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Framed Print : The Crowd, 1847. Artist: Robert William Buss

The Crowd, 1847. Artist: Robert William Buss




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The Crowd, 1847. Artist: Robert William Buss

The Crowd, 1847. Scene showing a cheering crowd looking down Pall Mall, with Wyatts statue of George III behind them at the junction of Pall Mall East and Cockspur Street. The fait word Victoria over a word beginning with A on the banner above the house on the left suggests the occasion may be Queen Victorias wedding to Prince Albert, February 1840

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Media ID 15179198

© Guildhall Art Gallery (City of London) / Heritage-Images

Avoiding Chimney Sweep Cockspur Street Crowded Crowds Dirty Equestrian Statue George Iii Horrified King George Iii King Of Great Britain Pall Mall Robert William Soot Buss City Of Westminster


12"x10" Modern Frame

Experience the historical charm of "The Crowd, 1847" by Robert William Buss with our Media Storehouse Framed Prints. This stunning artwork captures the excitement of a cheering crowd gathered in London's Pall Mall, with Wyatt's statue of George III standing proudly in the background. Our high-quality framed prints bring the rich details and vibrant colors of this iconic image to your home or office, making it an excellent addition to any space. Preserve this piece of history and relive the past with our beautifully crafted framed prints. #HeritageImages #RobertWilliamBuss #TheCrowd1847 #HistoricalArt #FramedPrints

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Great Houses

> Arts > Artists > B > Robert William Buss

> Arts > Artists > P > George Prince

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Royalty


The Crowd, 1847

EDITORS COMMENTS
by Robert William Buss captures a vibrant scene in the heart of London. The painting depicts a cheering crowd gathered on Pall Mall, with Wyatts statue of King George III towering behind them at the junction of Pall Mall East and Cockspur Street. This lively composition offers a glimpse into the social fabric of 19th century Britain. The banner above the house on the left catches our attention with its faded words - 'Victoria' followed by an obscured word beginning with 'A'. It suggests that this joyful gathering may commemorate Queen Victoria's wedding to Prince Albert in February 1840. As we explore this bustling street, we notice people from all walks of life. A chimney sweep boy darts through the crowd, avoiding collision with elegantly dressed ladies and gentlemen. Their fashionable attire contrasts sharply against his soot-covered appearance, highlighting societal divisions during this era. Amidst it all stands an equestrian statue of King George III, reminding us of England's rich history and royal lineage. The artist skillfully captures both admiration and horror on faces within the crowd as they witness this majestic sight. "The Crowd, 1847" is not just a snapshot frozen in time; it encapsulates themes such as occupation, fashion, class divide, and national pride. Through Buss's masterful use of color and detail in oil painting technique, he transports us back to Victorian London where streets were filled with energy and diversity.

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