1510s Collection

Brass rubbing, Ralph Hamsterley, rector of Oddington, Oxon
Monumental brass rubbing, Ralph Hamsterley, rector of Oddington, Oxfordshire. circa 1518

Ladon and Syrinx, 1510. Creator: Giovanni Agostino da Lodi
Ladon and Syrinx, 1510.

Pan and Syrinx, 1510. Creator: Giovanni Agostino da Lodi
Pan and Syrinx, 1510.

Portrait of a Young Man, 1518. Creator: Raphael
Portrait of a Young Man, 1518.

Portrait of a Woman, 1518. Creator: Hans Holbein the Elder
Portrait of a Woman, 1518.

Portrait of a Man, 1518. Creator: Hans Holbein the Elder
Portrait of a Man, 1518.

The Virgin and Child with Saints and a Donor, 1518. Creator: Jacopo Palma il Vecchio
The Virgin and Child with Saints and a Donor, 1518.

Portrait of Anne of Hungary and Bohemia, 1519. Creator: Hans Maler
Portrait of Anne of Hungary and Bohemia, 1519.

Self-Portrait, 1519. Creator: Joos van Cleve
Self-Portrait, 1519.

Portrait of a Woman, 1510. Creator: Wolf Traut
Portrait of a Woman, 1510.

Portrait of a Man (Sebastian Gessler?), 1515. Creator: Martin Schaffner
Portrait of a Man (Sebastian Gessler?), 1515.

The Lamentation, 1510. Creator: Ulrich Apt the Elder
The Lamentation, 1510.

Portrait of a Young Woman Known as "La Bella", 1518. Creator: Jacopo Palma il Vecchio
Portrait of a Young Woman Known as "La Bella", 1518.

Landscape with the Rest on the Flight into Egypt, 1518. Creator: Joachim Patinir
Landscape with the Rest on the Flight into Egypt, 1518.

The Rest on the Flight into Egypt, 1515. Creator: Bernaert van Orley
The Rest on the Flight into Egypt, 1515.

The Holy Trinity, 1511. Creator: Albrecht Durer
The Holy Trinity, 1511.

Melencolia I, 1514. Creator: Albrecht Durer
Melencolia I, 1514. The standard interpretation highlights the depressive or melancholy state of the human condition, and explains the many important symbols in the print accordingly.

The Virgin on the crescent with a sceptre and a starry crown, 1516. Creator: Albrecht Durer
The Virgin on the crescent with a sceptre and a starry crown, 1516. The Virgin stands on a crescent moon, holding Christ in her arms (he holds an apple)

Portrait of Raphael, (c1518). Creator: Giulio Bonasone
Portrait of Raphael, (c1518). The world-famous painter Raphael was endowed with a handsome appearance and great personal charm in addition to his prodigious artistic talents

Anatomical illustration
2625750 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625743 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625741 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625754 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625749 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625753 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625747 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Martin Luther nailing his theses to the door of the church in Wittenberg, 1517
1574338 Martin Luther nailing his theses to the door of the church in Wittenberg, 1517; (add.info.: Illustration of a small crowd has gathered to watch as Martin Luther directs the posting of his 95)

Anatomical illustration
2625748 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625745 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625752 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625746 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

King Henry VIII of England prepares to invade France
2911200 King Henry VIII of England prepares to invade France; (add.info.: On 30 June 1513, King Henry VIII of England prepares to invade France.); Universal History Archive/UIG

Anatomical illustration
2625751 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Anatomical illustration
2625744 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Gustav Eriksson of the Vasa noble family (engraving)
1578160 Gustav Eriksson of the Vasa noble family (engraving); (add.info.: Portrait of Gustav Eriksson of the Vasa noble family (1496-1560) King of Sweden

An apothecary lesson
2626804 An apothecary lesson; (add.info.: Illustration of an apothecary lesson. Hieronymus Brunschwig, Liber de Arte Distillandi de Compositis, 1512.); Universal History Archive/UIG

Anatomical illustration
2625742 Anatomical illustration; (add.info.: Anatomical illustration by Ame Bourdon, from Nouvelles tables anatomiques'; Chambray: 1678.); Universal History Archive/UIG

Saint Pharahildis, c1510. Creator: Leonhard Beck
Saint Pharahildis, c1510. Series: Saints Connected with the House of Hapsburg

An Assembly of Wise Men and Women, between circa 1510 and circa 1520. Creator: Marco Dente
An Assembly of Wise Men and Women, between circa 1510 and circa 1520

The Visitation, between 1505 and 1515. Creators: Marcantonio Raimondi, Albrecht Durer
The Visitation, between 1505 and 1515

Two Sibyls with Signs of Zodiac, between 1517 and 1520. Creator: Marcantonio Raimondi
Two Sibyls with Signs of Zodiac, between 1517 and 1520

Female Saint (Saint Mary Magdalene), c.1510. Creator: Unknown
Female Saint (Saint Mary Magdalene), c.1510

Profile of a Gypsy Woman, 1500-1525. Creator: Unknown
Profile of a Gypsy Woman, 1500-1525. This panel was originally installed along the upper wall of a room, perhaps a study or reception room

Portrait of Raphael, Seated, between circa 1517 and circa 1519. Creator: Marcantonio Raimondi
Portrait of Raphael, Seated, between circa 1517 and circa 1519

Madonna and Child with Saints, c1510-1515. Creator: Francesco Zaganelli
Madonna and Child with Saints, c1510-1515. This grouping of the Virgin and Child with saints (Mary Magdalen, Jerome, an unidentified male saint)

Portrait of a Young Woman as a Saint, c1510-1520. Creator: Amico Aspertini
Portrait of a Young Woman as a Saint, c1510-1520

Portrait of a Man Holding a Rosary, 1510-1520. Creator: Unknown
Portrait of a Man Holding a Rosary, 1510-1520

Madonna and Child, 1510-1515. Creator: Giovanni Agostino da Lodi
Madonna and Child, 1510-1515

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The 1510s were a decade filled with significant events and artistic masterpieces. In this era, the art of brass rubbing flourished, capturing intricate details of historical figures like Ralph Hamsterley, the rector of Oddington in Oxon. Meanwhile, on the battlefield, the Battle of Flodden reached its peak height in Northumberland on September 9th, 1513. This fierce clash between England and Scotland left an indelible mark on history. Amidst these conflicts, another attack took place - French raiders targeted Brighthelmstone (now known as Brighton). The town faced turmoil as it defended itself against these invaders seeking to plunder its riches. Artistic expressions also thrived during this period. A vellum leaf showcased a metalcut illustration depicting the martyrdom of a saint in 1510. Another artwork portrayed Christ nailed to the Cross while being presented by a priest alongside a donor with his arm in a sling. Religious themes continued to inspire artists throughout this decade. One notable piece depicted The Madonna and Child with the Infant Saint John the Baptist and two angels. Its beauty captivated viewers and reflected religious devotion. In terms of military strategy, detailed plans were drawn for Flodden Field - where England clashed once again with Scotland during their infamous battle. These maps provided insight into tactical maneuvers employed by both sides. Not limited to battles or religious scenes alone, art encompassed various subjects such as Utopia - represented through woodcuts that offered glimpses into an idealized world envisioned by Sir Thomas More in 1516. Saint Christopher was immortalized through oil on panel painting in 1517; his image symbolizing protection for travelers across treacherous paths. Lastly, emotions ran deep within artworks like The Mater Dolorosa from around 1509-1511; painted with oils on panel portraying Mary's sorrowful state after witnessing her son's crucifixion.