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Framed Print : PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The

PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The



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PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The

PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The Fourth Estate. 1901. Central detail. Naturalism. Oil on canvas. ITALY. Milan. Pinacotheca of Brera

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Media ID 20160351

© Bubblepunk/Iberfoto

Artistic Arts Beaux Brera Classes Estate Fourth Giuseppe Institution Institutional Institutions Milan Movement Movements Naturalism Naturalist Naturalists Oils Paintings Pictures Pinacotheca Policies Politicians Proletarian Proletarians Proletariat Societies Worker Quarto Stato


18"x14" Modern Frame

Experience the captivating allure of Italian art with our Framed Print of "The Fourth Estate" by Giuseppe Pellizza da Volpedo. This iconic masterpiece, originally housed in the Pinacotheca of Brera in Milan, Italy, showcases the artist's unique naturalist style. Pellizza's intricate brushwork and vivid colors bring the fourth estate, or the common people, to life in this oil on canvas painting from 1901. Our high-quality Framed Print preserves the beauty and detail of this timeless piece, allowing you to bring a touch of Italian artistry into your home or office. Embrace the rich history and culture of Italy with this stunning addition to your collection.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Related Images

> Arts > Artists > P > Giuseppe Pellizza da Volpedo

> Arts > Fine Art

> Europe > Italy > Lombardy > Milan

> Europe > Italy > Paintings

> Europe > Italy > Politics

> Europe > Italy > Posters

> Europe > Italy > Related Images

> People > Politicians

> Popular Themes > Politics

> Mary Evans Prints Online > New Images July 2020


EDITORS COMMENTS
This central detail from Giuseppe Pellizza da Volpedo's seminal work, "The Fourth Estate" (1901), showcases the Italian painter's mastery of naturalist techniques and his profound exploration of the social and political landscape of his time. Pellizza da Volpedo (1868-1901) was a leading figure in the Italian naturalist movement, which sought to portray the raw realities of everyday life with unflinching honesty. In "The Fourth Estate," the artist depicts a group of workers, their faces etched with the weariness and determination of their labor. The central detail reveals the intense concentration of the figure in the foreground, his gaze fixed on the viewer with a quiet determination. The naturalist style of the painting is evident in the intricate rendering of the workers' textured clothing, the roughness of their skin, and the rich, earthy tones of the oil on canvas. The title "The Fourth Estate" refers to the working class, which was often overlooked and marginalized in Italian society during the late 19th century. Pellizza da Volpedo's painting was a powerful statement against the political and social institutions that perpetuated the suffering of the proletariat. The artist's use of naturalist techniques to depict the workers' raw humanity served to humanize them and bring attention to their plight. This painting is now housed in the Pinacoteca di Brera in Milan, Italy, a testament to its historical significance and enduring impact on the art world. The naturalist movement and its exploration of the human condition continued to influence artists and movements throughout the 20th century, from the social realism of the Depression era to the political art of the present day.

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