1516 Collection (page 4)

Battle Spurs Der Weisskunig printed 18th century
Artokoloro

Three Christian Heroines Drei Gut Kristin Heroes
Artokoloro

Imperial Double Eagle Coat Arms Ingolstadt Freiburg
Artokoloro

Portrait Simon von Liebenstein ca 1516 Charcoal
Artokoloro

Storming Moran Shore Der Weisskunig printed 18th century
Artokoloro

Venus removing thorn left foot seated cloth beside trees
Artokoloro

Virgin Child Saint Elizabeth John Baptist landscape
Artokoloro

Battle Naples Der Weisskunig printed 18th century
Artokoloro

White King Child Playing Children Der Weisskunig
Artokoloro

Bookplate, coat, arms, Konrad Peutinger, Hans Burgkmair, German, Augsburg 1473-1531 Augsburg
Bookplate with the coat of arms of Konrad Peutinger, Hans Burgkmair (German, Augsburg 1473-1531 Augsburg), 1516

Title Page 1516 Woodcut Sheet 6 15 / 16 4 17. 7
Artokoloro

White King Council Welsh Party Receiving Message
Artokoloro

Encounter Two Generals Cleves Der Weisskunig
Artokoloro

Splendid Foundation Old White King Der Weisskunig
Artokoloro

Apollo Diana ca 1503-5 Engraving plate 6 1 / 4 x 3 15 / 16
Artokoloro

Three Worthy Christians Charlemagne King Arthur
Artokoloro

Surrender Venetian Townships Der Weisskunig printed 18th century
Artokoloro

Battle Teramundt Teremonde Der Weisskunig printed 18th century
Artokoloro

Brown White Party Asking Mercy Old White King
Artokoloro

Madonna Rose Madonna reaches rose upheld child
Artokoloro

Vulcan Building Fence Around Mount Venus late 15th century
Artokoloro

Virgin Child 1516 Oil spruce 11 x 7 3 / 8 27. 9 18. 7 cm
Artokoloro

Scenes Story Argonauts ca 1465 Tempera wood gilt ornaments
Artokoloro

Scenes Story Argonauts Tempera wood gilt ornaments
Artokoloro

Abraham Sending Away Hagar 1516 Engraving sheet
Artokoloro

Vincenzo Foppa, Saint Anthony of Padua, Italian, c. 1430-1515-1516, c. 1495-1500, oil (?) on panel

Attributed to Giovanni Bellini, Italian (c. 1430-1435-1516), Giovanni Emo, c. 1475-1480, oil on panel transferred to canvas mounted on panel

Giovanni Bellini, The Infant Bacchus, Italian, c. 1430-1435-1516, probably 1505-1510, oil on panel transferred to panel

Sebastiano del Piombo, Cardinal Bandinello Sauli, His Secretary, and Two Geographers, Italian, 1485-1547, 1516, oil on panel

Biagio d Antonio, Italian (c. 1446-1516), Portrait of a Boy, c. 1476-1480, oil and tempera on panel

Hieronymus Bosch (Netherlandish, c. 1450-1516), Death and the Miser, c. 1485-1490, oil on panel

Giovanni Antonio Boltraffio, Italian (1467-1516), Portrait of a Youth, c. 1495-1498, oil on panel

Giovanni Bellini and Titian, Italian (c. 1430-1435-1516), The Feast of the Gods, 1514-1529, oil on canvas

Hans Burgkmair I (German, 1473 - 1531), Joshua, David and Judas Maccabaeus, 1516, woodcut

Giovanni Bellini, Italian (c. 1430-1435-1516), Saint Louis of Toulouse Holding a Book, c
Giovanni Bellini (Italian, c. 1430-1435 - 1516), Saint Louis of Toulouse Holding a Book, c. 1465, pen and brown ink on laid paper

Albrecht DaOErer, Portrait of a Clergyman (Johann Dorsch?), German, 1471 - 1528, 1516, oil on parchment on fabric

