1617 Collection (page 2)

Ships off IJsselmonde ship De Eendraght IJsselmonde
Ships off IJsselmonde, The ship De Eendraght for IJsselmonde in the year 1618 during the journey after the discovery by Schouten and Le Maire of Cape Horn and the Strait of Le Maire

Christ Woman Canaan woman Canaan kneeling woman begs Christ
Christ and the Woman Canaan, Christ and the woman from Canaan. A kneeling woman begs Christ among his disciples to heal her daughter who is possessed by the devil

Suzanna elders elsewhere advances towards Susanna
Suzanna and the elders, the elsewhere making advances towards Susanna, Michel Lasne, 1600 - 1667 and/or 1617 - 1620, paper, engraving, h 333 mm × w 247 mm

Venus punishes Amor Scenes Venus Amor series title
Venus punishes Amor Scenes with Venus and Amor (series title) Scherzi d amore (series title on object), Venus and Amor in a landscape. Venus gives Amor a beating. Italian verse below margin

Amor asks Venus Bow ScAš nes Venus Amor copies
Amor asks Venus the Bow Sce nes with Venus and Amor (copies) (series title) Scherzi d amore (series title on object), Venus and Amor in a landscape. Venus holds the bow of Amor

Path lighthouse beach Landscapes Esaias van de Velde
Path along a lighthouse on the beach Landscapes to Esaias van de Velde (series title), dune coast, lighthouse, lightship, Esaias van de Velde, Haarlem, 1610 - 1617, paper, etching, h 58 mm × w 97 mm

Rider path past farm Landscapes Esaias van de Velde
Rider on a path past a farm Landscapes to Esaias van de Velde (series title), farm or solitary house in landscape, Esaias van de Velde, Haarlem, 1610 - 1617, paper, etching, h 58 mm × w 97 mm

Path waterfall Landscapes Esaias van de Velde
Path along a waterfall Landscapes to Esaias van de Velde (series title), waterfall, Esaias van de Velde, 1610 - 1617 and/or 1617, paper, etching, h 58 mm × w 97 mm

Man drives donkey towards bridge Landscapes Esaias van de Velde
Man drives a donkey towards a bridge Landscapes to Esaias van de Velde (series title), landscape with bridge, viaduct or aqueduct, ass, donkey, Esaias van de Velde, 1610 - 1617 and/or 1617, paper

Skaters kolf players ice farms Landscapes Esaias van de Velde
Skaters and kolf players on ice for farms Landscapes to Esaias van de Velde (series title), Esaias van de Velde, 1610 - 1617 and/or 1617, paper, etching, h 58 mm × w 97 mm

Path river buildings stilts Landscapes Esaias van de Velde
Path along a river with buildings on stilts Landscapes to Esaias van de Velde (series title), river, Esaias van de Velde, 1610 - 1617 and/or 1617, paper, etching, h 58 mm × w 97 mm

Battle Lapiths Passeri Bernardino 1540-1596 Thomassin
Battle of the Lapiths, Passeri, Bernardino, ca. 1540-1596, Thomassin, Philippe, 1562-1622, Engraving, between 1617 and 1619

Hercvles Alexikakos script Roman Comodvs Imperator
Hercvles Alexikakos: in script. Roman. Comodvs Imperator, Adolfsz. Harmen, Goltzius, Hendrik, 1558-1617, Engraving, 1617

Abtheilung der Klingen nach italianischer Manier, nach teutscher Manier, Neu kunstlich Fechtbuch, Fabris, Salvatore, d. 1617, Etching, engraving, black-and-white, 1616

Figure illustrating art fencing Neu kunstlich
Figure illustrating the art of fencing, Neu kunstlich Fechtbuch, Fabris, Salvatore, d. 1617, Etching, engraving, black-and-white, 1616

La scena si finge nel terrestre paradiso L Adamo
La scena si finge nel terrestre paradiso, L Adamo: sacra rapresentatione, Andreini, Giovanni Battista, b. 1578, Bassano, Cesare, 1584-1648, Procaccino, Carlo Antonio, 1555?-1605

Detribus prioribus creationis diebus Utriusque cosmi
Detribus prioribus creationis diebus, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Etching, 1617, Etched within the image: FIAT

De elemento ignis Utriusque cosmi maioris scilicet
De elemento ignis, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert, 1574-1637, Etching, 1617

