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Framed Print : Margaret Tudor. Queen of Scotland, c1525, (early-mid 19th century). Creator: John Cochran

Margaret Tudor. Queen of Scotland, c1525, (early-mid 19th century). Creator: John Cochran




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Margaret Tudor. Queen of Scotland, c1525, (early-mid 19th century). Creator: John Cochran

Margaret Tudor. Queen of Scotland, c1525, (early-mid 19th century). Portrait of Marie d Assigny, Madame de Canaples (1502-1558, wife of Jean de Crequy), dressed as Margaret Tudor (1489-1541, queen consort of King James IV of Scotland). Engraving after a painting made c1525, the year that Marie d Assigny, a lady at the court of King Francois I of France, married Jean de Crequi, sire de Canaples. Painting in the collection of the National Galleries of Scotland, Edinburgh. [The London Printing and Publishing Company, London]

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Media ID 18386416

© The Print Collector/Heritage Images

Cloet Clouet Cochran Finger Ring Jean Jean Clouet Jehannet Jehannet Cloet John Cochran London Printing And Publishing Co London Printing And Publishing Co Ltd London Printing And Publishing Compa London Printing Publishing Co London Printing Publishing Company Madame De Margaret Marie Necklace Pearl Pearl Necklace Pearls Queen Margaret Ring Tudor Margaret Tudor Queen Of Scotland


12"x10" Modern Frame

Step back in time with our exquisite Framed Prints featuring the captivating portrait of Margaret Tudor, Queen of Scotland, circa 1525. This stunning image, created by renowned artist John Cochran in the early-mid 19th century, showcases a mesmerizing likeness of Margaret, dressed in elegant attire, reminiscent of the opulence and grandeur of the Tudor era. A beautiful addition to any home or office, this Framed Print is not only a work of art but also a piece of history that tells a story of a fascinating monarch. Bring the rich heritage of the past into your present with our high-quality Framed Prints.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > C > Francois Clouet

> Arts > Artists > C > Jean Clouet

> Arts > Artists > C > Jean de Court

> Arts > Artists > W > John White

> Europe > France > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Scotland > Edinburgh > Edinburgh

> Europe > United Kingdom > Scotland > Edinburgh


EDITORS COMMENTS
This print showcases a captivating portrait of Margaret Tudor, the Queen of Scotland in the early 16th century. Created by John Cochran during the early to mid-19th century, this engraving is based on a painting from around 1525. The original artwork is currently housed in the esteemed National Galleries of Scotland in Edinburgh. Interestingly, this particular portrait depicts Marie d'Assigny, also known as Madame de Canaples, dressed as Margaret Tudor. Marie d'Assigny was the wife of Jean de Crequy and served as a lady at the court of King Francois I of France when she married Jean de Crequi in 1525. The intricate details captured by Cochran's engraving highlight Marie d'Assigny's attire and accessories that emulate those worn by Margaret Tudor during her reign. From her headdress adorned with jewelry to her elegant pearl necklace and finger ring, every aspect reflects the fashion trends prevalent during that era. This stunning portrayal not only pays homage to Margaret Tudor but also showcases the artistic talent and attention to detail exhibited by John Cochran. It serves as a testament to both historical significance and artistic excellence within Renaissance portraiture.

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