Giovanni Bellini, Madonna and Child in a Landscape, Italian, c. 1430-1435 - 1516, c. 1480-1485, oil on panel

Leonhard Beck and Berno of Reichenau (German, c. 1480 - 1542), Gloriosorum christi confessorum Uldarici & Symperti, 1516, bound volume with six woodcut illustrations

Jacopo de Barbari, Nude Woman Holding a Mirror (Allegory of Vanitas), Italian, c. 1460-1470 - 1516 or before, c. 1503-1504, engraving

Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805). The Blind Man Deceived (L aveugle trompe), ca. 1760-1770. Etching on laid paper. Plate: 385 mm x 360 mm (15.16 in)

Jacopo de Barbari (Italian, ca. 1460 / 1470 a ca
Jacopo de Barbari (Italian, ca. 1460/1470 a ca. 1516). Holy Family with Saint Elizabeth. Engraving

Marco Dente (aka Marco da Ravenna, Italian, ca. 1486-1527) after Raphael (Italian, 1483 - 1520). Venus, ca. 1516. Engraving on laid paper. Plate: 265 mm x 175 mm (10.43 in. x 6.89 in.)

Saint Paul Rending His Garments; Raphael (Raffaello Sanzio), Italian, 1483 - 1520; about 1515 - 1516; Metalpoint, heightened with white gouache

Design for an Ornament or Signet Ring with the Arms of Lazarus Spengler; Albrecht Durer, German, 1471 - 1528; Germany, Europe; 1516; Pen and brown ink; 5.9 x 5.4 cm (2 5/16 x 2 1/8 in.)

Fortitude; Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1470; Pen and brown ink; 8.7 x 8.9 cm (3 7/16 x 3 1/2 in.)

Standing man wearing a turban; Attributed to Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1485; Pen and brown ink; 11.6 x 5.2 cm (4 9/16 x 2 1/16 in.)

Madonna and Child with Two Hermit Saints; Bernardino Fungai, Italian (Sienese), 1460 - 1516; early 1480s; Tempera on panel; Unframed: 68.6 x 45.7 cm (27 x 18 in.)

Giovanni Bellini, Madonna and Child, Italian, c. 1430-1435-1516, c. 1480-1485, oil on panel

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"Exploring the Artistic and Historical Tapestry of 1516" Step into the enchanting world of 1516, where art, literature, and history intertwine to create a captivating narrative. On the left side of "The Garden of Earthly Delights, " painted by Hieronymus Bosch in this very year, we are transported to a surreal realm filled with fantastical creatures and intricate symbolism. Meanwhile, across the English Channel, Mary Tudor ascends to power as Queen Consort after her marriage to Louis XII of France at Egleton. Her reign would leave an indelible mark on British history. In another corner of Europe, Paul Ricci's illustration from "Portae Lucis" unveils the mystical Sephirotic Tree of Life from Kabbalah teachings. This ancient symbol represents divine emanations and spiritual enlightenment. Noteworthy events unfold in distant lands too; Sultan Selim I triumphantly conquers Egypt while Edwin Sandys assumes his role as Archbishop. These significant moments shape political landscapes far beyond their borders. Delving deeper into cultural achievements, Conrad Gessner emerges as a prominent figure in natural history with his birth in 1516. His contributions would forever influence scientific exploration for generations to come. Art continues its transformative power as Raphael's masterpiece "The Transfiguration of Christ" takes shape during these years—a testament to his genius brushstrokes capturing divine radiance and spiritual transcendence. Closer to home lies Sheffield Manor Lodge—a place steeped in Tudor history—where grandeur meets intrigue within its walls. It serves as a reminder that even amidst tumultuous times, beauty can still flourish. As we reflect upon this pivotal year's legacy, let us not forget Fernando and Isabela whose tomb stands tall—an enduring symbol commemorating their union that united kingdoms and sparked new eras.