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Framed Print : Caricature of Archdeacon Dunbar, Anglican clergyman

Caricature of Archdeacon Dunbar, Anglican clergyman




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Caricature of Archdeacon Dunbar, Anglican clergyman

Caricature of Archdeacon Charles Gordon Cumming Dunbar (1844-1916), Anglican clergyman of St Andrews Church, Tavistock Place, London, who was involved in a divorce case in 1881 brought by his wife, Edith Wentworth Dunbar, but was found not guilty of adultery. The Venerable Archdeacon Dunbar. The Church and the Stage -- the Pulpit and the Pay-Box.
1883

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14310688

© Terry Parker / Mary Evans Picture Library

1881 1883 Andrew Andrews Anglican Archdeacon Bryan Case Clergy Clergyman Clergymen Cumming Divorce Dunbar Entracte Gordon Money Office Pulpit Tavistock Ticket Venerable


12"x10" Modern Frame

Bring a touch of historical wit to your home or office with our Framed Prints from Media Storehouse. This captivating caricature of Archdeacon Charles Gordon Cumming Dunbar, an Anglican clergyman from St Andrews Church in Tavistock Place, London, is a unique addition to any decor. Created by renowned artist Terry Parker and sourced from Mary Evans Picture Library, this print showcases a humorous take on the Archdeacon's involvement in a high-profile divorce case in 1881. Each Framed Print is meticulously crafted with a high-quality matte finish and a sturdy frame, ensuring a stunning presentation of this intriguing piece of history. Add this conversation-starting artwork to your collection and make a statement with every glance.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Alfred > Related Images

> Europe > United Kingdom > England > London > Art > Theatre

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > Scotland > East Lothian > Dunbar

> Europe > United Kingdom > Scotland > Fife > St Andrews

> Europe > United Kingdom > Scotland > Lothian > Dunbar

> Popular Themes > Money

> Popular Themes > St Andrews


EDITORS COMMENTS
This caricature depicts the Venerable Archdeacon Charles Gordon Cumming Dunbar, an Anglican clergyman of St. Andrew's Church in Tavistock Place, London, who found himself at the center of a sensational divorce case in 1881. The image, titled "The Church and the Stage -- the Pulpit and the Pay-Box," captures the intriguing juxtaposition of Dunbar's dual roles in religion and the theater world. Dunbar's wife, Edith Wentworth Dunbar, brought charges of adultery against him, but the archdeacon was ultimately found not guilty. The caricature, created in 1883, playfully illustrates the public's fascination with the clergyman's double life. The image shows Dunbar in his clerical attire, holding a church pulpit in one hand and a theater ticket in the other, with a theatrical pay-box and an office in the background. The caricature's title, "The Church and the Stage," emphasizes the contrast between the sacred and the secular, the pulpit and the pay-box. Alfred Bryan, a renowned caricaturist, is believed to be the artist behind this intriguing work. The image offers a glimpse into the complexities of Victorian society, where the lines between religion, morality, and entertainment were often blurred. This caricature of the Venerable Archdeacon Dunbar, a man of the cloth with a secret life in the theater, offers a fascinating glimpse into the intricacies of Victorian society and the public's fascination with the personal lives of prominent figures.

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