Framed Print : Tureen-on-stand, c. 1775 (porcelain, enamel & gilt)

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Tureen-on-stand, c. 1775 (porcelain, enamel & gilt)

1069565 Tureen-on-stand, c.1775 (porcelain, enamel & gilt) by Chinese School (18th century); 33.7x36.5x40.6 cm; Dallas Museum of Art, Texas, USA; (add.info.: This tureen on a stand was modeled after a European prototype. Although the actual model sent to China could have been made of pottery, wax, wood, or pewter, the ultimate inspiration was likely a French silver tureen in the late rococo taste. During the third quarter of the 18th century, French silversmiths produced many tureens featuring elaborate finials, handles, and feet. The fluted top and sides are also suggestive of metal examples in the emerging neoclassical taste. A date of 1775 for the manufacture of this porcelain example is indicated by the fact that a tureen of the same form was part of the Royal Swedish Gripsholm Service given in 1775 to King Gustav III by the Swedish East India Company.
Even though tureens of this model must have been expensive because of the large amount of labor required to produce porcelain of such complexity, they were popular among Europes wealthy, and examples with various decorative schemes are known. The Dallas version features neoclassical-style garlands and sprigs of flowers similar to painting found on contemporary French porcelain made at the SAvres factory, but the masks on the scrolled handles relate more closely to earlier work done at Meissen, Germany.
); The Wendy and Emery Reves Collection; Chinese, out of copyright

Media ID 22646320

© The Wendy and Emery Reves Collection / Bridgeman Images

Culinary Export Export Ware Fluted Garlands Handles Painted Purple Scalloped Soup Tureen Stand Tureen Western Ceramics Neo Classical Neoclassical

12"x10" Modern Frame

Bring timeless elegance to your home with Media Storehouse's Framed Prints featuring the exquisite Tureen-on-stand, c.1775. This stunning piece, hailing from the Chinese School of the 18th century, showcases intricate porcelain, enamel, and gilt detailing. The Tureen-on-stand, with its elegant curves and ornate decoration, is a true masterpiece from the Dallas Museum of Art's collection. Our Framed Prints capture the essence of this fine art treasure, allowing you to enjoy its beauty and history in your own home.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

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> Fine Art Finder > Artists > School Chinese

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> Arts > Art Movements > Neoclassicism

> Arts > Art Movements > Rococo

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> Arts > Contemporary art > Contemporary painting

> Arts > Contemporary art > Pop art

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> Arts > Still life artwork > Contemporary artwork > Pop art

> Arts > Still life artwork > Pop art > Contemporary art

> Arts > Minimalist artwork > Contemporary art > Pop art

> Arts > Modern art pieces > Contemporary art > Pop art

EDITORS COMMENTS
This print showcases a stunning Tureen-on-stand, dating back to around 1775. Crafted with porcelain, enamel, and gilt, this exquisite piece is housed in the Dallas Museum of Art in Texas, USA. The tureen's design draws inspiration from European prototypes, particularly a French silver tureen from the late rococo era. French silversmiths during the 18th century created elaborate tureens featuring intricate finials, handles, and feet. The fluted top and sides of this porcelain example also reflect the emerging neoclassical taste. Its manufacture date of 1775 is supported by its resemblance to a tureen that was part of the Royal Swedish Gripsholm Service gifted to King Gustav III by the Swedish East India Company. Despite being labor-intensive and expensive to produce due to its complexity, these tureens were highly sought after among Europe's affluent class. Various decorative schemes were employed on different examples. The Dallas version boasts neoclassical-style garlands and sprigs of flowers reminiscent of contemporary French porcelain made at Sèvres factory. However, it also features scrolled handles adorned with masks that harken back to earlier work done at Meissen in Germany. This remarkable piece from The Wendy and Emery Reves Collection offers an intriguing blend of influences from both France and Germany while showcasing exceptional craftsmanship in porcelain artistry during the 18th century.

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