1516 Collection (#5)

Hans Burgkmair I (German, 1473 - 1531), Joshua, David and Judas Maccabaeus, 1516, woodcut

Giovanni Bellini, Italian (c. 1430-1435-1516), Saint Louis of Toulouse Holding a Book, c
Giovanni Bellini (Italian, c. 1430-1435 - 1516), Saint Louis of Toulouse Holding a Book, c. 1465, pen and brown ink on laid paper

Albrecht DaOErer, Portrait of a Clergyman (Johann Dorsch?), German, 1471 - 1528, 1516, oil on parchment on fabric

Giovanni Bellini, Madonna and Child in a Landscape, Italian, c. 1430-1435 - 1516, c. 1480-1485, oil on panel

Leonhard Beck and Berno of Reichenau (German, c. 1480 - 1542), Gloriosorum christi confessorum Uldarici & Symperti, 1516, bound volume with six woodcut illustrations

Jacopo de Barbari, Nude Woman Holding a Mirror (Allegory of Vanitas), Italian, c. 1460-1470 - 1516 or before, c. 1503-1504, engraving

Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805). The Blind Man Deceived (L aveugle trompe), ca. 1760-1770. Etching on laid paper. Plate: 385 mm x 360 mm (15.16 in)

Jacopo de Barbari (Italian, ca. 1460 / 1470 a ca
Jacopo de Barbari (Italian, ca. 1460/1470 a ca. 1516). Holy Family with Saint Elizabeth. Engraving

Marco Dente (aka Marco da Ravenna, Italian, ca. 1486-1527) after Raphael (Italian, 1483 - 1520). Venus, ca. 1516. Engraving on laid paper. Plate: 265 mm x 175 mm (10.43 in. x 6.89 in.)

Saint Paul Rending His Garments; Raphael (Raffaello Sanzio), Italian, 1483 - 1520; about 1515 - 1516; Metalpoint, heightened with white gouache

Design for an Ornament or Signet Ring with the Arms of Lazarus Spengler; Albrecht Durer, German, 1471 - 1528; Germany, Europe; 1516; Pen and brown ink; 5.9 x 5.4 cm (2 5/16 x 2 1/8 in.)

Fortitude; Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1470; Pen and brown ink; 8.7 x 8.9 cm (3 7/16 x 3 1/2 in.)

Standing man wearing a turban; Attributed to Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1485; Pen and brown ink; 11.6 x 5.2 cm (4 9/16 x 2 1/16 in.)

Madonna and Child with Two Hermit Saints; Bernardino Fungai, Italian (Sienese), 1460 - 1516; early 1480s; Tempera on panel; Unframed: 68.6 x 45.7 cm (27 x 18 in.)

Giovanni Bellini, Madonna and Child, Italian, c. 1430-1435-1516, c. 1480-1485, oil on panel

Biagio d Antonio and Workshop, The Triumph of Camillus, Italian, c. 1446-1516, c. 1470-1475, tempera on panel

Vincenzo Foppa, Saint Bernardino of Siena, Italian, c. 1430-1515-1516, c. 1495-1500, oil (?) on panel

Bartolomeo Spani, Saint Simeon of Polirone Exorcising the Daughter of the King of Leon, Italian, 1468-1539, probably c. 1516, bronze--Medium brown patina

Francesco Marti, Male Saint, Italian, active 1489-1516, c. 1500, gilt bronze

Jacopo de Barbari (Italian, c. 1460-1470-1516 or before), Two Philosophers, c. 1509, engraving

Agostino dei Musi after Raphael (Italian, c. 1490-1536 or after), Venus and Cupid, 1516, engraving

SAINT JAMES OF COMPOSTELA. Also known as Saint James the Greater. One of the 12 apostles. Oil on panel, 1516, by Albrecht Durer

RAPHAEL: VIRGIN OF THE ROSE. The Virgin of the Rose. Oil on canvas, Raphael, c1516

FIRE, 16TH CENTURY. Saint Florian, patron saint of firefighters. German woodcut, c1516, by Hans Schaufelein

SIMIA SATYRUS, 1516. Simia Satyrus from India. Woodcut from Gaius Plinius Secunduss Historia Naturalis, Venice, Itlay, 1516

TROGLODYT MONSTER, 1516. The elephant-headed Troglodyt of Ethiopia. Woodcut from Gaius Plinius Secunduss Historia Naturalis, Venice, Itlay, 1516

SICILIAN CYCLOP, 1516. The one-eyed Cyclop of Sicily. Woodcut from Gaius Plinius Secunduss Historia Naturalis, Venice, Italy, 1516

