1470 Collection (#4)

Christ Nailed Cross Master Lee Hours Flemish
Christ Nailed to the Cross; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Adoration Magi Master Lee Hours Flemish
Initial D: The Adoration of the Magi; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Visitation Master Lee Hours Flemish
Initial D: The Visitation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Christ Pilate Master Lee Hours Flemish active
Christ before Pilate; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Annunciation Master Lee Hours Flemish
Initial D: The Annunciation; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Saint Luke Master Lee Hours Flemish active 1450
Saint Luke; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Betrayal Christ Master Lee Hours Flemish active
The Betrayal of Christ; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Virgin Child Master Lee Hours Flemish active
The Virgin and Child; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Initial D Presentation Temple Master Lee Hours
Initial D: The Presentation in the Temple; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Saint Matthew Master Lee Hours Flemish active
Saint Matthew; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.4 x 14 cm (7 5)

Man Carrying Leafy Branch Zodiacal Sign Taurus
A Man Carrying Leafy Branch; Zodiacal Sign of Taurus; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Chopping Trees Zodiacal Sign Pisces Master
A Man Chopping Trees; Zodiacal Sign of Pisces; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Digging Zodiacal Sign Aries Master Lee Hours
A Man Digging; Zodiacal Sign of Aries; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Man Warming Fire Zodiacal Sign Aquarius Master
A Man Warming by a Fire; Zodiacal Sign of Aquarius; Master of the Lee Hours (Flemish, active about 1450 - 1470); Ghent (probably), Belgium; about 1450 - 1455; Tempera colors, gold leaf

Deposition Vienna Master Mary Burgundy Flemish
The Deposition; Vienna Master of Mary of Burgundy (Flemish, active about 1470 - about 1480); Ghent (written), Belgium; about 1471; Tempera colors, gold leaf, gold paint, silver paint

Flagellation Vienna Master Mary Burgundy Flemish
The Flagellation; Vienna Master of Mary of Burgundy (Flemish, active about 1470 - about 1480); Antwerp (illuminated), Belgium; about 1471; Tempera colors, gold leaf, gold paint, silver paint

Saint Jerome Wilderness Ercole de Roberti Italian
Saint Jerome in the Wilderness; Ercole de Roberti (Italian, about 1450 - 1496); about 1470; Tempera on panel; 34 × 21.9 cm (13 3, 8 × 8 5, 8 in.)

Madonna Child Workshop Paolo Uccello Italian
Madonna and Child; Workshop of Paolo Uccello (Italian, about 1397 - 1475); Italy; about 1470 - 1475; Tempera on panel; Panel: 53.3 × 41.9 × 3.8 cm (21 × 16 1, 2 × 1 1, 2 in.)

Fortitude Giovanni Bellini Italian 1431 1436
Fortitude; Giovanni Bellini (Italian, about 1431, 1436 - 1516); Venice, Veneto, Italy; about 1470; Pen and brown ink; 8.7 x 8.9 cm (3 7, 16 x 3 1, 2 in.)

Calendar Page Master Jacques Luxembourg French
Calendar Page; Master of Jacques of Luxembourg (French, active about 1460 - 1470); Northern France, France; about 1466 - 1470; Tempera colors, gold leaf, silver leaf

Initial A Young Christ Blessing Belbello da Pavia
Initial A: Young Christ Blessing; Belbello da Pavia (Italian (Lombard), died after 1473, active about 1430 - 1473); Venice

Decorated Initial V Belbello da Pavia Italian
Decorated Initial V; Belbello da Pavia (Italian (Lombard), died after 1473, active about 1430 - 1473); Venice, Italy; about 1467 - 1470; Tempera and gold on parchment; Leaf: 56.2 x 40.7 cm (22 1)

Initial D Saint John Baptist Attributed Cosme Tura
Initial D: Saint John the Baptist; Attributed to Cosme Tura (Italian (Ferrarese), about 1430 - 1495); Ferrara, Italy; about 1470 - 1480; Tempera and gold on parchment; Leaf: 35 x 29.8 cm (13 3)

Initial B Trinity Taddeo Crivelli Italian died
Initial B: The Trinity; Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479); Ferrara, Italy; about 1460 - 1470; Tempera and gold on parchment; Leaf: 16 x 16 cm (6 5, 16 x 6 5, 16 in.)

Apostle Thomas German Cologne Germany 1460 1470
The Apostle Thomas; German; Cologne (?), Germany; about 1460 - 1470; Colorless glass, vitreous paint, and silver stain; set within pieces of modern red glass; lead came; 47 x 22.2 x 1 cm (18 1)

Resurrected Christ Blessing English Norfolk?
The Resurrected Christ Blessing; English; Norfolk?, England; about 1450 - 1470; Colorless glass, vitreous paint, and silver stain; 18.6 x 15.3 x 1 cm (7 5, 16 x 6 x 3, 8 in.)

Christ Gardener Upper Rhenish Master German active
Christ as the Gardener; Upper Rhenish Master (German, active about 1470 - 1490); about 1470 - 1490; Pen and gray black ink; 24.1 x 10.8 cm (9 1, 2 x 4 1, 4 in.)

Virgin Child Riccio Andrea Briosco Italian 1470
Virgin and Child; Riccio (Andrea Briosco) (Italian, 1470 - 1532); Italy; about 1520 - 1525; Terracotta with traces of polychromy; 64.4 x 58 x 31.5 cm, 38.1022 kg (25 3, 8 x 22 13, 16 x 12 3, 8 in)

Blank Page Bruges illuminated Belgium 1470 1475
Blank Page; Bruges (illuminated), Belgium; about 1470 - 1475; Parchment; Leaf: 43.2 x 33 cm (17 x 13 in.)

