1727 Collection (#6)

The Capon Aghassi, Chief of the White Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Kislar Aghassi, Chief of the Black Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

Grand Vizier, workshop of Jean Baptiste Vanmour, 1700 - 1737

Grand Vizier Nevsehirli Damat Ibrahim Pasa, Jean Baptiste Vanmour, c. 1727 - c. 1730

Portrait of Sultan Ahmed III, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Sultana-Mother, workshop of Jean Baptiste Vanmour, 1700 - 1737

Sultan Mahmud I, Jean Baptiste Vanmour, c. 1730 - c. 1737

Sultan Ahmed III, Jean Baptiste Vanmour, c. 1727 - c. 1730

Domenico Cunego (Italian, 1727-1803) after Guercino (aka Giovanni Francesco Barbieri, Italian, 1591-1666). Prodigal Son (Filius Prodigus), 1770. Engraving on laid paper

Francesco Bartolozzi (Italian, 1727-1815) after Guercino (Italian, 1591 - 1666). Madonna and Child Adored by Three Monks, 1764. From Raccolta di alcuni disegni del Barbieri detto Il Guercino

Ogawa zengorAc, ichikawa danjA'rAc, yamashita kinsaku, The actors Ogawa ZengorAc, Ichikawa DanjA'rAc, Yamashita Kinsaku

Punchinello is Helped to a Chair; Giovanni Domenico Tiepolo, Italian, 1727 - 1804; Italy, Europe; about 1791; Pen and brown ink, brush with brown wash

Portrait of James Christie (1730 - 1803); Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.)

Portrait of Anne, Countess of Chesterfield; Thomas Gainsborough, English, 1727 - 1788; 1777 - 1778; Oil on canvas; Unframed: 219.7 x 156.2 cm (86 1/2 x 61 1/2 in.)

The Banquet of Ahasuerus; Aert de Gelder, Dutch, 1645 - 1727; 1680s; Oil on canvas; Unframed: 111.8 x 139.7 cm (44 x 55 in.), Framed: 138.4 x 166.7 x 7.6 cm (54 1/2 x 65 5/8 x 3 in.)

Ahimelech Giving the Sword of Goliath to David; Aert de Gelder, Dutch, 1645 - 1727; about 1680s; Oil on canvas; Unframed: 90.2 x 132.1 cm (35 1/2 x 52 in.)

Cabinet (Cabinet); Roger Vandercruse Lacroix, French, 1727 - 1799, master 1755; Paris, France, Europe; about 1765; Oak and fir veneered with tulipwood, amaranth

Lidded Bowl (ecuelle); Claude-Gabriel Dardet, French, active 1720 - 1729, master 1715; Paris, France, Europe; 1727; Silver-gilt; Object: H: 10.8 x W: 29.8 x D: 18.7 cm (H: 4 1/4 x W: 11 3/4 x D)

Porphyry Urn; Unknown, After a design by Ennemond-Alexandre Petitot, French, 1727 - 1801; Paris, France, Europe; vase 1700s; mount about 1765 - 1770; Porphyry; red marble; gilt-bronze mounts; Object

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Lidded Bowl; Unknown; China, Asia; porcelain about 1662 - 1722; mounts about 1722 - 1727; Hard-paste porcelain; enamel decoration and gilding; silver mounts; Object: H: 20.3 x Diam.: 25.1 cm (H)

Plaque depicting Jacob choosing Rachel to be his Bride; Alcora Ceramic Factory, Spanish, active 1727 - about 1858, After painting by Jacopo Amigoni, Italian, about 1685 - 1752; Alcora, Spain

A Centaur and a Female Faun in a Landscape; Giovanni Domenico Tiepolo, Italian, 1727 - 1804; about 1775; Pen and brown ink, brown wash, over black chalk; 19.4 x 27.5 cm (7 5/8 x 10 13/16 in.)

