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Framed Print : Hornblower surrenders, 1920, (1928). Creator: Foulsham and Banfield

Hornblower surrenders, 1920, (1928). Creator: Foulsham and Banfield




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Hornblower surrenders, 1920, (1928). Creator: Foulsham and Banfield

Hornblower surrenders, 1920, (1928). Mr. George Elton as Dawker; Miss Helen Heye as Mrs. Hillcrist and Mr. Edmund Gwenn as Hornblower, in " The Skin Game". Scene from " The Skin Game" play by British playwright John Galsworthy (1867-1933). It was first performed in 1920 at the St Martins Theatre, London. From " The Bookman - Special Christmas Number 1928". [Hodder & Stoughton Ltd, London, 1928]

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Media ID 18325094

© The Print Collector/Heritage Images

Character Desk Document Edmund Elton Foulsham And Banfield Foulsham Banfield George William Haye Helen Hodder And Stoughton Hodder Stoughton Ltd John Galsworthy Kellaway Signing Surrender Surrendering The Bookman Galsworthy Shuttleworth


12"x10" Modern Frame

Add a touch of classic drama to your home decor with our Framed Print of 'Hornblower Surrenders, 1920 (1928)' from Media Storehouse. This captivating image, taken from the film "The Skin Game," features George Elton as Dawker, Helen Heye as Mrs. Hillcrist, and Edmund Gwenn as Hornblower in a pivotal moment of surrender. With its rich history and timeless appeal, this framed print is an excellent addition to any room, adding depth and character to your space. Produced by Foulsham and Banfield, this high-quality print is a must-have for film enthusiasts, history buffs, or anyone who appreciates the art of the silver screen.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Banfield Banfield

> Arts > Artists > M > John Martin

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Literature > Magazines

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Art > Entertainment

> Europe > United Kingdom > England > London > Art > Theatre


EDITORS COMMENTS
This print captures a scene from the play "The Skin Game" by British playwright John Galsworthy. The photograph, taken in 1928, features actors George Elton as Dawker, Helen Heye as Mrs. Hillcrist, and Edmund Gwenn as Hornblower. Set against a backdrop of elegant furniture and a cluttered desk, the image showcases the intense drama unfolding on stage. In this particular moment, Edmund Gwenn's character of Hornblower is seen surrendering to his adversaries. The tension between the characters is palpable as they engage in an emotional exchange. The actors' expressive faces convey their commitment to their roles and capture the essence of early 20th-century theater. "The Skin Game" first performed at St Martins Theatre in London in 1920, explores themes of class conflict and moral dilemma within British society. This production received critical acclaim for its thought-provoking narrative and stellar performances. Preserved through time by Foulsham and Banfield's lens for "The Bookman - Special Christmas Number 1928" this print offers us a glimpse into the world of vintage theater. It serves as a testament to the talent and dedication of these esteemed actors who brought Galsworthy's words to life on stage. With its monochrome aesthetic evoking nostalgia for the roaring twenties era, this image continues to captivate audiences even today with its timeless portrayal of human emotions on display under theatrical lights.

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