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Framed Print : The Pain-Proof Man & Captain Ringman Jack - Ripley s

The Pain-Proof Man & Captain Ringman Jack - Ripley s



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The Pain-Proof Man & Captain Ringman Jack - Ripley s

Arthur Plumhoff The Human Pincushion - The Pain-Proof Man (left) and Captain Ringman Jack, who lifted weights through holes through his breasts! - Both performers at Robert Ripleys " Believe-it-or-not" Odditorium - at A Century of Progress, the International Exposition (Worlds Fair) held in Chicago from 1933 to 1934. Date: 1933

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 11558461

© Mary Evans / Grenville Collins Postcard Collection

1933 Arthur Bizarre Breasts Chest Chicago Defies Entertainers Exposition Freak Freaks Holes Human Jack Lift Lifted Lifting Lifts Needle Needles Pain Performance Performers Pins Progress Proof Ripley Safety Sideshow Unusual Weight Weights Weird Worlds Pincushion


18"x14" Modern Frame

Introducing the captivating duo of "The Pain-Proof Man & Captain Ringman Jack" from our Media Storehouse Framed Prints collection. These intriguing vintage images, sourced from Mary Evans Prints Online, showcase the extraordinary feats of strength and endurance of Arthur Plumhoff, also known as The Human Pincushion, and Captain Ringman Jack. The Pain-Proof Man, showcased on the left, gained fame for his ability to withstand the piercing of hundreds of needles into his skin without flinching. His unwavering resilience continues to baffle and amaze viewers even today. Captain Ringman Jack, on the right, demonstrates his remarkable strength by lifting weights through holes in his chest. His unyielding physique and unwavering determination are sure to leave you in awe. Each Framed Print is meticulously crafted with a high-quality finish to ensure your artwork stays protected and vibrant. The elegant frame complements the vintage aesthetic of these captivating images, making them a stunning addition to any home or office. Bring the intrigue and wonder of these extraordinary men into your space with our Media Storehouse Framed Prints of "The Pain-Proof Man & Captain Ringman Jack". Order yours today!

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 24.2cm (16" x 9.5")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This photograph showcases two extraordinary performers, Arthur Plumhoff, also known as The Pain-Proof Man, and Captain Ringman Jack, who thrilled audiences at Robert Ripley's Believe-it-or-not Odditorium during the A Century of Progress International Exposition in Chicago, held from 1933 to 1934. Arthur Plumhoff, on the left, was a human pincushion who defied logic and pain as he allowed himself to be covered in pins and needles, demonstrating an extraordinary level of insensitivity to pain. His unique act challenged the boundaries of human endurance and left spectators in awe. Captain Ringman Jack, on the right, was an equally intriguing performer who lifted weights through holes in his chest. The holes were large enough for him to insert his arms, and he would then lift impressive weights, showcasing his remarkable strength and resilience. Both performers were part of the bizarre and unusual world of sideshows, which thrived during the era of traveling carnivals and fairs. Their acts, while perhaps considered freakish or weird by some, were a testament to the human body's ability to adapt and endure. Robert Ripley's Believe-it-or-not Odditorium was a popular attraction during the World's Fair, drawing in thousands of visitors who were eager to witness the strange and unusual. The photograph captures a moment in history when the line between entertainment and amazement blurred, and the fascination with the human body's capabilities reached new heights.

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