De sphaera media quae sphaera humiditatis dicitur
De sphaera media, quae sphaera humiditatis dicitur, and de elemento aquae and aeris, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atqve technica historia, Fludd, Robert

Lapis habetur ex matrimonio Chabrici Beiae image
Lapis habetur ex matrimonio Chabrici and Beiae (image only), Symbola avreae mensae dvodecim nationvm, hoc est, Hermaea sev Mercvrii festa ab heroibus duodenu selectu, artis chymicae usu

Lapis habetur ex matrimonio Chabrici Beiae text
Lapis habetur ex matrimonio Chabrici and Beiae (with text), Symbola avreae mensae dvodecim nationvm, hoc est, Hermaea sev Mercvrii festa ab heroibus duodenu selectu, artis chymicae usu

Mars Venus Surprised Vulcan Hendrick Goltzius
Mars and Venus Surprised by Vulcan; Hendrick Goltzius (Dutch, 1558 - 1617); Netherlands; 1585; Engraving; Plate: 13.7 x 21.6 cm (5 3, 8 x 8 1, 2 in.)

Horse Stable Gerard ter Borch Dutch 1617 1681
Horse Stable; Gerard ter Borch (Dutch, 1617 - 1681); about 1654; Oil on panel; 45.4 × 53.5 cm (17 7, 8 × 21 1, 16 in.)

Vertumnus Pomona Attributed Cesar van Everdingen
Vertumnus and Pomona; Attributed to Cesar van Everdingen (Dutch, about 1617 - 1678); about 1650; Oil on canvas; 104.1 × 140 cm (41 × 55 1, 8 in.)

Christ Child Good Shepherd Bartolome Esteban
The Christ Child as the Good Shepherd; Bartolome Esteban Murillo (Spanish, 1617 - 1682); about 1675 - 1680; Pen and brown ink over black chalk; 13.2 x 10.3 cm (5 3, 16 x 4 1, 16 in.)

Portrait Man Hendrick Goltzius Dutch 1558 1617
Portrait of a Man; Hendrick Goltzius (Dutch, 1558 - 1617); 1607; Pen and brown ink, incised for transfer; 29.5 × 20.2 cm (11 5, 8 × 7 15, 16 in.)

Immaculate Conception Bartolome Esteban Murillo
The Immaculate Conception; Bartolome Esteban Murillo (Spanish, 1617 - 1682); Spain; about 1675 - 1680; Pen and brown ink over black chalk; 19.7 x 13.2 cm (7 3, 4 x 5 3, 16 in.)

Bust Angel Hendrick Goltzius Dutch 1558 1617
Bust of an Angel; Hendrick Goltzius (Dutch, 1558 - 1617); Holland; 1609; Black chalk, oiled black chalk, heightened with white chalk; 55.6 x 39.7 cm (21 7, 8 x 15 5, 8 in.)

Entombment recto Partial Study verso Anthony van
The Entombment (recto); Partial Study of the Entombment (verso); Anthony van Dyck (Flemish, 1599 - 1641); 1617 - 1618; Black chalk, pen and brown ink, brown and reddish wash, red and blue chalk

Venus Mars Surprised Vulcan Hendrick Goltzius
Venus and Mars Surprised by Vulcan; Hendrick Goltzius (Dutch, 1558 - 1617); 1585; Pen and brown ink, brown wash, white gouache heightening, and black chalk, folded into squares, incised for transfer

Man Korean Costume Peter Paul Rubens Flemish
Man in Korean Costume; Peter Paul Rubens (Flemish, 1577 - 1640); about 1617; Black chalk with touches of red chalk in the face; 38.4 × 23.5 cm (15 1, 8 × 9 1, 4 in.)

Landscape Temptation Saint Anthony Roelandt Savery
Landscape with the Temptation of Saint Anthony; Roelandt Savery (Flemish, 1576 - 1639); Netherlands; 1617; Oil on panel; 48.7 × 94 cm (19 3, 16 × 37 in.)

Vision Saint Francis Paola Bartolome Esteban
The Vision of Saint Francis of Paola; Bartolome Esteban Murillo (Spanish, 1617 - 1682); about 1670; Oil on canvas; 188 × 146 cm (74 × 57 1, 2 in.)

