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Framed Print : The Kiss of Judas and the Apostle Peter Disowns Jesus. 13th
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The Kiss of Judas and the Apostle Peter Disowns Jesus. 13th
New Testament. Folio 63. The Kiss of Judas and the Apostle Peter Disowns Jesus. 13th century. Vatican Apostolic Library. Vatican City
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Media ID 14333178
© Thaliastock / Mary Evans
13th Apostle Arrest Biblical Capital Christ Christianism Denial Folio Gethsemane Illuminated Iscariot Jesus Judas Kiss Letter Manuscript Passion Peter Testament
12"x10" Modern Frame
Experience the drama of the New Testament with our exquisite Framed Prints from Media Storehouse. This captivating piece, "The Kiss of Judas and the Apostle Peter Disowns Jesus," dates back to the 13th century and is sourced from the Vatican Apostolic Library in Vatican City. Depicting the poignant moment of betrayal between Judas Iscariot and Jesus, as well as Peter's denial of their friendship, this evocative artwork brings the story to life. Each print is meticulously framed to preserve its beauty and history, making it a stunning addition to any home or office. Immerse yourself in the rich history of religious art with this remarkable piece from Media Storehouse.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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This exquisite 13th-century illuminated manuscript folio, housed in the Vatican Apostolic Library, depicts two pivotal moments from the New Testament's Passion of Christ narrative. On the left, Judas Iscariot, identified by the bag of thirty pieces of silver at his feet, seals his betrayal of Jesus with a kiss. The scene unfolds in the Garden of Gethsemane under the cover of darkness, as Roman soldiers, led by Judas, approach to apprehend the unsuspecting Christ. On the right, Peter, one of Jesus' most devoted apostles, denies knowing Him three times, as foretold in the Gospel of Matthew. This denial, made in the presence of a servant girl and a rooster, takes place in the courtyard of the High Priest's house. The contrast between the two scenes highlights the tragic betrayal of trust and the human frailty in the face of adversity. The intricately detailed miniature, executed in tempera on parchment, showcases the artistic mastery of the medieval illuminator. The aged figures, dressed in flowing robes, are depicted with expressive faces and gestures, capturing the emotion and drama of the moment. The inclusion of animals, such as the dog at Peter's feet, adds to the vividness of the scene and emphasizes the human connection to nature. This folio, a testament to the rich artistic and literary heritage of the Middle Ages, continues to captivate viewers and inspire reflection on the complexities of faith, loyalty, and the human condition.
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