1480 Collection (#2)

Annunciation to the shepherds: country dance. From Heures de Charles d Angouleme, c. 1480. Found in the Collection of Bibliotheque Nationale de France

The Virgin and Child, 1480. Creator: Antonello da Messina (ca 1430-1479)
The Virgin and Child, 1480. Found in the Collection of Accademia Carrara, Bergamo

Thomas Aquinas, c. 1473-1475. Found in the Collection of Muse e du Louvre, Paris

Virgil, c. 1473-1475. Found in the Collection of Muse e du Louvre, Paris

Orpheus torn by the Maenads, c. 1480. Found in the Collection of Bibliothe que Nationale de France

Angel playing a violin, c. 1480. Melozzo da Forli (1438-1494
Melozzo da Forli (1438-1494). Italian painter. Fresco depicting an Angel playing a violin, c. 1480. From the Church of the Twelve Holy Apostles. Pinacoteca Vaticana. Vatican City

The Divine Comedy. Dante and Virgil in Hell. Folio 25 r. 148
The Divine Comedy. Poem by Dante Alighieri (1265-1321). Miniature depicting Dante and Virgil in Hell. The meeting of Dante with Farinata degli Uberti and Cavalcante de Cavalcanti. Folio 25 r

The Seven Joys of the Virgin, 1480, by Hans Memling (1435 / 14
Hans Memling (1435/1440-1494). Flemish painter. The Seven Joys of the Virgin, 1480. Detail of the Adoration of Three Magi. Alte Pinakothek. Munich. Germany

MET DE BLES, Henri. Copper mines
MET DE BLES, Henri (1480-1550). Landscape with coppper mines. Detail of the foundry. 16th century. Renaissance art. Oil on wood. CZECH Rep.. Prague. National Gallery in Prague

Leonardo da Vincis diagram of a typographical press with automatic page-feeder. Manuscript, c1480-1482
LEONARDO: PRINTING PRESS. Leonardo da Vincis diagram of a typographical press with automatic page-feeder. Manuscript, c1480-1482

Medieval Porter
The porter or warder, gate keeper of a castle, with his mastiff and his mighty club to discourage unwelcome visitors, his horn to sound a warning, and of course his keys. Date: 1480

Portrait of a Young Woman, 1480, after Hans Memling. From L Illustration, published 1936

St Jerome St Catherine Alexandria Saint Jerome
St Jerome and St Catherine of Alexandria, Saint Jerome and Sainte Catherine, De hl. Hieronymus and the hl. Catherine sits on a turf bench that is shielded from the landscape behind by a rose hedge

Mary Magdalene Saint Mary Magdalene standing
Mary Magdalene, Saint Mary Magdalene, standing with the ointment jar in the right hand. The penitent harlot Mary Magdalene, possible attributes: book (or scroll), crown, crown of thorns, crucifix

Saint Cosmas Damian half figure perhaps Damian
Saint Cosmas (or Damian), half figure of Saint Cosmas (or perhaps Damian), a square ointment box in hand. urinal, Bartolommeo Vivarini (attributed to), 1460 - 1480, panel

Portrait Charles Bold Duke Burgundy Charlemagne
Portrait of Charles the Bold, Duke of Burgundy, Portrait of Charlemagne, Duke of Burgundy. Standing to the right, full length on a tiled floor. Around the neck the chain of the Golden Fleece

Portrait Philip Good Duke Burgundy Standing left
Portrait of Philip the Good, Duke of Burgundy, Duke of Burgundy. Standing, to the left, full length on a tiled floor. Around the neck the chain of the Golden Fleece. Top right the family crest

Saint Damian Cosmas half-figure perhaps Cosmas
Saint Damian (or Cosmas), half-figure of Saint Damian (or perhaps Cosmas) in the hand a round ointment box. urinal, Bartolommeo Vivarini (attributed to), 1465 - 1480, panel

Madonna Child Mary blessing Christ child standing
Madonna and Child, Madonna with Child. Mary with the blessing Christ child standing on her lap, Madonna: i.e. Mary with the Christ-child, Giovanni Bellini (attributed to), 1470 - 1480, panel

King Melchior Three Magi Pointing Star fragment
King Melchior, one of the Three Magi, Pointing at the Star, fragment from An Adoration of the Magi, Caspar or Melchior, one of the three kings

