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Framed Print : Before and after views of Kumasi, Ghana, as a British protectorate, 1890s

Before and after views of Kumasi, Ghana, as a British protectorate, 1890s




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Before and after views of Kumasi, Ghana, as a British protectorate, 1890s

British view of how the Ashanti will live after English occupation, 1890s.
Hand-colored halftone reproduction of a 19th-century illustration

North Wind Picture Archives brings history to life with stock images and hand-colored illustrations

Media ID 5876375

© North Wind Picture Archives

1890s Advertisement Africa African Baby British Empire Child City Civilization Clothing Colonial Daily Life Dwelling Family Fashion Home House Infant Native Natives Rural Shelter Street Street Car Thatch Thatched Roof Town Urban Urbanization Village West Africa West African Woman Women Ashanti Bill Board Bovril British Protectorate Coomassie Fantee Ghana Gold Coast Industrialization Kumasi Protectorate Remington Typewriter


12"x10" Modern Frame

Step back in time with our captivating Framed Prints from Media Storehouse, featuring an intriguing comparison of Kumasi, Ghana, before and after the British protectorate in the late 1890s. This evocative image, sourced from North Wind Picture Archives, showcases the British vision of the Ashanti people's new way of life under English occupation. Hand-colored in rich hues, these beautifully preserved halftone reproductions transport you to a bygone era, making for a striking addition to any home or office decor.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 18.7cm (10" x 7.4")

Estimated Product Size is 30.5cm x 25.4cm (12" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Ghana > Kumasi

> Africa > Ghana > Related Images

> Animals > Mammals > Muridae > House Mouse

> Arts > Portraits > Pop art gallery > Street art portraits

> Arts > Realistic drawings > Still life artwork > Fine art

> Historic > Ancient civilizations

> Historic > Colonial history > Colonial art and artists

> Historic > Colonial history

> North Wind Picture Archives > Africa history

> North Wind Picture Archives > British history


EDITORS COMMENTS
This print showcases the "before and after" views of Kumasi, Ghana during its time as a British protectorate in the 1890s. The image provides a glimpse into how the British envisioned the Ashanti people's lives under English occupation. Hand-colored to bring out every detail, this halftone reproduction of a 19th-century illustration transports us back in time. In the "before" view, we witness a traditional African village scene with thatched-roof huts scattered across rural landscapes. Native men, women, and children go about their daily lives dressed in vibrant clothing while street cars traverse unpaved roads. The simplicity and charm of this historic dwelling are evident as families find shelter amidst lush surroundings. Contrasting sharply with this idyllic setting is the "after" view depicting an urbanized Kumasi under British influence. Industrialization has taken hold as billboards advertising products like Bovril dot the streetscape. Remington typewriters symbolize progress and modernity while hinting at colonial aspirations for civilization. Amidst these changes brought by colonization, it is essential to reflect on both positive advancements and potential challenges faced by local communities during this period of transition. This photograph offers valuable insights into West Africa's history within the context of British imperialism while reminding us of the complex dynamics between colonizer and colonized.

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