Framed Print : Kyouchikutou or oleander flower, Nerium oleander var indicum
Framed Photos from Mary Evans Picture Library
Kyouchikutou or oleander flower, Nerium oleander var indicum
Kyouchikutou or oleander flower, Nerium oleander var. indicum.. Handcolored woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14214230
© Florilegius / Mary Evans
Gardenflower Japanesewoodcut Konobairei Kusabanahyakushu Onehundredvarietiesofflowers Woodblock
12"x10" Modern Frame
Introducing the exquisite Kyouchikutou or Oleander Framed Print from Media Storehouse, a stunning addition to any home or office décor. This captivating piece showcases the beauty of the Kyouchikutou, or Indian oleander (Nerium oleander var. indicum), as depicted in a handcolored woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), published in Tokyo by Yamada in 1901. Rights Managed from Mary Evans Prints Online, this timeless work of art has been meticulously preserved and framed to showcase its intricate details and vibrant colors. The delicate petals of the oleander flower are expertly rendered in rich hues, while the intricate veining and delicate details of the leaves are brought to life. The Kyouchikutou Framed Print is a testament to the artistry and craftsmanship of traditional Japanese woodblock printing. Each print is carefully framed in a sleek, modern frame that highlights the artwork while adding a contemporary touch. Add this beautiful Kyouchikutou Framed Print to your collection and bring a touch of Eastern elegance and tranquility into your space. A perfect gift for flower lovers, art enthusiasts, or anyone who appreciates the beauty of nature.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite handcolored woodblock print showcases the breathtaking beauty of the Kyouchikutou, or oleander flower (Nerium oleander var. indicum), as depicted in Kusa Bana Hyakushu (One Hundred Varieties of Flowers) by the renowned Japanese artist Kono Bairei. Produced in Tokyo by Yamada in the year 1901, this botanical masterpiece is a testament to the artist's exceptional skill and dedication to capturing the essence of nature. The Kyouchikutou, also known as the Indian oleander, is an evergreen shrub native to the Mediterranean region and tropical Asia. Its vibrant, showy flowers come in various shades of pink, red, and white, and bloom profusely from late spring to early fall. The plant's toxicity makes it a popular ornamental flower in Japan, where it is often grown in gardens as a symbol of eternal love and perseverance. Bairei's meticulous attention to detail is evident in the intricate patterns and textures of the flower's petals, veins, and stamen, as well as the delicate rendering of the plant's leaves and branches. The artist's use of handcoloring adds an additional layer of depth and richness to the print, bringing the Kyouchikutou to life in a way that transcends the two-dimensional medium of woodblock printing. As part of the Kusa Bana Hyakushu series, this print reflects the broader cultural context of Japan's fascination with botanical illustration during the Meiji period (1868-1912). The series showcases a diverse range of flowers, reflecting the country's burgeoning interest in Western scientific methods and the natural world. This beautiful work of art not only serves as a stunning representation of the Kyouchikutou, but also as a window into the history and aesthetics of Japanese botanical art.
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