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Framed Print : The Virtuous Comforted by Sympathy and Attention
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The Virtuous Comforted by Sympathy and Attention
Mezzotint on laid paper by Valentine Green, after Edward Pennys The Virtuous Comforted by Sympathy and Attention, one of a pair, published by R. Sayer and J. Bennet in London, dated 1775. Date: 1775
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Media ID 15494041
© The Geffrye Museum of the Home / Mary Evans Picture Library
Bennett Georgian Mezzotint Penny Sayer Valentine
12"x10" Modern Frame
Introduce a touch of historical elegance to your home or office with our exquisite framed prints from Media Storehouse, featuring "The Virtuous Comforted by Sympathy and Attention" by Valentine Green. This stunning mezzotint on laid paper is a beautiful reproduction of the original work by Edward Pennys, published in London in 1775. The poignant scene captures the tender moment of compassion and support, making it a thoughtful addition to any space. Let the timeless artistry of this masterpiece evoke emotions and inspire reflection.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite mezzotint print, titled "The Virtuous Comforted by Sympathy and Attention," is a beautiful and poignant depiction of compassion and empathy from the 18th century. Created by the skilled hand of Valentine Green, this masterpiece is an impression of Edward Penny's original painting, published by Robert Sayer and John Bennett in London during the Georgian era in 1775. The image captures a domestic interior, filled with soft, muted colors that create a sense of warmth and tranquility. The central figure, a virtuous woman, sits on a chair, her face etched with sorrow and despair. She is surrounded by a group of women, each offering her comfort and support. Their expressions are filled with genuine concern and sympathy, their hands reaching out to touch and console. The background of the print is simple yet effective, with delicate details that add depth and texture to the scene. The use of white space around the figures creates a sense of balance and harmony, drawing the viewer's attention to the emotional connection between the women. The mezzotint technique, a method of etching that uses a tool to roughen the surface of the copper plate, creates a rich, velvety texture that enhances the depth and contrast of the image. The intricate details of the women's clothing, the folds of their skirts, and the texture of their hair are all rendered with remarkable precision and care. This print is a testament to the power of human connection and the importance of offering comfort and support to those in need. The image transcends time and continues to resonate with viewers, reminding us of the enduring value of compassion and empathy.
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