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Framed Print : Seated Amitabha, late 1500s-early 1600s. Creator: Unknown

Seated Amitabha, late 1500s-early 1600s. Creator: Unknown



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Seated Amitabha, late 1500s-early 1600s. Creator: Unknown

Seated Amitabha, late 1500s-early 1600s. This magnificent Buddha, called Amitabha (literally, " infinite light" ) is seated on a lotus pedestal with both palms facing up over crossed legs, suggesting that it is in a deep meditation. Originally, this scroll was acquired by the museum as a Korean work, but has now been reattributed as Ming period Chinese. One of the major reasons for this reattribution is that contemporaneous Korean works mostly depict this deity giving a sermon, surrounded by a large retinue of Buddhist guardians and celestial beings, rather than meditating. Stylistic elements that emphasize ornamentation, such as a chain of flying flames on its body halo and a multitiered throne festooned with colourful floral and geometric patterns also confirm the current reattribution

Heritage Images features heritage image collections

Media ID 19641617

© Heritage Art/Heritage Images

1368 1644 Hanging Scroll Ink And Colour On Silk Ming Dynasty


18"x14" Modern Frame

Adorn your home or office with our exquisite Seated Amitabha Framed Print from Heritage Art/Heritage Images. Dating back to the late 1500s-early 1600s, this captivating piece showcases the enigmatic Buddha figure, Amitabha, seated on a lotus pedestal with palms facing up, symbolizing peace and enlightenment. Add an air of tranquility and spiritual depth to your space with this timeless work of art. The unknown creator's masterful craftsmanship is preserved behind the glass, allowing you to enjoy the intricate details and rich history of this stunning art piece. Perfect for meditation spaces, study rooms, or as a conversation starter, this Framed Print is a must-have for any art or spirituality enthusiast.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > United Kingdom > England > Cleveland

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings


EDITORS COMMENTS
This print showcases a Seated Amitabha, believed to have been created in the late 1500s or early 1600s. The magnificent Buddha, known as Amitabha meaning "infinite light" is depicted in deep meditation on a lotus pedestal. Originally thought to be of Korean origin, this scroll has now been reattributed as a Ming period Chinese artwork. The reattribution was primarily based on the fact that contemporary Korean works typically depict this deity giving sermons surrounded by Buddhist guardians and celestial beings, rather than meditating. Additionally, stylistic elements such as an ornate body halo adorned with a chain of flying flames and a multi-tiered throne embellished with vibrant floral and geometric patterns further support its identification as Chinese. This hanging scroll, crafted during the Ming Dynasty (1368-1644), showcases exquisite artistry using ink and color on silk. Its intricate details highlight the skillful craftsmanship of the unknown creator who captured the essence of tranquility through Amitabha's serene posture and upward-facing palms. Preserved within The Cleveland Museum of Art's collection, this painting from Heritage Art/Heritage Images offers viewers an opportunity to appreciate both its historical significance and aesthetic beauty. As we gaze upon this remarkable piece, we are transported back in time to witness an era where spirituality intertwined seamlessly with artistic expression.

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