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Framed Print : Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket
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Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket
824220 Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas) by Watts, George Frederic (1817-1904); 68.6x51.4 cm; Private Collection; (add.info.: Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree. George Frederic Watts (1817-1904). Oil on canvas. 68.6 x 51.4cm. A very early work by Watts, c. 1837, it was created from the embalmed body of the sitter that stood for many years in the entrance to University College, London.); Photo eChristies Images; English, out of copyright
Media ID 23671880
© Christie's Images / Bridgeman Images
Accessories Beneath Black Color Black Colour British Art British Pictures 1500 1850 Direct Gaze Elder Elderly Adult Famous Person George Frederic Watts George Frederick Watts Historical Figure Historical Personality Jeremy Bentham Looking At Camera Old Age Old Men Olden Time One Man Only Outer Garment Personal Accessory Position Pre Raphaelite Art Raphaelite Senior Senior Adult Social Reformer Stick Underneath Victorian Art Waistcoat Watts Apparel Artist British British Artist Ethnic Origin Headwear Old Man Portrait Style Portraiture Pre Raphaelite
12"x10" Modern Frame
Introduce a touch of intellectual intrigue to your home decor with our exquisite Framed Prints from Media Storehouse. This captivating portrait of Jeremy Bentham, the renowned English philosopher and social reformer, is brought to life through the masterful brushstrokes of Watts in his 1837 oil painting. Seated beneath a tree, Bentham is depicted in a blue jacket, black waistcoat, and white shirt. This stunning piece, sourced from Bridgeman Images at Fine Art Finder, is a must-have for anyone seeking to add a thought-provoking and timeless addition to their space.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait print showcases the renowned social reformer and philosopher, Jeremy Bentham, in all his intellectual glory. Painted by George Frederic Watts in 1837, this early work captures Bentham seated beneath a majestic tree, exuding wisdom and authority. Dressed in a striking blue jacket, black waistcoat, and crisp white shirt, Bentham's attire reflects both his refined taste and scholarly pursuits. His direct gaze towards the camera reveals a man of great intellect and determination. The artist skillfully portrays every intricate detail of Bentham's appearance with remarkable precision. What makes this artwork truly unique is its fascinating backstory. Created from the embalmed body of the sitter himself, which had stood for years at University College London's entrance hall before being immortalized on canvas by Watts. This unconventional approach adds an intriguing layer to an already compelling piece of art history. The composition beautifully balances nature with human presence as Bentham sits serenely amidst lush greenery. The inclusion of his walking stick further emphasizes his elderly stature while symbolizing strength and resilience. Watts' masterful use of oil paints brings depth to each brushstroke, creating a lifelike portrayal that captivates viewers even today. This exceptional print not only pays homage to one of Britain's most influential thinkers but also serves as a testament to the enduring power of portraiture as an art form.
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