Face Christ Face Christ portraits c 1480 1510
Face of Christ Face of Christ, portraits or Christ, anonymous, c. 1480 - c. 1510, paper, engraving, h 104 mm × w 70 mm

wedding Cana Group people table Mary points Christ
The wedding in Cana, Group of people at the table. Mary points Christ to five empty jars, Mary tells Christ that there is no more wine, marriage-feast at Cana, anonymous, Nederlanden, 1480 - 1500

flight Egypt falling idol Mary Christ child donkey
The flight to Egypt with the falling idol, Mary with Christ child on donkey. Joseph walks beside it. Image of soldier on column has fallen off, the flight into Egypt: Mary, Joseph

Edificij et machine Martini Francesco di Giorgio
Edificij et machine, Martini, Francesco di Giorgio, 1439-1501, brown ink and wash, ca. 1475-ca. 1480, The volume comprises 103 drawings by Francesco di Giorgio Martini and his assistants

Folio 15 mill Edificij et machine MS Martini
Folio 15 mill, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill powered crank Edificij et machine MS Martini
Mill powered by crank, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill horizontal water wheel Edificij et
Folio 40 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 13 mill powered water siphon Edificij et
Folio 13 mill powered by water from siphon, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 10 piston pumps water wheel Edificij et
Folio 10 piston pumps and water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 22 mill powered undershot water wheel Edificij et
Folio 22 mill powered by undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 39 mill horizontal water wheel Edificij et
Folio 39 mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 43 mill powered horse Edificij et machine
Folio 43 mill powered by horse, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 44 mill powered horizontal wheel Edificij et
Folio 44 mill powered by horizontal wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 40 mill overshot water wheel Edificij et
Folio 40 mill with overshot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Mill horizontal water wheel Edificij et machine
Mill with horizontal water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 5 two piston pumps Edificij et machine
Folio 5 two piston pumps, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Two mills wheel Edificij et machine MS Martini
Two mills with wheel between, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Folio 14 mill undershot water wheel Edificij et
Folio 14 mill with undershot water wheel, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Figures water holding oars portable bridge Edificij et
Figures in water holding oars and portable bridge, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Saint John Ethiopia 1480 1520 Tempera parchment
Saint John; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Saint Luke Ethiopia 1480 1520 Tempera parchment
Saint Luke; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Saint Mark Ethiopia 1480 1520 Tempera parchment
Saint Mark; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Saint Matthew Ethiopia 1480 1520 Tempera parchment
Saint Matthew; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Seventy-Two Disciples Ethiopia 1480 1520 Tempera
The Seventy-Two Disciples; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Prophets Apostles Ethiopia 1480 1520 Tempera
The Prophets and the Apostles; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Prophets Abraham Embracing Isaac Jacob Ethiopia
The Prophets with Abraham Embracing Isaac and Jacob; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

Virgin Child Archangels Michael Gabriel Ethiopia
The Virgin and Child with the Archangels Michael and Gabriel; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 × 25.6 cm (13 9, 16 × 10 1, 16 in.)

Canon Table Page Ethiopia 1480 1520 Tempera parchment
Canon Table Page; Ethiopia; about 1480 - 1520; Tempera on parchment; Leaf: 34.5 x 25.6 cm (13 9, 16 x 10 1, 16 in.)

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"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies, where heavenly battles unfold and saints come to life. In 1480, a year filled with intrigue and artistic marvels, history reveals its enigmatic secrets. The Eye of Horus gazes upon us, an emblem of protection and divine power. As we venture further, the False Door of Senenmut beckons us to explore hidden realms beyond our mortal existence. Amidst celestial turmoil in the War in Heaven, the Beast emerges from Revelation's pages. Melozzo da Forli's angelic lute-playing resonates with ethereal melodies that echo through time. Behold Saint Barbara, her beauty captured by the Master of the Statues of Koudewat. Her story intertwines with Balaam's ass who perceives an unseen angel—a reminder that even animals can sense divine presence. Ferdinand Magellan sets sail on his daring expedition across uncharted waters while French artists depict miracles unfolding before our eyes. The Workshop of Master Cologne Arms immortalizes Saint Roche as he offers solace during times of plague. Saint Michael the Archangel stands tall alongside two generous donors—his sword raised against evil forces. Castilian School portrays Saint Jerome immersed in study; his wisdom transcends centuries within intricate details. And finally, The Colleoni Statue guards Venice's streets—an enduring symbol of strength and leadership amidst turbulent times. In this tapestry woven by history itself, 1480 invites us to unravel its enigmas and immerse ourselves in a world where artistry merges with spirituality—a captivating journey through time like no other.