1460 Collection (page 3)

Crucifixion reverse Saint Francis Assisi Resurrection
Artokoloro

Portrait Man Wife Lorenz Kraffter Honesta Merz?
Artokoloro

Nativity Oil wood gold ground 37 x 36 1 / 4 94 92. 1 cm
Artokoloro

Annunciation Oil wood gold ground 39 x 37 99. 1 94 cm
Artokoloro

Saint Florian ca 1460 Woodcut hand-colored 10 x 6-9 / 16
Artokoloro

Austrian 15th Century, Judith Killing Holofernes, c. 1460, pen and ink with watercolor on laid paper

Tilman Riemenschneider, German (c. 1460-1531), A Bishop Saint (Burchard of WaOErzburg?), c. 1515-1520, linden wood with traces of polychromy

Giannicola di Paolo, Italian (c. 1460-1544), The Annunciation, 1510-1515, oil on panel

Gerard David, The Rest on the Flight into Egypt, Netherlandish, c. 1460-1523, c. 1510, oil on panel

Follower of Robert Campin, Madonna and Child with Saints in the Enclosed Garden, c. 1440-1460, oil on panel

Attributed to Piero della Francesca, Saint Apollonia, Italian, c. 1416-1417-1492, c. 1455-1460, tempera on panel

Fra Angelico and Fra Filippo Lippi, Italian (c. 1395-1455), The Adoration of the Magi, c. 1440-1460, tempera on panel

Benedetto Diana, Italian (c. 1460-1525), The Presentation and Marriage of the Virgin, and the Annunciation, 1520-1525, oil on panel

Italian 15th Century, Mona Lisa Bela, c. 1460, woodcut

German 15th Century, Last Judgment, 1460, woodcut, hand-colored in blue-green, orange, yellow, rose, blue, and silver

Master of St. Sebastian (German, active c. 1470-1490), The Madonna and Child with Saint Anne, c. 1460, engraving

Master of the Dutuit Mount of Olives (German, active c. 1450-1470), Madonna and Child, c. 1460, engraving

Netherlandish 15th Century, The Raising of Tabitha, c. 1460, tapestry: undyed wool warp, dyed wool and silk weft

The annunciation, Print showing Mary visited by an angel, woodcut, hand-colored, between 1450 and 1460

Saint Cosmas, or Damian, attributed to Bartolommeo Vivarini, 1460 - 1480

Frame depicting the Annunciation, Baptism of Christ, Entry into Jerusalem, Saints Cecilia and Catherine of Alexandria, Trinity (Gnadenstuhl, Mercy Seat), and four Music-making Angels

Portrait of Charles the Bold, Duke of Burgundy, Anonymous, c. 1460 - c. 1480

Portrait of Philip the Good, Duke of Burgundy, Anonymous, c. 1460 - c. 1480

Saint Ignatius of Antioch, Anonymous, 1460 - 1499

Saint Sebastian, circle of Meester E. S. c. 1460
Saint Sebastian, circle of Meester E.S. c. 1460

Saint Antony Abbot, circle of Meester E. S. c. 1460
Saint Antony Abbot, circle of Meester E.S. c. 1460

Virgin and Child, Anonymous, 1430 - 1460

Virgin and Child, attributed to Meester van San Miniato, 1460 - 1480

Anonymous (Italian). The Inferno According to Dante, ca. 1460-1480. Engraving on thin laid paper. Plate: 225 mm x 283 mm (8.86 in. x 11.14 in.)

Jacopo de Barbari (Italian, ca. 1460 / 1470 a ca
Jacopo de Barbari (Italian, ca. 1460/1470 a ca. 1516). Holy Family with Saint Elizabeth. Engraving

Madonna and Child with Two Hermit Saints; Bernardino Fungai, Italian (Sienese), 1460 - 1516; early 1480s; Tempera on panel; Unframed: 68.6 x 45.7 cm (27 x 18 in.)

Hunting on the Lagoon (recto), Letter Rack (verso); Vittore Carpaccio, Italian, about 1460 - 1526; Venice, Italy, Veneto, Europe; about 1490 - 1495; Oil on panel; Unframed

Jug with Bust Medallion; Unknown; Deruta or Montelupo, Italy, Europe; about 1460 - 1490; Tin-glazed earthenware; Object: H: 34.6 x Diam. [lip]: 9.8 cm x W: 33 cm (H: 13 5/8 x Diam)

Bust of a Young Man; Antico (Pier Jacopo Alari-Bonacolsi), Italian (Mantua), about 1460 - 1528; Mantua, Italy, Lombardia, Europe; about 1520; Bronze with silver eyes; Object: H: 54.6 x W: 45 x D

Initial P: The Adoration of the Christ Child and The Annunciation to the Shepherds; Unknown; Italy, Northern Italy, Europe; about 1460 - 1480; Tempera colors and gold leaf on parchment; Leaf

Initial E: The Adoration of the Magi; Unknown; Italy, Northern Italy, Europe; about 1460 - 1480; Tempera colors and gold leaf on parchment; Leaf: 60.3 x 44 cm (23 3/4 x 17 5/16 in.)

Initial O: The Martyrdom of Saint Erasmus; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial V: The Virgin and Child with Saint Anne; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial O: The Martyrdom of Saint Sebastian; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: Saint Christopher Carrying the Christ Child; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial V: Saint Apollonia with a Book and Tongs; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Initial E: Saint Margaret and a Dragon; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: Saint Barbara before a Tower; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial V: Saint Catherine Holding a Sword over a King; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

The Nativity and The Annunciation to the Shepherds; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

The Virgin and Child Enthroned with a Kneeling Woman; Master of Wauquelins Alexander or workshop, Flemish, active about 1440 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors

Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Initial O: The Pieta with Saint John the Evangelist; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

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In the year 1460, a remarkable period in history unfolded, leaving behind an indelible mark on various realms. The Fra Mauro map emerged as a testament to human curiosity and exploration, showcasing its unique orientation with the South at the top. This cartographic masterpiece provided invaluable insights into the world's geography during that time. Artistic brilliance also flourished in 1460, as Rogier van der Weyden painted his captivating "Portrait of a Lady. " This Netherlandish masterpiece captured the essence of beauty and grace, immortalizing an unknown woman for generations to come. Delving into ancient Egyptian culture, we encounter the Eye of Horus and Senenmut's False Door. These symbols serve as gateways to understanding their beliefs and customs from centuries ago. The Master of Statues of Koudewat gifted us with Saint Barbara's depiction around 1470. Through this artwork, we glimpse religious devotion intertwined with artistic finesse. Amidst these cultural milestones, Nicholas of Cusa made significant contributions to philosophy and theology during his lifetime (1401-1464). His intellectual prowess shaped philosophical thought for years to come. Christmas Eve circa 1460 brings forth warm memories through Pauline Baynes' artistry. Her portrayal encapsulates the joyous spirit surrounding this festive season across time and cultures. Henry the Navigator stands tall among historical figures who left an enduring legacy. As a Portuguese prince (1394-1460), he played a pivotal role in advancing maritime exploration during Europe's Age of Discovery. Indulgences became prevalent during this era; Trenkwald's work sheds light on their significance within religious practices at that time. Philosophy finds solace in Boethius while Fortune turns her wheel—a timeless representation by an anonymous artist reminding us of life's ever-changing nature. Saint Catherine of Alexandria graces our presence once more through Master of Sta’s brushstroke.