SEA MONSTERS, 1516. Sea serpent and dolphin from an edition of Pliny the Elder s
SEA MONSTERS, 1516. Sea serpent and dolphin from an edition of Pliny the Elders Historia Naturale, woodcut printed at Venice, Italy in 1516

Zachary Taylor (1784 - 1850), American general and the 12th President of the USA. (Photo by Hulton Archive/Getty Images)

Zachary Taylor
circa 1849: Zachary Taylor (1784 - 1850), 12th President of the United States of America (1849 - 1850), a hero of the Mexican War he was nominated in 1848 by the Whigs and was elected

Amsterdam, Montelbaanstoren, The Netherlands
The Montelbaanstoren - a tower on bank of the Oudeschans Canal in Amsterdam, The Netherlands. Date: circa 1920s

Plan of the island of Utopia. From Thomas Moores work depicting an ideal state where reason ruled, Utopia 1518 (Ist edition 1516) Woodcut

Headpiece from Thomas Moores work depicting an ideal state where reason ruled, Utopia 1518 (Ist edition 1516) showing More in discussion with Raphael Hythlodaeus (Hythloday)

Russia, Yaroslavl, cathedral at Monastery of Transfiguration of Savior UNESCO World Heritage Site, 16th century

Russia, Yaroslavl, column frescos in cathedral at Monastery of Transfiguration of Savior UNESCO World Heritage Site, 16th century

Russia, Yaroslavl, column frescos in cathedral at Monastery of Transfiguration of Savior UNESCO World Heritage Site, 16th century

Giovanni Bellini, Venezia 1430, circa - 1516)

Charles V depicted on a gold coin. (Carlos I, Carlos V or Carlos I de Espana), 1500 - 1558)ruler of the Holy Roman Empire from 1519 and, as Carlos I of Spain

The Latin and Greek New Testament, 1516

Italy, Florence, Portrait of a Veiled woman
Raffaello Sanzio (1483-1520), Portrait of a Veiled Woman, ca. 1516

The Consultation. Woodcut from the title page of Panthaleos Pillularium, Pavia, Italy, 1516
DOCTOR AND PATIENT, 1516. The Consultation. Woodcut from the title page of Panthaleos Pillularium, Pavia, Italy, 1516

BELLINI, Giovanni (1430-1516). Pieta. Christ hold by the Virgin and Saint John. Renaissance art. Quattrocento

FERDINAND II the Catholic (1452-1516). King of Aragon (1479-1516) and Castile (1474-1504). Illustration from the book Ritratti

Isabella I the Catholic (1451-1504); FERDINAND II the Catholic (1452-1516); Catholic Monarchs (15-16th century). Queen of

Catholic Monarchs (15-16th century). Isabella I of Castile (1451-1504) and Ferdinand II of Aragon (1452-1516). Wedding of the Catholic

GESSNER, Conrad (1516-1565). Swiss lecturer of medicine and philosophy in the School of Tiguriana. Historiae Animalium

ARIOSTO, Ludovico (1474-1533). Italian Renaissance poet. Orlando Furioso. Canto one. Edition made in Ferrara (1516)

The paradise, the purgatory and the hell

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"Exploring the Artistic and Historical Tapestry of 1516" Step into the enchanting world of 1516, where art, literature, and history intertwine to create a captivating narrative. On the left side of "The Garden of Earthly Delights, " painted by Hieronymus Bosch in this very year, we are transported to a surreal realm filled with fantastical creatures and intricate symbolism. Meanwhile, across the English Channel, Mary Tudor ascends to power as Queen Consort after her marriage to Louis XII of France at Egleton. Her reign would leave an indelible mark on British history. In another corner of Europe, Paul Ricci's illustration from "Portae Lucis" unveils the mystical Sephirotic Tree of Life from Kabbalah teachings. This ancient symbol represents divine emanations and spiritual enlightenment. Noteworthy events unfold in distant lands too; Sultan Selim I triumphantly conquers Egypt while Edwin Sandys assumes his role as Archbishop. These significant moments shape political landscapes far beyond their borders. Delving deeper into cultural achievements, Conrad Gessner emerges as a prominent figure in natural history with his birth in 1516. His contributions would forever influence scientific exploration for generations to come. Art continues its transformative power as Raphael's masterpiece "The Transfiguration of Christ" takes shape during these years—a testament to his genius brushstrokes capturing divine radiance and spiritual transcendence. Closer to home lies Sheffield Manor Lodge—a place steeped in Tudor history—where grandeur meets intrigue within its walls. It serves as a reminder that even amidst tumultuous times, beauty can still flourish. As we reflect upon this pivotal year's legacy, let us not forget Fernando and Isabela whose tomb stands tall—an enduring symbol commemorating their union that united kingdoms and sparked new eras.