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Framed Print : Attack on the headquarters of Ismailia (Egypt), by a coalition of baris

Attack on the headquarters of Ismailia (Egypt), by a coalition of baris




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Attack on the headquarters of Ismailia (Egypt), by a coalition of baris

LSE4329952 Attack on the headquarters of Ismailia (Egypt), by a coalition of baris and loquias weapons of bow and arrow, Sir Bakers expedition retaliates with rifles and repels the attackers, engraving illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in " Le tour du monde" 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: Attack on the headquarters of Ismailia (Egypt), by a coalition of baris and loquias weapons of bow and arrow, Sir Bakers expedition retaliates with rifles and repels the attackers, engraving illustrating an armed expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in " Le tour du monde" 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.); Photo eLeonard de Selva; out of copyright

Media ID 22655656

© Leonard de Selva / Bridgeman Images

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12"x10" Modern Frame

Bring history to life with the Media Storehouse Framed Print of "Attack on the Headquarters of Ismailia (Egypt)" by Leonard de Selva. This captivating artwork, from Fine Art Finder (LSE4329952), depicts a pivotal moment in history as a coalition of baris and loquias launch an attack on Sir Baker's expedition with traditional bow and arrow weapons. Witness the intensity of the clash as the expedition repels the attackers with rifles. This beautifully framed print is a must-have for history enthusiasts and art collectors alike, adding a touch of intrigue and character to any space.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Theophile Louis Deyrolle

> Fine Art Finder > Artists > Unknown Artist

> Africa > Egypt > Ismailia

> Africa > Egypt > Related Images

> Arts > Artists > B > Samuel Baker

> Historic > Battles > Related Images


EDITORS COMMENTS
This print captures a historic moment during an armed expedition in Central Africa, led by Sir Samuel White Baker between 1869 and 1873. The image depicts the intense attack on the headquarters of Ismailia in Egypt by a coalition of baris and loquias wielding traditional weapons such as bows and arrows. However, Sir Baker's expedition retaliates with modern rifles, successfully repelling the attackers. The engraving showcases the clash between ancient traditions and modern weaponry, symbolizing the struggle for control over trade routes in Africa at that time. Published in "Le tour du monde" in 1875, edited by Edouard Charton and published by Hachette edition in Paris, this artwork provides a glimpse into an era when European powers sought to suppress what was known as the black trade. The unknown artist skillfully portrays both sides of this conflict through intricate details and dramatic composition. The tension is palpable as arrows fly through the air while smoke billows from rifle barrels. This historical artifact now resides within a private collection but remains accessible to all who appreciate its significance. Leonard de Selva's expert photography ensures that every nuance of this remarkable engraving is captured with precision. As we gaze upon this image today, we are reminded of the complex history surrounding colonial expeditions and their impact on African societies.

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