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Framed Print : BAD TASTE OF THE TOWN
Framed Photos from Mary Evans Picture Library
BAD TASTE OF THE TOWN
The Bad Taste of the Town, also known as Masquerades and Operas: a satire on foreign imports such as pantomime, Italianate architecture and opera. Date: 1724
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 20156901
© Bubblepunk
1724 Foreign Hogarth Imports Italianate Opera Operas Pantomime Satire Taste Masquerades
12"x10" Modern Frame
Step into the world of 18th-century satire with our exquisite framed print from Media Storehouse, featuring "The Bad Taste of the Town" by Mary Evans Prints Online. This timeless masterpiece, dated 1724, offers a humorous commentary on foreign imports, such as pantomime, Italianate architecture, and opera. Each detail in this intricately designed work of art is brought to life with our high-quality framing, making it a must-have addition to your home or office. Indulge in a touch of history and wit with this remarkable piece from Media Storehouse.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Bad Taste of the Town," a masterpiece by the renowned English artist William Hogarth, painted in 1724, offers a satirical commentary on the influence of foreign imports, particularly masquerades, operas, pantomime, and Italianate architecture, on the British society of the time. The vibrant and intricately detailed print captures the essence of the era's social scene, where the upper classes indulged in the latest European fads, much to the chagrin of the traditional British values. At the center of the composition, a grand masquerade ball is in full swing. Men and women, dressed in elaborate and extravagant costumes, dance and mingle, oblivious to the chaos that ensues around them. The Italianate architecture in the background serves as a reminder of the European influence that had infiltrated British society. However, Hogarth's satire does not end there. The print also pokes fun at the popular trend of Italian operas and pantomime, with a group of performers in the foreground putting on a disastrous production. The clownish antics of the actors, the chaotic orchestra, and the disinterested audience all serve to highlight the absurdity of the situation. The title "Bad Taste of the Town" underscores Hogarth's critique of the mindless adoption of foreign fads, and the print remains a poignant reminder of the importance of cultural authenticity and the dangers of blindly following trends. The intricately detailed print is a must-see for anyone interested in the history of art, satire, and the social commentary of the 18th century.
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