1470 Collection (#6)

EVE AND LILITH. Lilith tempting eve with an apple in the Garden of Eden. Woodcut, German, 1470

French 15th Century, Christ on a Goldsmiths Cross, c. 1450-1470, woodcut

Girolamo di Benvenuto, Portrait of a Young Woman, Italian, 1470-1524, c. 1508, oil on panel

Cosmaš Tura, Italian (c. 1433-1495), The Annunciation with Saint Francis and Saint Louis of Toulouse [far right panel], c. 1470-1480, tempera and distemper on panel

Cosmaš Tura, The Annunciation with Saint Francis and Saint Louis of Toulouse [middle right panel], Italian, c. 1433-1495, c. 1470-1480, tempera and distemper on panel

Andrea Mantegna, Portrait of a Man, Italian, c. 1431-1506, c. 1470, tempera on hardboard transferred from canvas transferred from panel

Hans Memling (Netherlandish, active c. 1465-1494), Chalice of Saint John the Evangelist, c. 1470-1475, oil on panel

Carlo Crivelli, Italian (c. 1430-1435-1495), Madonna and Child Enthroned with Donor, 1470, tempera on panel

Ferrarese 15th Century, Madonna and Child with Angels, c. 1455-1470, tempera on panel

Jacob Cornelisz van Oostsanen (Netherlandish, 1470 or before - 1533), The Kiss of Judas, 1512, woodcut

Master of the S-Series Tarocchi (Italian, active c. 1470), Erato, probably c. 1470, engraving

German 15th Century, The Preparation for the Crucifixion, c. 1470, woodcut in brown, hand-colored in red lake, green, brown, and yellow

German 15th Century, Saint George, c. 1470, paste print

Andrea Briosco, called Riccio, The Entombment, Italian, 1470 - 1532, bronze

Daniel Hopfer I and Hieronymus Hopfer, Charles V, Holy Roman Emperor, German, c. 1470 - 1536, 1521, hand-colored etching on laid paper

Daniel Hopfer I (German, c. 1470 - 1536), Triumphal Altar with Stages in the Life of Christ, 1518, etching on 2 joined sheets of laid paper

Daniel Hopfer I, The Virgin Mary Taking Leave of Christ, German, c. 1470 - 1536, c. 1520, etching on laid paper

Sandro Botticelli, Madonna and Child, Italian, 1446 - 1510, c. 1470, tempera on panel

Lilith, winged and crowned, with serpentas tail, offers the apple to Eve, from Speculum
XJF472204 Lilith, winged and crowned, with serpentas tail, offers the apple to Eve, from Speculum Humanae Salvationis, after the original of 1470 (woodcut) by German School

Lamentation of Christ, attributed to Bernardino Zaganelli di Bosio, 1470 - 1520

Portrait of a Woman, circle of Giovanni Bellini, 1450 - 1470

Saint Nicholas Saving a Hanged Man, attributed to Zanobi di Jacopo Machiavelli, c. 1470

John the Baptist, attributed to Francesco Botticini, 1470 - 1497

Virgin and Child, attributed to Giovanni Bellini, 1470 - 1480

Anonymous (Italian). Lion, Dragon and Fox Quarrelling, ca. 1470-1490. Engraving on laid paper; appears to be 16th century. Plate: 123 mm x 175 mm (4.84 in. x 6.89 in.)

Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431 / 1432 - 1498)
Antonio del Pollaiolo (aka Antonio del Pollaiuolo, Italian, 1431/1432 - 1498). The Battle of the Nudes, ca. 1465-1470. Engraving. Sheet: 401 mm x 578 mm (15.79 in. x 22.76 in.). Second of two states

Anonymous after Marcantonio Raimondi (Italian, ca. 1470 / 1482 - 1527 / 1534). Poetry, 1542
Anonymous after Marcantonio Raimondi (Italian, ca. 1470/1482 - 1527/1534). Poetry, 1542. Engraving on laid paper. Plate: 176 mm x 146 mm (6.93 in. x 5.75 in.)

Jacopo de Barbari (Italian, ca. 1460 / 1470 a ca
Jacopo de Barbari (Italian, ca. 1460/1470 a ca. 1516). Holy Family with Saint Elizabeth. Engraving

Anonymous (Italian). The Phrygian Sybil, after 1470. Engraving on laid paper. Plate: 175 mm x 106 mm (6.89 in. x 4.17 in.)

