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Framed Print : Interior of the ruins of Leadenhall Chapel, 1812
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Interior of the ruins of Leadenhall Chapel, 1812
Interior of the ruins of Leadenhall Chapel (Holy Trinity Chapel, Leadenhall Street). Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1814
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Media ID 23202298
© Florilegius/Mary Evans
C19th Chapel Demolition Derelict Labourers Leadenhall Regency Rubble Ruin Sacred Topography Trinity Smith
12"x10" Modern Frame
Step back in time with our exquisite Framed Prints from Media Storehouse, featuring the enchanting interior of Leadenhall Chapel as captured in 1812. This rare and captivating image, sourced from Mary Evans Prints Online, showcases the intricate details of John Thomas Smith's copperplate engraving from his Topography of London. Each print is meticulously framed to preserve and enhance the rich textures and tones of this historical masterpiece. Bring the beauty and history of old London into your home or office with our stunning Framed Prints of the Interior of Leadenhall Chapel.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print depicts the interior of the ruins of Leadenhall Chapel, also known as Holy Trinity Chapel, located on Leadenhall Street in London during the Regency era of the 19th century. The image was created through the meticulous process of copperplate engraving, with John Thomas Smith serving as both the draftsman and engraver. This topographical masterpiece was published as part of Smith's comprehensive work, "Topography of London," in 1814. The interior of the chapel is shown in a state of dereliction, with rubble and debris scattered about. The once sacred space, now a ruin, is a poignant reminder of the passage of time and the inexorable march of progress. The demolition of the chapel had likely begun, and the image captures a moment in time before the structure was completely obliterated. Workers and laborers are visible in the print, engaged in the arduous task of dismantling the sacred edifice. Their presence adds a sense of scale and humanizes the scene, revealing the effort required to transform the landscape of London. Two dogs, perhaps belonging to the workers, can be seen in the foreground, adding a touch of liveliness to the otherwise somber image. The intricate details of the engraving, from the ornate columns to the worn-out pews, serve to evoke a sense of nostalgia for a bygone era. This print is a testament to the beauty and history of London, as well as a poignant reminder of the transient nature of human-built structures.
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