The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744
XJF867801 The Pluralist, print nade by Nathaniel Parr published by Edward Cooper, circa 1744 (engraving) by English School, (18th century); Private Collection; (add.info.: BM J, 1.116); English, out of copyright
Media ID 12940555
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Anglican Church Of England Clerical Curate Dean Greed Living Parish Prelate Protestant Rector Vicar Ecclesiastical Holy Orders Incumbent Monks Parishes
12"x10" Modern Frame
Introduce a touch of historical elegance to your home or office with the Media Storehouse range of Framed Prints featuring "The Pluralist," an exquisite 18th-century engraving by Nathaniel Parr, published by Edward Cooper. This intriguing work, circa 1744, showcases the intellectual diversity and plurality of thought, making it a thought-provoking addition to any space. This beautifully preserved print, sourced from the esteemed Bridgeman Images and Fine Art Finder, brings a rich sense of history and artistry to your surroundings. Framed in a contemporary style, it is ready to hang and admire.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Pluralist
EDITORS COMMENTS
is a captivating print created by Nathaniel Parr and published by Edward Cooper around 1744. This intriguing engraving, attributed to the English School of the 18th century, showcases a scene filled with religious figures such as priests, monks, and clergy members. The image offers a satirical commentary on various aspects of religion during that time. In this thought-provoking artwork, we witness an array of characters representing different religious orders within the established church. The artist skillfully portrays their distinctive attire and clerical bands while highlighting their roles within the ecclesiastical hierarchy. The central theme explored in "The Pluralist" revolves around greed and sinecure prevalent among some members of the clergy. It humorously depicts how certain individuals held multiple positions or benefices simultaneously, often leading to neglecting their pastoral duties for personal gain. Through clever caricature and satire, Parr's print sheds light on issues surrounding parishes, incumbents, prelates, deans, rectors, vicars – all elements associated with Church of England at that time. The cartoon-like style adds an element of playfulness to this social critique. This particular print captures not only the artistic brilliance but also provides valuable historical insights into religious practices during the 18th century in England. As it belongs to a private collection and falls out of copyright restrictions today; it serves as a significant visual record for those interested in exploring the complexities surrounding religion and its influence on society from centuries past
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