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Framed Print : (Composition à trois personnages (Flagellation ?). Creator: Odilon Redon

(Composition à trois personnages (Flagellation ?). Creator: Odilon Redon



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(Composition à trois personnages (Flagellation ?). Creator: Odilon Redon

(Composition a trois personnages (Flagellation ?)

Heritage Images features heritage image collections

Media ID 36233535

© Heritage Art/Heritage Images

Art Movement Christ At The Column Dark Flagellation Flagellation Of Christ Odilon Redon Passion Of Christ Post Impressionism Post Impressionist Redon Odilon Scourging At The Pillar Symbolist Tied Up Paris Museums Petit Palais Symbolism


18"x14" Modern Frame

Introducing the captivating Framed Print from Media Storehouse, featuring Odilon Redon's enigmatic work "Composition à trois personnages (Flagellation ?)" from Heritage Images. This exquisite piece by the renowned French artist invites viewers to explore the depths of the human psyche through its intriguing composition of three figures. The rich colors and expressive brushstrokes bring Redon's vision to life, making this Framed Print an enchanting addition to any art enthusiast's collection. Experience the mesmerizing allure of Odilon Redon's masterpiece in your very own home or office space.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > R > Odilon Redon

> Arts > Contemporary art > Portraits > Impressionism

> Arts > Impressionist paintings > Impressionism paintings > Impressionist art

> Arts > Impressionist paintings > Impressionism paintings

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings > Impressionist art

> Arts > Impressionist paintings

> Arts > Still life artwork > Oil paintings > Impressionist art


Composition à trois personnages (Flagellation ?),

EDITORS COMMENTS
an evocative oil painting by the renowned French Post-Impressionist artist Odilon Redon, captures the profound depth and complexity of the human condition through its exploration of faith, suffering, and the human form. Created in the late 19th century, this masterpiece is a testament to the artist's unique vision and his significant contribution to the Symbolist movement. The painting depicts three men, clad in brown and standing in a dimly lit, darkened space. At the center, a naked, muscular man, believed to represent Christ, is tied to a column, his body bearing the marks of scourging. Two other men, also naked, stand beside him, their faces obscured in shadow. The scene evokes the Passion of Christ, specifically the Scourging at the Pillar, a pivotal moment in the Christian narrative of suffering and redemption. The use of rich, earthy colors and bold brushstrokes imbues the painting with a sense of both raw emotion and contemplative introspection. The muted browns and dark tones create an atmosphere of solemnity and introspection, while the vibrant reds and yellows in the figures' wounds and the men's faces add a sense of intensity and passion. This powerful work of art, now a cherished part of the heritage of Parisian museums, can be found in the esteemed Musée du Petit Palais. The painting's haunting imagery and thought-provoking themes continue to resonate with viewers, inviting them to reflect on the enduring power of faith, the human capacity for suffering, and the transformative potential of art.

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