1460 Collection (page 4)

In the year 1460, a remarkable period in history unfolded, leaving behind an indelible mark on various realms

1460 Collection: Initial V: Saint Apollonia with a Book and Tongs

Initial V: Saint Apollonia with a Book and Tongs; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

1460 Collection: Initial E: Saint Margaret and a Dragon

Initial E: Saint Margaret and a Dragon; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

1460 Collection: Initial O: Saint Barbara before a Tower

Initial O: Saint Barbara before a Tower; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

1460 Collection: Initial V: Saint Catherine Holding a Sword over a King

Initial V: Saint Catherine Holding a Sword over a King; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

1460 Collection: The Nativity and The Annunciation to the Shepherds

The Nativity and The Annunciation to the Shepherds; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

1460 Collection: The Virgin and Child Enthroned with a Kneeling Woman

The Virgin and Child Enthroned with a Kneeling Woman; Master of Wauquelins Alexander or workshop, Flemish, active about 1440 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors

1460 Collection: Initial O: The Virgin and Child Enthroned

Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

1460 Collection: Initial O: The Pieta with Saint John the Evangelist

Initial O: The Pieta with Saint John the Evangelist; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf

Office of the Dead; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint

Pentecost; Girolamo da Cremona, Italian, active about 1450 - 1485; Mantua (possibly), Italy, Europe; about 1460 - 1470; Tempera colors and gold paint on parchment; Leaf (cutting)

Inhabited Initial A; Unknown; Italy, Northern Italy, Europe; about 1460 - 1480; Tempera colors and gold leaf on parchment; Leaf: 60.3 x 44 cm (23 3/4 x 17 5/16 in.)

1460 Collection: Initial A: A Man Singing

Initial A: A Man Singing; Unknown; Italy, Northern Italy, Europe; about 1460 - 1480; Tempera colors and gold leaf on parchment; Leaf: 60.3 x 44 cm (23 3/4 x 17 5/16 in.)

1460 Collection: Philosophy Instructing Boethius on the Role of God

Philosophy Instructing Boethius on the Role of God; Coetivy Master (Henri de Vulcop?), French, active about 1450 - 1485; Paris, France, Europe; about 1460 - 1470; Tempera colors, gold leaf

1460 Collection: Euryalus Sends His First Letter to Lucretia

Euryalus Sends His First Letter to Lucretia; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

1460 Collection: Young Men and Women Outdoors

Young Men and Women Outdoors; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

An Emperor at Court; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

1460 Collection: The French King at Court

The French King at Court; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

Initial B: The Trinity; Taddeo Crivelli, Italian, died about 1479, active about 1451 - 1479; Ferrara, Italy, Europe; about 1460 - 1470; Tempera and gold on parchment; Leaf

1460 Collection: Miniature from The Miracles of Our Lady

Miniature from The Miracles of Our Lady; Lieven van Lathem, Flemish, about 1430 - 1493, active 1454 - 1493, Jean Mielot, French, died 1472; Ghent, Belgium

1460 Collection: Saint Jerome Extracting a Thorn from a Lions Paw

Saint Jerome Extracting a Thorn from a Lions Paw; Master of the Murano Gradual, Italian, active about 1430 - 1460; Italy, Northern

1460 Collection: Cosme Tura, Madonna and Child in a Garden, Italian, c. 1433-1495, c. 1460-1470, tempera

Cosme Tura, Madonna and Child in a Garden, Italian, c. 1433-1495, c. 1460-1470, tempera and oil on panel

1460 Collection: Sano di Pietro, Madonna and Child with Saint Jerome, Saint Bernardino, and Angels

Sano di Pietro, Madonna and Child with Saint Jerome, Saint Bernardino, and Angels, Italian, 1405-1481, c. 1460-1470, tempera on panel

1460 Collection: Benozzo Gozzoli, Saint Ursula with Two Angels and Donor, Italian, c. 1421-1497, c

Benozzo Gozzoli, Saint Ursula with Two Angels and Donor, Italian, c. 1421-1497, c. 1455-1460, tempera on panel

1460 Collection: Bernhard Strigel, Saint Mary Salome and Her Family, German, 1460-1461-1528, c. 1520-1528

Bernhard Strigel, Saint Mary Salome and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

1460 Collection: Bernhard Strigel, Saint Mary Cleophas and Her Family, German, 1460-1461-1528, c

Bernhard Strigel, Saint Mary Cleophas and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

1460 Collection: Vincenzo Civerchio, Christ Instructing Peter and John to Prepare for the Passover

Vincenzo Civerchio, Christ Instructing Peter and John to Prepare for the Passover, Italian, c. 1460-1470-probably 1544, 1504, tempera on panel

1460 Collection: Adriano Fiorentino, Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo

Adriano Fiorentino, Elisabetta Gonzaga, died 1526, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse], Italian, c. 1450-1460-1499, probably after 1502, bronze

1460 Collection: Jacopo de Barbari (Italian, c. 1460-1470-1516 or before), Two Philosophers, c

Jacopo de Barbari (Italian, c. 1460-1470-1516 or before), Two Philosophers, c. 1509, engraving

1460 Collection: German 15th Century, Christ Appearing to the Apostles, c

German 15th Century, Christ Appearing to the Apostles, c. 1460-1470, woodcut, hand-colored in venetian red, green, lavender, and yellow

1460 Collection: German 15th Century, The Last Judgment with the Apostles, c

German 15th Century, The Last Judgment with the Apostles, c. 1460, woodcut, hand-colored in red lake, ochre, green, brown, tan, and black

