1617 Collection (page 7)

Farmer Fair, Jan van de Velde (II), Claes Jansz. Visscher (II), 1617

Winter (Hyems), Jan van de Velde (II), Hendrick Hondius (I), unknown, 1617

View of the Tiber with Roman bridges, Jan van de Velde (II), Claes Jansz. Visscher (II), 1617

Two figures in a ruined church, Jan van de Velde II, Johannes Janssonius, 1617

Cartouche with title and the allegorical figures Father Time and History, print maker: Willem Jacobsz. Delff, Nicolaes de Clerck, 1617

Anonymous after Hendrick Goltzius (Dutch, 1558 - 1617). The Deluge, ca. 1589. From Metamorphoses. Engraving on wove paper. Plate: 176 mm x 251 mm (6.93 in. x 9.88 in.)

Bust of an Angel; Hendrick Goltzius, Dutch, 1558 - 1617; Holland, Europe; 1609; Black chalk, oiled black chalk, heightened with white chalk; 55.6 x 39.7 cm (21 7/8 x 15 5/8 in.)

The Youthful Saint John the Baptist Seated in a Landscape (recto), Unidentified Figure Composition (Dido and Aeneas?) (verso); Bartolome Esteban Murillo, Spanish

The Christ Child as the Good Shepherd; Bartolome Esteban Murillo, Spanish, 1617 - 1682; about 1675 - 1680; Pen and brown ink over black chalk; 13.2 x 10.3 cm (5 3/16 x 4 1/16 in.)

A Monk Carrying a Cross; Follower of Bartolome Esteban Murillo, Spanish, 1617 - 1682; about 1680 - 1700; Pen and brown ink, brown wash over black chalk; 25.6 x 16.2 cm (10 1/16 x 6 3/8 in.)

Four Studies of a Male Head; Workshop of Peter Paul Rubens, Flemish, 1577 - 1640; about 1617 - 1620; Oil on panel; Unframed: 25.4 x 67.9 cm (10 x 26 3/4 in.)

Boy with a Dragon; Pietro Bernini, Italian, 1562 - 1629, and Gian Lorenzo Bernini, Italian, 1598 - 1680; Rome, Italy, Lazio

The Vision of Saint Francis of Paola; Bartolome Esteban Murillo, Spanish, 1617 - 1682; about 1670; Oil on canvas; Unframed: 188 x 146 cm (74 x 57 1/2 in.)

Landscape with the Temptation of Saint Anthony; Roelandt Savery, Flemish, 1576 - 1639; Netherlands, Europe; 1617; Oil on panel; Unframed: 48.7 x 94 cm (19 3/16 x 37 in.)

Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, Italian, 1582-1647, c. 1617-1618 and c. 1621-1627, oil on canvas

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

Hendrik Goltzius (Dutch, 1558-1617), William, Prince of Nassau-Orange, 1581, engraving

Hendrik Goltzius (Dutch, 1558-1617), Pluto, 1588-1590, chiaroscuro woodcut in sepia-ochre, green and black

Hendrik Goltzius (Dutch, 1558-1617), Persephone, 1588-1590, chiaroscuro woodcut printed from 3 blocks: black line block and 2 tone blocks in sepia-ochre and olive

Hendrik Goltzius (Dutch, 1558-1617), Bacchus, c. 1595, chiaroscuro woodcut in gold and two shades of brown on laid paper

Hendrik Goltzius (Dutch, 1558-1617), The Crucifixion, probably 1598, engraving

Hendrik Goltzius (Dutch, 1558-1617), Jan Nicquet, 1595, engraving

Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Quis Evadet, 1594, engraving on laid paper

Hendrik Goltzius (Dutch, 1558-1617), Urania, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Erato, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558-1617), Saint Paul, probably 1589, engraving

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In the year 1617, a tapestry of historical events and cultural milestones unfolded. It was a time when alchemy found its first true practitioner in Mary the Jewess, who delved into the mysteries of transmutation. Meanwhile, St. Rosa De Lima's unwavering devotion to her faith inspired countless souls. Drawing inspiration from Hermes Trismegistus, the classical god of wisdom and knowledge, scholars like Elias Ashmole sought enlightenment through their studies. In an amusing twist, King James I knighted a succulent loin of beef as Sir Loin - a whimsical moment that added flavor to history. Across continents, Murasaki Shikibu penned her timeless masterpiece "The Tale of Genji, " captivating readers with its vivid portrayal of Japanese court life during this era. Meanwhile, Velazquez immortalized The Immaculate Conception of the Virgin in his breathtaking artwork. In Leipzig, Germany stood St. Thomas Church - an architectural marvel captured beautifully in a line engraving by Braun-Hogenberg in 1617. This cityscape showcased both history and progress at once. James Ist Earl Abercorn left his mark on society as he navigated political landscapes with finesse and vision while Raleigh's Pipes filled taverns with laughter and camaraderie. Aubrey Beardsley's depiction of St Rose of Lima brought forth ethereal beauty through intricate lines and delicate details. And high above ground soared the PZL-Mielec TS-11 Iskra 1617 aircraft - symbolizing technological advancements pushing boundaries skyward. Within these diverse threads woven together throughout 1617 lies a rich tapestry that tells tales ranging from spiritual devotion to scientific exploration; from artistic expression to culinary delights; from societal achievements to cultural landmarks – all contributing to our collective human story.