Decorated Border Fragments Paris France 1460
Decorated Border Fragments; Paris, France; about 1460 - 1470; Tempera colors, gold leaf, and gold paint on parchment; Ms. 42, leaf 4

Verso Decorated Border Fragments Paris France
Verso of Decorated Border Fragments; Paris, France; about 1460 - 1470; Tempera colors, gold leaf, and gold paint on parchment; Ms. 42, leaf 4v

Philosophy Instructing Boethius Role God Coetivy Master
Philosophy Instructing Boethius on the Role of God; Coetivy Master (Henri de Vulcop?) (French, active about 1450 - 1485); Paris, France; about 1460 - 1470; Tempera colors, gold leaf

Philosophy Presenting Seven Liberal Arts Boethius
Philosophy Presenting the Seven Liberal Arts to Boethius; Coetivy Master (Henri de Vulcop?) (French, active about 1450 - 1485); Paris, France; about 1460 - 1470; Tempera colors, gold leaf

Soldiers Leading Prisoner Walled City Attributed
Soldiers Leading a Prisoner from a Walled City; Attributed to Maitre Francois (French, active about 1460 - 1480); Paris, France; about 1460 - 1470; Tempera colors, gold leaf

Christ Virgin St. John Baptist Saints Paul Catherine
Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, c. 1520-1525. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving

Haven Peach-Blossom Spring mid-1400s Attributed
The Haven of the Peach-Blossom Spring, mid-1400s. Attributed to Shi Rui (Chinese, c. 1400-c. 1470). Album leaf, ink and slight color on silk; image: 24.7 x 22.2 cm (9 3/4 x 8 3/4 in.); overall

Cupid three Putti 1506 Marcantonio Raimondi Italian
Cupid and three Putti, 1506. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Madonna Palm Tree Marcantonio Raimondi Italian
Madonna of the Palm Tree. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Design Gothic Fountain 1470 Master W Key Flemish
Design for a Gothic Fountain, c. 1470. Master W with the Key (Flemish). Engraving

Faun Child 1509 Marcantonio Raimondi Italian
Faun and Child, c. 1509. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Orpheus Charming Animals 1505 Marcantonio Raimondi
Orpheus Charming the Animals, c. 1505. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving; plate: 21.4 x 17.3 cm (8 7/16 x 6 13/16 in.)

Horatius Cocles Defending Sublician Bridge Marcantonio Raimondi
Horatius Cocles Defending the Sublician Bridge. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Venus Mars Cupid 1508 Marcantonio Raimondi Italian
Venus, Mars and Cupid, 1508. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Single Miniature Excised Boccaccios Des Cleres et nobles femmes
Single Miniature Excised from Boccaccios Des Cleres et nobles femmes: Queen Medusa and Her Court, c. 1470. Circle of Maitre Francois (French)

Two Fauns Carrying Child Basket 1513-1515 Marcantonio Raimondi
Two Fauns Carrying a Child in a Basket, c. 1513-1515. Marcantonio Raimondi (Italian, 1470/82-1527/34). Engraving

Roundel Annunciation 1470 Germany Upper Rhine
Roundel with the Annunciation, c. 1470. Germany, Upper Rhine, 15th century. Ivory; diameter: 10.2 cm (4 in.)

Apollo Parnassus 1517-1520 Marcantonio Raimondi
Apollo on Parnassus, c. 1517-1520. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving; sheet: 35.5 x 46.9 cm (14 x 18 7/16 in.)

Lovers 1470 Germany Swabia 15th century Woodcut
The Lovers, c. 1470. Germany, Swabia, 15th century. Woodcut

For sale as Licensed Images

Choose your image, Select your licence and Download the media

In the year 1470, amidst the grandeur of Durham Cathedral, monk copyists diligently transcribe ancient texts, preserving knowledge for future generations. The echoes of their quills on parchment resonate through time, a testament to their dedication. Meanwhile, in the realm of artistry, Master of the Statues of Koudewat unveils his masterpiece: "Saint Barbara. " Painted with meticulous detail and vibrant colors characteristic of the era, this work transports viewers to a world where faith and beauty intertwine. Across England's history-laden landscape, young Edward V ascends to power at just seventeen. As players perform captivating dramas before enthralled audiences numbering fifty or more souls, they weave tales that captivate hearts and minds alike. Philosophy takes center stage as Boethius finds solace in its consoling embrace while Fortune turns her fickle wheel. These timeless concepts offer insights into life's complexities and provide guidance during uncertain times. Amidst these cultural marvels emerges an engineering triumph: Consolidated B-24J 44-44175 soars through skies once ruled by knights donning medieval attire. A symbol of progress and innovation in aviation technology - a glimpse into humanity's insatiable thirst for exploration. Within castle walls lies an intimate scene from everyday life circa 1470. An elderly man rests peacefully in his bedchamber while his wife reads comforting scriptures aloud. A maidservant prepares hot soup - offering nourishment not only for his body but also for his soul. As Mars looms above with zodiac signs Aries and Scorpio adorning its celestial canvas, we are reminded of ancient myths entwined with astrology's mystique. These symbols evoke stories passed down through generations - tales that continue to inspire wonder even today. The tapestry depicting Achilles' Tent during the Trojan War transports us further back in time to c. 1470 when heroes clashed on distant shores.