Framed Print > STUDIOCANAL > HUE AND CRY (1947)
Framed Print : hue1947 bw neg 029
Framed Photos from STUDIOCANAL
hue1947 bw neg 029
STUDIOCANAL Film and Theatre Film Posters and Stills
Media ID 19957794
© Studiocanal Films Ltd
12"x10" Modern Frame
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 30.5cm x 25.4cm (12" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
VISUAL DESCRIPTION
In this black and white photograph, four individuals are captured in a candid moment on a street that suggests an earlier era, possibly the mid-20th century. The setting features industrial chimneys in the background, hinting at an urban environment. Three young men and one boy engage in what appears to be a lighthearted conversation. On the left stands a tall young man with neatly combed hair, wearing a well-fitted suit and tie; he holds onto an upside-down bicycle wheel as if he's either fixing it or discussing it. His gaze is directed towards the person on his right with whom he seems to share some amusement. Next to him is another young man of similar age but with tousled hair; his expression shows mock surprise or exaggerated concern as he looks up at the third man while holding onto another part of the bicycle frame. He also wears formal attire—a suit and tie—though slightly disheveled compared to his companion’s. The third man stands upright facing them both, gesturing expressively with one hand tucked into his pocket and speaking animatedly. He sports a patterned jacket over darker trousers—a less conventional outfit than that of his peers—which gives him an air of individuality or nonconformity within this group dynamic. Finally, seated on what remains of the bicycle frame is a younger boy who looks up at all three men with visible delight and engagement in their interaction. His presence adds youthfulness to the scene. Overall, there's camaraderie among them conveyed through body language and facial expressions—an image capturing friendship and perhaps shared mischief against an industrial backdrop suggestive of simpler times gone by.
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