Mt Qingbian 1617 Dong Qichang Chinese 1555-1636
Mt. Qingbian, 1617. Dong Qichang (Chinese, 1555-1636). Hanging scroll, ink on paper; painting: 225 x 67.6 cm (88 9/16 x 26 5/8 in.); overall: 355 x 92.7 cm (139 3/4 x 36 1/2 in.)

Vabhruvahana Approaches Arjuna page Khan Khanans Razm-nama
Vabhruvahana Approaches Arjuna, page from the Khan Khanans Razm-nama, c. 1610 (?) - 1617. Sur Das Gujarati (Indian, active 16th century)

The musicians, c. 1617-1618, by Diego Velazquez (1599-1660)
Diego Velazquez (1599-1660). Spanish Baroque painter. The musicians, c.1617-1618. Gemaldegalerie. Berlin. Germany

Madonna in a garland of flowers, 1616-1617, by Rubens (1577
Peter Paul Rubens (1577-1640). Flemish painter. Madonna in a garland of flowers, 1616-1617. Alte Pinakothek. Munich. Germany

BRAUN, George (1541-1622). Civitatis Orbis Terrarum (Theatrum orbis terrarum). 1572-1617. Cadiz (1572). Fishing in an almadraba tuna. Etching. SPAIN. CATALONIA. Barcelona

Rachel Paule
RACHEL PAULE widow of William Paule, bishop of Oxford. Date: 1617 - 1667+

FLUDD: UNIVERSE, 1617. Illustration from Robert Fludds Utriusque Cosmi depicting his theory that the entire universe, from the planets and the elements to the letters of the alphabet

SHAH JAHAN (1592-1666). Mughal emperor of India. At age 25 holding a turban jewel. Persian manuscript illumination, 1617

Bush Shack
1899: A wooden home built in the Australian bush. Half-tone on copper by Harvie & Sutcliffe. (Photo by Hulton Archive/Getty Images)

MICHIELI, Andrea, called Il Vicentino (1542-1617). The Battle of Lepanto. Detail. Oil on canvas

Michael Maier, German physician
Michael Maier (1568-1622), German physician and alchemist. Maier was born at Rendsberg, Holstein, and was educated at Rostock, Frankfurt and Padua

Rene Descartes and Isaac Beeckman. Historical engraving of the French mathematician & philosopher Rene Descartes (1596- 1650, centre)

Christ Curing The Lepers, Michieli, Andrea, Approximately 1542-approximately 1617

Saint Rose of Lime (1586-1617). Colored engraving
Saint Rose of Lime (1586-1617). Mystic tertiary Dominic. Colored engraving. 19th century

Domenico Zampieri (1581-1641). Saint Cecilia with an Angel
Domenico Zampieri (1581-1641). Baroque painter. Bolognese School. Saint Cecilia with an Angel. 1617-18. Museum of Louvre. Paris. France

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In the year 1617, a tapestry of historical events and cultural milestones unfolded. It was a time when alchemy found its first true practitioner in Mary the Jewess, who delved into the mysteries of transmutation. Meanwhile, St. Rosa De Lima's unwavering devotion to her faith inspired countless souls. Drawing inspiration from Hermes Trismegistus, the classical god of wisdom and knowledge, scholars like Elias Ashmole sought enlightenment through their studies. In an amusing twist, King James I knighted a succulent loin of beef as Sir Loin - a whimsical moment that added flavor to history. Across continents, Murasaki Shikibu penned her timeless masterpiece "The Tale of Genji, " captivating readers with its vivid portrayal of Japanese court life during this era. Meanwhile, Velazquez immortalized The Immaculate Conception of the Virgin in his breathtaking artwork. In Leipzig, Germany stood St. Thomas Church - an architectural marvel captured beautifully in a line engraving by Braun-Hogenberg in 1617. This cityscape showcased both history and progress at once. James Ist Earl Abercorn left his mark on society as he navigated political landscapes with finesse and vision while Raleigh's Pipes filled taverns with laughter and camaraderie. Aubrey Beardsley's depiction of St Rose of Lima brought forth ethereal beauty through intricate lines and delicate details. And high above ground soared the PZL-Mielec TS-11 Iskra 1617 aircraft - symbolizing technological advancements pushing boundaries skyward. Within these diverse threads woven together throughout 1617 lies a rich tapestry that tells tales ranging from spiritual devotion to scientific exploration; from artistic expression to culinary delights; from societal achievements to cultural landmarks – all contributing to our collective human story.