Attributed to Andrea Mantegna (Italian, ca. 1431 - 1506). Flagellation with a Pavement, ca. 1465-1470. Engraving. Sheet: 345 mm x 291 mm (13.58 in. x 11.46 in.). From unfinished plate

Fortitude; Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1470; Pen and brown ink; 8.7 x 8.9 cm (3 7/16 x 3 1/2 in.)

Studies of Christs Loincloth (recto), Studies of Bookbindings and of Christs Loincloth (verso); Master of the Coburg Roundels, German

Dish with a Peacock Feather Pattern; Unknown; Deruta (probably), Italy, Europe; about 1470 - 1500; Tin-glazed earthenware; Object: H: 6.35 x Diam.: 39.05cm (H: 2 1/2 x Diam.: 15 3/8 in.)

Saint Cyricus; Francesco Laurana, Italian (Dalmatian), about 1420 - 1502; Italy, Europe; about 1470 - 1480; Marble; Object: H: 48.3 x W: 38.7 x D: 21 cm (H: 19 x W: 15 1/4 x D: 8 1/4 in.)

Initial L: Saint Anthony Appearing to Bishop Theophilus and Leading Him to His Hermitage; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial O: The Miracle of the Birds above the Hermitage Altar; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Emperor Constantine Praying in a Church, Sophia Plagued by Wicked Spirits, Through a Dream God Orders Constantine to Find Anthonys Remains

Saint Anthony Giving his Belongings to the Poor, Anthony Tormented by Demons, Anthony Burying Paul in the Desert, The Death and Burial of Saint Anthony; Master of the Brussels Romuleon or workshop

Initial A: The Body of Saint Anthony Transported to Constantinople and the Healing of Two Lepers after Touching the Saints Body; Master of the Brussels Romuleon or workshop, Flemish

Bishop Theophilus Finding the Grave of Saint Anthony; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium, Europe; about 1465 - 1470; Tempera colors

Initial P: Bishop Theophilus and His Companions Following a Star for Forty Days; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial Q: Bishop Theophilus Beholding the Stars which Will Lead Him to the Tomb of Saint Anthony; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby)

Initial Q: Saint Anthony Reassuring Bishop Theophilus and His Companions During a Great Storm; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial D: Saint Anthony Raising a Dead Man; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium, Europe; about 1465 - 1470; Tempera colors

Initial T: The Healing of the Blind after Touching the Body of Saint Anthony; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial N: Bishop Theophiluss Ship Blown Off Course and Bishop Theophilus in Prayer; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial L: The Sick in Alexandria Are Healed after Touching the Body of Saint Anthony; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

Initial A: Saint Anthony Saving Five Children from Wolves; Master of the Brussels Romuleon or workshop, Flemish, active about 1465; Brussels (probaby), Belgium

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In the year 1470, amidst the grandeur of Durham Cathedral, monk copyists diligently transcribe ancient texts, preserving knowledge for future generations. The echoes of their quills on parchment resonate through time, a testament to their dedication. Meanwhile, in the realm of artistry, Master of the Statues of Koudewat unveils his masterpiece: "Saint Barbara. " Painted with meticulous detail and vibrant colors characteristic of the era, this work transports viewers to a world where faith and beauty intertwine. Across England's history-laden landscape, young Edward V ascends to power at just seventeen. As players perform captivating dramas before enthralled audiences numbering fifty or more souls, they weave tales that captivate hearts and minds alike. Philosophy takes center stage as Boethius finds solace in its consoling embrace while Fortune turns her fickle wheel. These timeless concepts offer insights into life's complexities and provide guidance during uncertain times. Amidst these cultural marvels emerges an engineering triumph: Consolidated B-24J 44-44175 soars through skies once ruled by knights donning medieval attire. A symbol of progress and innovation in aviation technology - a glimpse into humanity's insatiable thirst for exploration. Within castle walls lies an intimate scene from everyday life circa 1470. An elderly man rests peacefully in his bedchamber while his wife reads comforting scriptures aloud. A maidservant prepares hot soup - offering nourishment not only for his body but also for his soul. As Mars looms above with zodiac signs Aries and Scorpio adorning its celestial canvas, we are reminded of ancient myths entwined with astrology's mystique. These symbols evoke stories passed down through generations - tales that continue to inspire wonder even today. The tapestry depicting Achilles' Tent during the Trojan War transports us further back in time to c. 1470 when heroes clashed on distant shores.