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Framed Print : Library of Congress Mural - The Occupation of the Day

Library of Congress Mural - The Occupation of the Day



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Library of Congress Mural - The Occupation of the Day

Washington DC, USA - Mural - The Occupation of the Day by Charles Sprague Pearce (1851-1914). Found in the Library of Congress, Thomas Jefferson Building. Religion. Worship before an altar of Fire. Charles Sprague Pearce (1851-1914) Date: 1920

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 11578855

© Mary Evans / Grenville Collins Postcard Collection

Altar Columbia Congress Jefferson Locations Mural Murals Occupation Paintings Pearce Places Sites Sprague Symbolic Washington Worship


18"x14" Modern Frame

Introducing the Media Storehouse Framed Prints collection, featuring the captivating "Library of Congress Mural - The Occupation of the Day" by Charles Sprague Pearce. This exquisite work of art, sourced from Mary Evans Prints Online, is a breathtaking masterpiece found in the Thomas Jefferson Building of the Library of Congress in Washington D.C. This stunning framed print showcases the intricate detail and rich colors of Pearce's work, "Worship before an altar of Fire," which explores the theme of religion. Each print is meticulously framed to enhance its beauty and preserve its quality, making it a perfect addition to any home or office space. Experience the history and culture of the Library of Congress through the lens of this iconic mural. Order your Media Storehouse Framed Print today and bring a piece of American history into your home.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 22.2cm (16" x 8.7")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Charles Collins

> Arts > Artists > D > Thomas Day

> Arts > Artists > J > Thomas Jefferson

> Arts > Fine Art

> North America > United States of America > Washington, District of Columbia

> North America > United States of America > Washington > Related Images


EDITORS COMMENTS
The Occupation of the Day: Worship before an Altar of Fire," a captivating mural by Charles Sprague Pearce (1851-1914), is a masterpiece found in the hallowed halls of the Thomas Jefferson Building at the Library of Congress in Washington D.C., USA. Painted in 1920, this mural is part of a larger series called "The Occupation of the Day," which showcases various aspects of human life and culture. In this evocative work, Pearce invites us to contemplate the profound and enduring human connection to the divine. A crowd of figures, dressed in flowing robes and bearing offerings, gather before an ornate altar, their faces upturned in reverence as they worship before a roaring fire. The altar, adorned with symbols of various faiths, represents the universal human impulse to seek meaning and connection through spiritual practices. Pearce's use of rich, earthy colors and intricate detailing brings the scene to life, transporting us back in time to an era when such communal acts of worship were a central part of daily life. The mural's symbolic imagery and sense of timelessness make it a must-see for anyone interested in the history of religion and the human spirit. As a testament to the enduring power of art to capture the essence of the human experience, "The Occupation of the Day: Worship before an Altar of Fire" is a true gem in the vast collection of the Library of Congress. Pearce's masterful brushstrokes and thoughtful composition invite us to reflect on the deep and abiding connection between humanity and the divine, a connection that transcends time and place.

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