1460 Collection: German 15th Century, The Holy Ghost, c. 1460-1470, woodcut, hand-colored in yellow

German 15th Century, The Holy Ghost, c. 1460-1470, woodcut, hand-colored in yellow, lavender, and rose

1460 Collection: German 15th Century, Last Judgment, c. 1460-1470, woodcut, hand-colored in Venetian red

German 15th Century, Last Judgment, c. 1460-1470, woodcut, hand-colored in Venetian red, green, yellow, and lavender

1460 Collection: German 15th Century, The Death of the Virgin, c. 1460, woodcut, hand-colored in carmine

German 15th Century, The Death of the Virgin, c. 1460, woodcut, hand-colored in carmine, brown, green, and ochre

1460 Collection: German 15th Century, Christ on the Cross, c. 1460, woodcut, hand-colored in blue

German 15th Century, Christ on the Cross, c. 1460, woodcut, hand-colored in blue, orange, yellow, green, rose, gray, and silver

1460 Collection: German 15th Century or Master of the Aachen Madonna, Saint Jerome in His Study, 1460-1470

German 15th Century or Master of the Aachen Madonna, Saint Jerome in His Study, 1460-1470, metalcut, hand-colored in rust-red lake, green, and yellow

1460 Collection: German 15th Century, Christ on the Mount of Olives, c

German 15th Century, Christ on the Mount of Olives, c. 1460, woodcut, hand-colored in orange-red, gray, green, rose, light yellow, brown, and gold

1460 Collection: German 15th Century, Saint Margaret, c. 1460, woodcut, hand-colored in gray, rose

German 15th Century, Saint Margaret, c. 1460, woodcut, hand-colored in gray, rose, and yellow

German 15th Century, Saint Agnes [verso], probably 1460-1480, woodcut

1460 Collection: German 15th Century, Saint Juliana, c. 1460, woodcut, hand-colored in blue, green

German 15th Century, Saint Juliana, c. 1460, woodcut, hand-colored in blue, green, rose, brown, tan, and gold

1460 Collection: German 15th Century, Saint Barbara, 1460-1470, woodcut in brown, hand-colored in red lake

German 15th Century, Saint Barbara, 1460-1470, woodcut in brown, hand-colored in red lake, yellow, green, blue, ochre, and gold

German 15th Century, Madonna and Child with a Bell, c. 1450-1460, engraving

1460 Collection: FRANCESCO FOSCARI (1373-1457). Doge of Venice, 1423-1457. Painting by Lazzaro Bastiani

FRANCESCO FOSCARI (1373-1457). Doge of Venice, 1423-1457. Painting by Lazzaro Bastiani, c1460

1460 Collection: SONG OF ROLAND, 778 A. D. The death of Roland, the nephew of Charlemagne and the

SONG OF ROLAND, 778 A. D. The death of Roland, the nephew of Charlemagne and the
SONG OF ROLAND, 778 A.D. The death of Roland, the nephew of Charlemagne and the most celebrated of the emperors twelve paladins, at the Battle of Roncesvalles in the Pyrenees, 778 A.D

1460 Collection: SAINT ANNE. St. Anne between St. Nicholas and St. Stanislas. Anonymous painter of Cracow

SAINT ANNE. St. Anne between St. Nicholas and St. Stanislas. Anonymous painter of Cracow, c1460

AUGUSTINIAN MONK, c1460. Oil on panel, c1460, School of Piero della Francesca

AUGUSTINIAN NUN, c1460. Oil on panel, c1460, School of Piero della Francesca

1460 Collection: HERACLIUS (c575-641). Byzantine emperor, 610-41. Returning the True Cross to Jerusalem

HERACLIUS (c575-641). Byzantine emperor, 610-41. Returning the True Cross to Jerusalem. Flemish manuscript illumination, c1460

1460 Collection: HENRY THE NAVIGATOR (1394-1460). Prince of Portugal and patron of exploration

HENRY THE NAVIGATOR (1394-1460). Prince of Portugal and patron of exploration. Detail from a painting by Nuno Goncalves, c1460-70

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In the year 1460, a remarkable period in history unfolded, leaving behind an indelible mark on various realms. The Fra Mauro map emerged as a testament to human curiosity and exploration, showcasing its unique orientation with the South at the top. This cartographic masterpiece provided invaluable insights into the world's geography during that time. Artistic brilliance also flourished in 1460, as Rogier van der Weyden painted his captivating "Portrait of a Lady. " This Netherlandish masterpiece captured the essence of beauty and grace, immortalizing an unknown woman for generations to come. Delving into ancient Egyptian culture, we encounter the Eye of Horus and Senenmut's False Door. These symbols serve as gateways to understanding their beliefs and customs from centuries ago. The Master of Statues of Koudewat gifted us with Saint Barbara's depiction around 1470. Through this artwork, we glimpse religious devotion intertwined with artistic finesse. Amidst these cultural milestones, Nicholas of Cusa made significant contributions to philosophy and theology during his lifetime (1401-1464). His intellectual prowess shaped philosophical thought for years to come. Christmas Eve circa 1460 brings forth warm memories through Pauline Baynes' artistry. Her portrayal encapsulates the joyous spirit surrounding this festive season across time and cultures. Henry the Navigator stands tall among historical figures who left an enduring legacy. As a Portuguese prince (1394-1460), he played a pivotal role in advancing maritime exploration during Europe's Age of Discovery. Indulgences became prevalent during this era; Trenkwald's work sheds light on their significance within religious practices at that time. Philosophy finds solace in Boethius while Fortune turns her wheel—a timeless representation by an anonymous artist reminding us of life's ever-changing nature. Saint Catherine of Alexandria graces our presence once more through Master of Sta’s brushstroke.