Framed Print > Royal Cornwall Museum > Fine Art
Framed Print : St Just Tin Miners, Harold Harvey (1874-1941)
Framed Photos from Royal Cornwall Museum
St Just Tin Miners, Harold Harvey (1874-1941)
Oil on canvas, Newlyn School, 1935. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941. The painting is, in essence, a portrait of two miners, Nicholas Grenfell and Sydney Angove, who were lifelong friends of the artist. They had both worked at Botallack and Geevor mines before each retired due to ill health. They are posed in Harveys studio in front of a backdrop of a scene from a Malayan tin mine. In the late 1920s cheaper tin from Malaya undercut the price of Cornish tin and many miners emigrated in search of work. The painting, therefore, could be seen as much a comment on the decline of the tin mining industry in Cornwall as it is a celebration of the Cornish diaspora
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : 1991.94
Media ID 18848161
© RIC
Artist Artwork Blue British Brown Cornwall Donkey English Green Grey Harness Head Headgear Industrial Industry Miner White Yellow Blinkers Cigarette Pit Pony Pithead Torch
14"x12" (38x32cm) Modern Frame
Bring a piece of Cornish history into your home with our Framed Prints from Media Storehouse. This captivating artwork, "St Just Tin Miners" by Harold Harvey (1874-1941), is a stunning representation of the Newlyn School art movement. Painted in 1935, this oil on canvas masterpiece showcases the daily life and spirit of Cornwall's tin miners. With its rich colors and intricate details, this framed print is a must-have for art enthusiasts, history buffs, or anyone who appreciates the beauty of Cornwall's cultural heritage. Add an element of timeless charm to your living space, with this exquisite framed print from the Media Storehouse collection.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 24.4cm (8" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The print captures a poignant moment in time, showcasing the renowned painting "St Just Tin Miners" by Harold Harvey. Born and raised in Cornwall, Harvey had a deep connection to the local tin mining industry, which he beautifully depicted on canvas. This particular artwork portrays two miners, Nicholas Grenfell and Sydney Angove, who were not only subjects of Harvey's art but also his lifelong friends. Painted in 1935 during the Newlyn School period, this piece reflects Harvey's evolution as an artist. Influenced by Post-Impressionism after visiting Paris as a young man, he developed his own unique style over time. While initially inspired by Stanhope Forbes and Norman Garstin's teachings, Harvey gradually transitioned into simpler forms and less thick brushwork. The backdrop of the painting features a scene from a Malayan tin mine—a symbolic representation of the decline faced by Cornish tin mining due to cheaper imports from Malaya during the late 1920s. This serves as both a commentary on the industry's downturn and an homage to those who emigrated from Cornwall in search of work. Harvey continued creating art until his passing in 1941. His ability to capture not just scenes but also emotions is evident in this masterpiece that immortalizes Grenfell and Angove against their beloved trade's fading background. The print preserves this significant piece of history while reminding us of the profound impact that industrial changes can have on communities like Cornwall.
MADE IN THE UK
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Basket.
