Framed Print > Historic England > Architecture > Modern Architecture > Space, Hope and Brutalism
Framed Print : Trinity Square Car Park DP059892
Framed Photos from Historic England
Trinity Square Car Park DP059892
Trinity Square Car Park, Gateshead, Tyne & Wear. The Get Carter Car Park
Historic England is the public body that champions and protects England's historic places
Media ID 15501073
© Historic England Archive
Architecture Brutalist Style Concrete Detail Modern Oblique
12"x10" Modern Frame
Introducing the captivating "Trinity Square Car Park DP059892" framed print by renowned photographer James O. Davies, part of our Media Storehouse collection. This evocative image transports you to the iconic Trinity Square Car Park in Gateshead, Tyne & Wear, famously featured in the classic British thriller "Get Carter." The intricate textures and patterns of the concrete structure come alive in this high-quality print, encapsulating the raw beauty and industrial charm of the region. A perfect addition to any space seeking a unique and thought-provoking piece of art.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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> Space, Hope and Brutalism
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> Building Car Parks
EDITORS COMMENTS
This evocative photograph captures the raw beauty and complexity of Trinity Square Car Park in Gateshead, Tyne & Wear, a prime example of Brutalist architecture designed by James O. Davies. Built in the mid-1960s, this concrete behemoth was once known as The Get Carter Car Park, named after the iconic British crime film shot on location here. The oblique angle of the photograph highlights the intricate textures and patterns of the car park's concrete surfaces, revealing a maze of geometric shapes and lines that interplay with the natural light. The brutalist style, characterized by its raw, unadorned surfaces and emphasis on functionality, is on full display here, with the car park's columns and beams forming a stark contrast against the sky. Despite its utilitarian origins, the Trinity Square Car Park has become a cherished symbol of modernist architecture in the North East of England. Its bold, unapologetic design challenges traditional notions of beauty and aesthetics, inviting viewers to appreciate the raw power and elegance of concrete as a building material. The photograph also serves as a poignant reminder of the changing landscape of Gateshead and the wider region, as the area around the car park continues to evolve and transform. The Trinity Square Car Park stands as a testament to the enduring legacy of James O. Davies and the Brutalist movement, inspiring generations of architects and designers to push the boundaries of what is possible with concrete and modernist design.
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