1727 Collection (#5)

Jean Claude Richard de Saint-Non after Jean-Honora Fragonard (French, 1727 - 1791)
Jean Claude Richard de Saint-Non after Jean-Honora© Fragonard (French, 1727 - 1791), Le Petit Parc, 1763-65, etching on laid paper

Jean-Claude-Richard, Abba de Saint-Non after Hubert Robert (French, 1727 - 1791)
Jean-Claude-Richard, Abba© de Saint-Non after Hubert Robert (French, 1727 - 1791), Interior of a Roman Villa, 1765, etching and aquatint in brown on laid paper

Giovanni Battista Cipriani (Italian, 1727 - 1785), Study of Two Putti and a Draped Arm, black chalk on laid paper

Thomas Gainsborough, Seashore with Fishermen, British, 1727 - 1788, c. 1781-1782, oil on canvas

Thomas Gainsborough, Mountain Landscape with Bridge, British, 1727 - 1788, c. 1783-1784, oil on canvas

John Greenwood, Elizabeth Fulford Welshman, American, 1727 - 1792, 1749, oil on canvas

Thomas Gainsborough, Mrs. John Taylor, British, 1727 - 1788, c. 1778, oil on canvas

Jean-Baptiste Oudry, On trouve le corps mort de l hote que l on avait cache, French, 1686 - 1755, 1727, black chalk heightened with white chalk on blue laid paper

Christ Taken Prisoner (Betrayal of Christ), Aert de Gelder, 1710 - 1727

Willem III, 1650-1702, Prince of Orange. Since 1689 King of England, attributed to Charles Boit, 1690 - 1727, Portrait miniature

Mary Stuart, 1662-95, wife of Willem III, circle of Charles Boit, 1689 - 1727, Portrait miniature

Anne Stuart, 1665-1714, Queen of England. Wife of Prince George of Denmark, Charles Boit, 1703 - 1727, Portrait miniature

An Ambassadors Audience with the Grand Vizier in his Yali on the Bosporus (Ambassador Cornelis Calkoen, 12 August 1727), Anonymous, 1700 - 1800

The Meal in Honour of Ambassador Cornelis Calkoen, Jean Baptiste Vanmour, c. 1727 - c. 1730

Jupiter, Disguised as a Shepherd, Seducing Mnemosyne, the Goddess of Memory, Jacob de Wit, 1727

Still life with flowers, attributed to Jacob van Walscapelle, 1670 - 1727

Christ before Caiaphas, Aert de Gelder, 1700 - 1727

Still Life with Fruit, Jacob van Walscapelle, 1670 - 1727

A Chaous, a Courier to the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

A Soldier of the Janissaries, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Capoudgi Bachi, Grand-master of the Seraglio, workshop of Jean Baptiste Vanmour, 1700 - 1737

Mehmet, the vizir kahyasi, Jean Baptiste Vanmour, c. 1727 - c. 1730

The Reis Effendi, Head of the Chancery, Jean Baptiste Vanmour, c. 1727 - c. 1730

The Capon Aghassi, Chief of the White Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Kislar Aghassi, Chief of the Black Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

Grand Vizier, workshop of Jean Baptiste Vanmour, 1700 - 1737

Grand Vizier Nevsehirli Damat Ibrahim Pasa, Jean Baptiste Vanmour, c. 1727 - c. 1730

Portrait of Sultan Ahmed III, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Sultana-Mother, workshop of Jean Baptiste Vanmour, 1700 - 1737

Sultan Mahmud I, Jean Baptiste Vanmour, c. 1730 - c. 1737

Sultan Ahmed III, Jean Baptiste Vanmour, c. 1727 - c. 1730

Domenico Cunego (Italian, 1727-1803) after Guercino (aka Giovanni Francesco Barbieri, Italian, 1591-1666). Prodigal Son (Filius Prodigus), 1770. Engraving on laid paper

Francesco Bartolozzi (Italian, 1727-1815) after Guercino (Italian, 1591 - 1666). Madonna and Child Adored by Three Monks, 1764. From Raccolta di alcuni disegni del Barbieri detto Il Guercino

Ogawa zengorAc, ichikawa danjA'rAc, yamashita kinsaku, The actors Ogawa ZengorAc, Ichikawa DanjA'rAc, Yamashita Kinsaku

Punchinello is Helped to a Chair; Giovanni Domenico Tiepolo, Italian, 1727 - 1804; Italy, Europe; about 1791; Pen and brown ink, brush with brown wash

Portrait of James Christie (1730 - 1803); Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.)

