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Framed Print : The most desolate woman in the world, c1820. Creator: George Cruikshank
Framed Photos from Heritage Images
The most desolate woman in the world, c1820. Creator: George Cruikshank
The most desolate woman in the world, c1820. Thy daughter, then, could hear thee weep; but now she sleeps the dreamless sleep. Satirical cartoon of Caroline of Brunswick with her baby daughter Princess Charlotte of Wales, while her husband the Prince Regent (future King George IV) enjoys the company of ladies. From " The Queens matrimonial ladder", a political pamphlet with wood engraved illustrations by George Cruikshank, published after the opening of the trial of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV), in August 1820. [William Hone, London]. Included in an album containing portraits and satirical caricatures related to the trial
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Media ID 19046049
© The Print Collector/Heritage Images
Bed Chamber Bedchamber Bedroom Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Charlotte Charlotte Augusta Charlotte Augusta Of Wales Cruikshank Desolate George Cruikshank Hanover Hone Legislation Miserable Pains And Penalties Bill Pains And Penalties Bill 1820 Princess Princess Charlotte Princess Charlotte Augusta Of Wales Princess Charlotte Of Wales Princess Of Saxe Coburg Saalfeld Princess Of Wales Queen Caroline Queen Consort Of George Iv Unfaithful William Hone
12"x10" Modern Frame
Experience the haunting beauty and poignant emotion of George Cruikshank's iconic image, "The most desolate woman in the world, c1820." This captivating framed print, sourced from Heritage Images, tells a timeless story of grief and loss. With intricate details and a profound sense of sadness, this print is a must-have for art enthusiasts and those who appreciate the power of visual storytelling. Each framed print is meticulously crafted to preserve the original artwork's integrity, ensuring a stunning addition to any home or office space. Let this powerful image evoke emotions and spark conversations.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this poignant print, titled "The most desolate woman in the world". George Cruikshank captures the heart-wrenching despair of Caroline of Brunswick, consort of King George IV. Created around 1820 during the trial of Queen Caroline, this satirical cartoon portrays a deeply sorrowful scene. Caroline is depicted sitting on a bedchamber with her baby daughter Princess Charlotte of Wales by her side. However, instead of finding solace in her mother's presence, the young princess peacefully slumbers while Caroline weeps uncontrollably. This stark contrast symbolizes the isolation and abandonment that Caroline feels as she navigates through a tumultuous marriage. Meanwhile, outside the bedroom door, Prince Regent (future King George IV) revels in the company of other women. His indifference towards his wife's suffering adds to her misery and emphasizes his disregard for their union. Cruikshank's wood engraved illustration is part of "The Queens matrimonial ladder" a political pamphlet published after Queen Caroline's trial. Through his artistry, he exposes not only Caroline's personal anguish but also criticizes British legislation and societal norms that perpetuate such unhappiness within royal marriages. This powerful image serves as a reminder that even those who hold positions of power can experience profound sadness and loneliness. It invites viewers to reflect on themes such as loveless relationships, gender dynamics, and societal expectations placed upon women during this period.
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