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Framed Print : "Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M. Jackson. "Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M
Framed Photos from Heritage Images
"Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M. Jackson. "Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Ins Creator: M
"Summer Time - Crossing the Ford" - painted by T. J. Soper - from the Exhibition of the National Institution, 1856. Engraving of...a charming landscape, after the real English school; cool and umbrageous; the sky certainly more after the fashion of the present bleak spring-time than of roseate summer; but the rippling brook which meanders through the midst of the landscape, and the deep shade which pervades each leafy recess, are in strict keeping with it, and true to Nature in her soberer aspects. The market waggon in front, with its rustic burden, and the dog trotting on before, invest the composition with life and gaiety'. From "Illustrated London News", 1856
Heritage Images features heritage image collections
Media ID 36319976
© /Heritage Images
Drinking Horse And Cart Jackson Jackson M M Jackson Peaceful Pictures Horse Drawn Horse Drawn Vehicle Horsedrawn
18"x14" Modern Frame
"Step into the enchanting world of T.J. Soper's Summer Time - Crossing the Ford, a captivating landscape from the Exhibition of the National Institution, expertly captured as an exquisite framed print. Painted in 1856, this evocative work of art transports you to a serene summer scene, filled with the warmth of the sun, the gentle flow of the ford, and the vibrant colors of nature. Bring the timeless beauty of this masterpiece into your home and let it add a touch of charm and tranquility to your living space." - M. Jackson, Heritage Images.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")
Estimated Product Size is 45.7cm x 35.6cm (18" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Summer Time - Crossing the Ford,
EDITORS COMMENTS
a captivating painting by Thomas J. Soper showcased at the Exhibition of the National Institute in 1856, invites viewers to immerse themselves in a quintessential English countryside scene. The engraving, based on the original work, presents a charming landscape with a cool and umbrageous atmosphere. Although the sky appears more reminiscent of the present springtime than the radiant summer, the painting remains true to nature, capturing the essence of its soberer aspects. The composition is brought to life with the inclusion of a market wagon in the foreground, its rustic cargo and the energetic dog trotting ahead. The rippling brook that winds through the painting and the deep shade that pervades each leafy recess add to the peaceful and idyllic scene. This engraving, published in the Illustrated London News in 1856, is a testament to the regionalism and rural life of the nineteenth century. The horse-drawn vehicle, with its horse and cart, is a common mode of transport during this era, adding to the authenticity of the painting. The horses, with their powerful yet tranquil demeanor, embody the strength and grace of nature. The season of summer is evoked through the warm tones and the sense of relaxation that pervades the scene. This engraving, created by T.J. Soper and published in the Illustrated London News, offers a glimpse into the rural life of Britain during the nineteenth century, capturing the essence of a simpler time and the beauty of the English countryside.
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