Portrait of Anne, Countess of Chesterfield; Thomas Gainsborough, English, 1727 - 1788; 1777 - 1778; Oil on canvas; Unframed: 219.7 x 156.2 cm (86 1/2 x 61 1/2 in.)

The Banquet of Ahasuerus; Aert de Gelder, Dutch, 1645 - 1727; 1680s; Oil on canvas; Unframed: 111.8 x 139.7 cm (44 x 55 in.), Framed: 138.4 x 166.7 x 7.6 cm (54 1/2 x 65 5/8 x 3 in.)

Ahimelech Giving the Sword of Goliath to David; Aert de Gelder, Dutch, 1645 - 1727; about 1680s; Oil on canvas; Unframed: 90.2 x 132.1 cm (35 1/2 x 52 in.)

Cabinet (Cabinet); Roger Vandercruse Lacroix, French, 1727 - 1799, master 1755; Paris, France, Europe; about 1765; Oak and fir veneered with tulipwood, amaranth

Lidded Bowl (ecuelle); Claude-Gabriel Dardet, French, active 1720 - 1729, master 1715; Paris, France, Europe; 1727; Silver-gilt; Object: H: 10.8 x W: 29.8 x D: 18.7 cm (H: 4 1/4 x W: 11 3/4 x D)

Porphyry Urn; Unknown, After a design by Ennemond-Alexandre Petitot, French, 1727 - 1801; Paris, France, Europe; vase 1700s; mount about 1765 - 1770; Porphyry; red marble; gilt-bronze mounts; Object

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Lidded Bowl; Unknown; China, Asia; porcelain about 1662 - 1722; mounts about 1722 - 1727; Hard-paste porcelain; enamel decoration and gilding; silver mounts; Object: H: 20.3 x Diam.: 25.1 cm (H)

Plaque depicting Jacob choosing Rachel to be his Bride; Alcora Ceramic Factory, Spanish, active 1727 - about 1858, After painting by Jacopo Amigoni, Italian, about 1685 - 1752; Alcora, Spain

A Centaur and a Female Faun in a Landscape; Giovanni Domenico Tiepolo, Italian, 1727 - 1804; about 1775; Pen and brown ink, brown wash, over black chalk; 19.4 x 27.5 cm (7 5/8 x 10 13/16 in.)

John Richard Comyns of Hylands, Essex, with His Daughters, John Greenwood, 1727-1792, American

Landscape with a Flock of Sheep Mountain Valley with Peasants A Mountain Valley with Rustic Figures, a Shepherd and Sheep, and a Distant Village and Mountains, Thomas Gainsborough, 1727-1788, British

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In the year 1727, significant events unfolded that left a lasting impact on history. It was a time when great minds like August Hermann Francke and Sir Isaac Newton were making their mark in their respective fields. Sir Isaac Newton, an English mathematician renowned for his groundbreaking discoveries, continued to shape the world of science during this period. His contributions to physics and mathematics revolutionized our understanding of the universe. Newton's brilliance transcended borders as he made remarkable advancements in various disciplines. Meanwhile, across the Atlantic Ocean, George II ascended to the throne as King of England. This marked a new era for the nation under his reign. The Imperial State Crown worn by George II during his coronation ceremony in 1727 became an emblem of power and authority. Amidst these historical milestones, society reveled in cultural festivities such as Carnival Scenes or Minuets. These lively celebrations brought people together through music and dance, providing moments of joy amidst everyday life. To honor Sir Isaac Newton's legacy, statues were erected in several locations around England including Woolsthorpe Lincs - where he was born - serving as reminders of his immense contributions to scientific knowledge. As we reflect on this pivotal year in history, we are reminded of how individuals like Sir Isaac Newton shaped our understanding of the world around us. Their dedication to knowledge continues to inspire generations even today.