John Richard Comyns of Hylands, Essex, with His Daughters, John Greenwood, 1727-1792, American

Landscape with a Flock of Sheep Mountain Valley with Peasants A Mountain Valley with Rustic Figures, a Shepherd and Sheep, and a Distant Village and Mountains, Thomas Gainsborough, 1727-1788, British

Miss Susanna Gardiner (1752-1818) Miss Susan Gardiner, Thomas Gainsborough, 1727-1788, British

Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk Richard Savage Lloyd and his Sister Richard Savage Lloyd and Cecil Lloyd, Thomas Gainsborough, 1727-1788, British

Landscape with Milkmaid Landscape with Farm Buildings and Peasants A Landscape with Figures, Farm Buildings and a Milkmaid Landscape with Farm Buildings and Peasants, Thomas Gainsborough, 1727-1788

Edward Augustus, Duke of Kent Edward, Duke of Ken Ritratto di Edward, duca di Kent, Thomas Gainsborough, 1727-1788, British

A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading, Thomas Gainsborough, 1727-1788, British

A Man Called Mr. Wood, the Dancing Master, Thomas Gainsborough, 1727-1788, British

Wooded Landscape with a Man Talking to Two Seated Women, Thomas Gainsborough, 1727-1788, British

Landscape with cottage and church Landscape with a Church, Cottage, Villagers and Animals, Thomas Gainsborough, 1727-1788, British

William Pitt, Studio of Thomas Gainsborough, 1727-1788, British

The Rev. Humphry Gainsborough, Thomas Gainsborough, 1727-1788, British

Mary Heberden, Thomas Gainsborough, 1727-1788, British

An Imaginary Wooded Village with Drovers and Cattle, Thomas Gainsborough, 1727-1788, British

William Johnstone-Pulteney, Later 5th Baronet, Thomas Gainsborough, 1727-1788, British

Landscape with Cattle Landscape with Cattle and Figures A Landscape with Cattle and Figures by a Stream and a Distant Bridge An english landscape with peasants and cattle Signed

Mary Little, Later Lady Carr, Thomas Gainsborough, 1727-1788, British

The Gravenor Family John and Ann Gravenor, with their daughters, Thomas Gainsborough, 1727-1788, British

Spitz Dog A Dog, Thomas Gainsborough, 1727-1788, British

Portrait of a Woman Girl with a Book Seated in a Park Sitzendes junges Maedchen in einer Parklandschaft, Thomas Gainsborough, 1727-1788, British

Landscape with Stream and Weir A River Landscape with a Weir, Sheep and Figures, Thomas Gainsborough, 1727-1788, British

William Lowndes, Auditor of His Majestys Court of Exchequer William Lowndes Stone Inscribed, lower left: " W.m Lowndes Esqr | One of the Aud.rs o fhis majestys | Court of Escheqr

Portrait of a Young Man with Powdered Hair Possibly a self-portrait Signed, lower right: " TG" (G incomplete); on verso: " by T.Gainsborough his own portrait"

Coastal Landscape with a Shepherd and His Flock, Thomas Gainsborough, 1727-1788, British

Wooded Landscape with a Cottage and Shepherd Landscape with Shepherd Wooded Landscape with a Cottage, Sheep and a Reclining Shepherd, Thomas Gainsborough, 1727-1788, British

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In the year 1727, significant events unfolded that left a lasting impact on history. It was a time when great minds like August Hermann Francke and Sir Isaac Newton were making their mark in their respective fields. Sir Isaac Newton, an English mathematician renowned for his groundbreaking discoveries, continued to shape the world of science during this period. His contributions to physics and mathematics revolutionized our understanding of the universe. Newton's brilliance transcended borders as he made remarkable advancements in various disciplines. Meanwhile, across the Atlantic Ocean, George II ascended to the throne as King of England. This marked a new era for the nation under his reign. The Imperial State Crown worn by George II during his coronation ceremony in 1727 became an emblem of power and authority. Amidst these historical milestones, society reveled in cultural festivities such as Carnival Scenes or Minuets. These lively celebrations brought people together through music and dance, providing moments of joy amidst everyday life. To honor Sir Isaac Newton's legacy, statues were erected in several locations around England including Woolsthorpe Lincs - where he was born - serving as reminders of his immense contributions to scientific knowledge. As we reflect on this pivotal year in history, we are reminded of how individuals like Sir Isaac Newton shaped our understanding of the world around us. Their dedication to knowledge continues to inspire generations even today.