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1480 Collection (#5)

"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies

Background image1480 Collection: Saint Catherine of Alexandria, c. 1470, by Master of the Sta

Saint Catherine of Alexandria, c. 1470, by Master of the Sta
Master of the Statues of Koudewater (active c. 1460-1480). Saint Catherine of Alexandria, c. 1470. Rijksmuseum. Amsterdam. Holland

Background image1480 Collection: The Divine Comedy. Dante and Virgil in Purgatory. Folio 177

The Divine Comedy. Dante and Virgil in Purgatory. Folio 177
The Divine Comedy. Poem by Dante Alighieri (1265-1321). Miniature depicting Dante and Virgil in Purgatory. Folio 177 r. 1480-1482. Painted by Guglielmo Giraldi (active 1445-1490)

Background image1480 Collection: False door of Senenmut. Egypt

False door of Senenmut. Egypt
False door of Senenmut, architect and official government. Sandstone. New Kingdom. 18th Dynasty. 1480-1460 BC. West Thebes. Neues Museum. Berlin. Germany

Background image1480 Collection: Leonardo da Vinci (1452 A?i? 1519). The Madonna of the Carn

Leonardo da Vinci (1452 A?i? 1519). The Madonna of the Carn
Leonardo da Vinci (1452 A?i? 1519) was an Italian Renaissance polymath. The Madonna of the Carnation. 1478-1480. Virgin Mary is holding a carnation. Alte Pinakothek. Munich. Germany

Background image1480 Collection: French Costumes 1460-80

French Costumes 1460-80
Men: shallow caps with upturned brims, jackets with pleats & doublets. Women: gown with fur borders, V -neck with revers, kirtle, hood-like headdress, hood with liripipe. Date: 1460 - 1480

Background image1480 Collection: Ecce Homo, 1525. Polychrome sculpture by Alonso

Ecce Homo, 1525. Polychrome sculpture by Alonso Berruguete. Renaissance art. Sculpture on wood. SPAIN. CASTILE AND LEON. Valladolid. National Museum of Sculpture

Background image1480 Collection: Sacrifice of Isaac, 1527-1532. Polychrome sculpture

Sacrifice of Isaac, 1527-1532. Polychrome sculpture by Alonso Berruguete. It belongs to the Altarpiece of San Benito el Real (Valladolid). Renaissance art. Sculpture on wood. SPAIN. CASTILE AND LEON

Background image1480 Collection: Doble Excelente (Double Excellent) coined in Seville

Doble Excelente (Double Excellent) coined in Seville. 1480. Obverse of gold coin with the representation of the Catholic Monarchs. Coin

Background image1480 Collection: JOSEPH AND THE PIT. Joseph cast into the pit by his brothers (Genesis 37: 18-28)

JOSEPH AND THE PIT. Joseph cast into the pit by his brothers (Genesis 37: 18-28). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: DAVID AND BATHSHEBA. King David watches Bathsheba bathe (2 Samuel 11: 2)

DAVID AND BATHSHEBA. King David watches Bathsheba bathe (2 Samuel 11: 2). Woodcut from the Cologne Bible, 1478-80

Background image1480 Collection: JACOB BLESSING HIS SONS. Jacobs twelve sons gathered to hear their fathers prophecies

JACOB BLESSING HIS SONS. Jacobs twelve sons gathered to hear their fathers prophecies regarding each of them and to receive his blessing (Genesis 49). Woodcut from the Cologne Bible, 1478-1480

Background image1480 Collection: ARMOR: HELMET, c1480. Visored sallet with bevor, South German

ARMOR: HELMET, c1480. Visored sallet with bevor, South German

Background image1480 Collection: Rene D anjou

Rene D anjou
Rene, duc d Anjou, duc de Lorraine, titular king of Naples but driven out, retired to Provence where he maintained a court noted for its culture

Background image1480 Collection: Magellan and his Crew

Magellan and his Crew
FERDINAND MAGELLAN consults with his navigators whether to attempt to pass through what we now know as the Straits of Magellan, 21 October 1520

Background image1480 Collection: Hendrik Bles

Hendrik Bles
HENDRIK BLES Dutch artist

Background image1480 Collection: Ferdinand Magellan

Ferdinand Magellan
FERDINAND MAGELLAN (Fernando Magallanes) Portuguese navigator

Background image1480 Collection: Madonna and Child 1480. Giovanni Bellini (1426-1516) Italian Renaissance painter

Madonna and Child 1480. Giovanni Bellini (1426-1516) Italian Renaissance painter. Mother Infant Virgin Blue

Background image1480 Collection: The Death Of Ananias

The Death Of Ananias, Between 1515 And 1535, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: The Cardinal And The Doctor

The Cardinal And The Doctor, Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Venus And Cupids

Venus And Cupids, Between 1515 And 1535, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Diogenes With The Featherless Cock

Diogenes With The Featherless Cock, Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Sibyl Reading A Book

Sibyl Reading A Book, Carpi, Ugo Da, 1480 Approximately 1532, Date Created Between 1500 And 1530, Chiaroscuro Woodcut, Color, 9 X 5 Cm, The Cumaean Sibyl, Full-length, Seated, Facing Right

Background image1480 Collection: Raphael And His Beloved

Raphael And His Beloved, Carpi, Ugo Da, 1480 Approximately 1532, Date Created Between 1500 And 1530, Chiaroscuro Woodcut, Color, 3 X 8 Cm, Showing Raphael Standing Before Margherita Luti, Seated

Background image1480 Collection: Apollo And Marsyas

Apollo And Marsyas, Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Pan

Pan, Between 1500 And 1530, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Saints Peter And John

Saints Peter And John, Between 1500 And 1610, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Fortitude

Fortitude, Between 1500 And 1610, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Surprise

Surprise, Between 1500 And 1530, Printed Later, Carpi, Ugo Da, 1480-approximately 1532

Background image1480 Collection: Jason Returning With The Golden Fleece / Aa [monogram Of Andrea Andreani

Jason Returning With The Golden Fleece / Aa [monogram Of Andrea Andreani, Approximately 1560-1623] In Mantoua 160, Carpi, Ugo Da, 1480-approximately 1532, Artist, Parmigianino, 1503-1540

Background image1480 Collection: Saint John the Baptist, c. 1470, by Master of the Statues of

Saint John the Baptist, c. 1470, by Master of the Statues of
Master of the Statues of Koudewater (active c. 1460-1480). Saint John the Baptist, c. 1470. Rijksmuseum. Amsterdam. Holland

Background image1480 Collection: Altarpiece of Saint Lambert. Utrecht, 1470-1480. Clay

Altarpiece of Saint Lambert. Utrecht, 1470-1480. Clay. Dedicated to the life of Mary. Nativity, Adoration of the Kings and Marriage of Mary and Joseph

Background image1480 Collection: Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo

Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century). The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background image1480 Collection: Leonardesque model. Work machines. Winch. Codex Atlanticus

Leonardesque model. Work machines. Winch. Codex Atlanticus
Leonardesque model. Work machines. Winch. Leonardo describes a winch that can transform the alternated motion of a lever in the continuous circular motion of a shaft. Codex Atlanticus, shett 30v




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"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies, where heavenly battles unfold and saints come to life. In 1480, a year filled with intrigue and artistic marvels, history reveals its enigmatic secrets. The Eye of Horus gazes upon us, an emblem of protection and divine power. As we venture further, the False Door of Senenmut beckons us to explore hidden realms beyond our mortal existence. Amidst celestial turmoil in the War in Heaven, the Beast emerges from Revelation's pages. Melozzo da Forli's angelic lute-playing resonates with ethereal melodies that echo through time. Behold Saint Barbara, her beauty captured by the Master of the Statues of Koudewat. Her story intertwines with Balaam's ass who perceives an unseen angel—a reminder that even animals can sense divine presence. Ferdinand Magellan sets sail on his daring expedition across uncharted waters while French artists depict miracles unfolding before our eyes. The Workshop of Master Cologne Arms immortalizes Saint Roche as he offers solace during times of plague. Saint Michael the Archangel stands tall alongside two generous donors—his sword raised against evil forces. Castilian School portrays Saint Jerome immersed in study; his wisdom transcends centuries within intricate details. And finally, The Colleoni Statue guards Venice's streets—an enduring symbol of strength and leadership amidst turbulent times. In this tapestry woven by history itself, 1480 invites us to unravel its enigmas and immerse ourselves in a world where artistry merges with spirituality—a captivating journey through time like no other.