Abstract Collection (page 95)

Portrait of a German Officer, 1914 (oil on canvas)
3468988 Portrait of a German Officer, 1914 (oil on canvas) by Hartley, Marsden (1877-1943); 173.4x105.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Portrait of Karl von Freyburg)

Lobster Fishermen, 1940-41 (oil on hardboard)
3472185 Lobster Fishermen, 1940-41 (oil on hardboard) by Hartley, Marsden (1877-1943); 75.6x103.8 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Composition III, 1916 (oil on canvas)
3367020 Composition III, 1916 (oil on canvas) by Bruce, Patrick Henry (1881-1936); 161.5x97 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Composition II, 1926 (oil on canvas)
3367006 Composition II, 1926 (oil on canvas) by Keyser, Ragnhild (1889-1943); 81.3x30.5 cm; Yale University Art Gallery, New Haven, CT

Composition V, 1916 (oil on canvas)
3330026 Composition V, 1916 (oil on canvas) by Bruce, Patrick Henry (1881-1936); 131.2x162.3 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Rubber Plant, 1920 (oil on canvas)
3330023 Rubber Plant, 1920 (oil on canvas) by Hartley, Marsden (1877-1943); 81.3x66 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Textile fragment from the Dalmatic of San Valerius (silk
3737709 Textile fragment from the Dalmatic of San Valerius (silk, gilt animal substrate around a silk core) by Spanish School, (13th century); 7.6x12.1 cm; Metropolitan Museum of Art, New York

I Saw the Figure 5 in Gold, 1928 (oil, graphite, ink, and gold leaf on paperboard)
3493148 I Saw the Figure 5 in Gold, 1928 (oil, graphite, ink, and gold leaf on paperboard) by Demuth, Charles (1883-1935); 90.2x76.2 cm; Metropolitan Museum of Art, New York

The Five Senses, 1931 (oil on canvas)
2624223 The Five Senses, 1931 (oil on canvas) by Valmier, Georges (1885-1937); 101x81.5 cm; Musee d Art Moderne de la Ville de Paris, Paris

Woodblock Print of Honeycomb Pattern, 1882 (woodblock print)
2622496 Woodblock Print of Honeycomb Pattern, 1882 (woodblock print) by Japanese School, (19th century); Private Collection; (add.info.: Vintage illustration of flowers on a honeycomb background)

Forms, c. 1920-21 (oil & pencil on canvas)
2653620 Forms, c.1920-21 (oil & pencil on canvas) by Bruce, Patrick Henry (1881-1936); 80.6x99.1 cm; Museum of Art, Rhode Island School of Design, USA; (add.info.: Peinture/Nature Morte.); American

Peinture / Nature Morte, 1917-18 (oil & paper on canvas)
2653605 Peinture/Nature Morte, 1917-18 (oil & paper on canvas) by Bruce, Patrick Henry (1881-1936); 65.1x81.3 cm; Private Collection; American, out of copyright

Composition III, 1916 (oil on canvas)
2653604 Composition III, 1916 (oil on canvas) by Bruce, Patrick Henry (1881-1936); 161.5x97 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

colour woodblock print of Chrysanthemum Blossoms, 1882 (colour woodblock print)
2630218 colour woodblock print of Chrysanthemum Blossoms, 1882 (colour woodblock print) by Japanese School, (19th century); Private Collection; (add.info)

colour woodblock print of Camellia Ornaments, 1882 (colour woodblock print)
2630219 colour woodblock print of Camellia Ornaments, 1882 (colour woodblock print) by Japanese School, (19th century); Private Collection; (add.info)

Suprematism, 1916 (oil on wood)
2639924 Suprematism, 1916 (oil on wood) by Kliun, Ivan Vasil evich (1873-1943); 25.6x37.3 cm; Museum of Modern Art, New York, USA; Russian, out of copyright

Transverse Beams, 1928-32 (oil & pencil on canvas)
2639865 Transverse Beams, 1928-32 (oil & pencil on canvas) by Bruce, Patrick Henry (1881-1936); 81.2x130.2 cm; Hirshhorn Museum & Sculpture Garden, Washington D.C. USA; American, out of copyright

Still Life #12, 1925-28 (oil & pencil on canvas)
2639863 Still Life #12, 1925-28 (oil & pencil on canvas) by Bruce, Patrick Henry (1881-1936); 89.2x116.1 cm; Hirshhorn Museum & Sculpture Garden, Washington D.C. USA; American, out of copyright

Vessel, Inka (ceramic & pigment)
1153725 Vessel, Inka (ceramic & pigment) by Peruvian School (15th Century); height:34.3 cm; Minneapolis Institute of Arts, MN

Repeating Pattern - Steam Engines. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Elephants. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - yellow background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - dark green background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - dark navy blue background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - orange background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - purple background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - red background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Repeating Pattern - Tigers - white background. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*

Nwenka mask, 20th century (wood, pigment, and metal)
1068685 Nwenka mask, 20th century (wood, pigment, and metal) by Bobo Culture (20th century); 117.5x34.3x31 cm; Dallas Museum of Art, Texas

Suprematist composition (Drawing, 1915-1916)
LRI4616346 Suprematist composition (Drawing, 1915-1916) by Malevich, Kazimir Severinovich (1878-1935); Private Collection; (add.info)

Suprematist element: two squares (oil on canvas, 20th century)
LRI4616317 Suprematist element: two squares (oil on canvas, 20th century) by Malevich, Kazimir Severinovich (1878-1935); Museum of Modern Art, New York

Blanter on the Blue Rider (Watercolour, 1913)
LRI4616172 Blanter on the Blue Rider (Watercolour, 1913) by Macke, August (1887-1914); Staatsgalerie Moderner Kunst, Munich

Grotesque (Wood Sculpture, 1923)
LRI4617908 Grotesque (Wood Sculpture, 1923) by Schlemmer, Oskar (1888-1943); Staatliche Museum Preussischer Kulturbesitz, Berlin; (add.info)

Reflections (Painting, 1908)
LRI4617786 Reflections (Painting, 1908) by Romani, Romolo (1884-1916); Private Collection; (add.info.: Reflections Painting by Romolo Romani (1884-1916) 1908 Dim 185, 5x244

Flower Forms, (oil on canvas)
657078 Flower Forms, (oil on canvas) by Jellett, Mainie (1897-1944); 45.7x61 cm; Private Collection; (add.info.: Flower Forms. Mainie Harriet Jellett (1897-1944). Oil on canvas

619001

Daphne by Alfred Vigny, lacquer by Jean Dunand (1877-1942)
CH438762 Daphne by Alfred Vigny, lacquer by Jean Dunand (1877-1942), 1924 (lacquered copper) by Schmied, Francois-Louis (1873-1941) (after); 30x24.5 cm; Private Collection; (add.info)

Cubist Still Life in Blue and Grey, c. 1917 (oil on board)
CH378243 Cubist Still Life in Blue and Grey, c.1917 (oil on board) by Blanchard, Maria (1881-1932); 54.7x64.4 cm; Private Collection; (add.info)

Big Head (oil on canvas)
CH402230 Big Head (oil on canvas) by Jawlensky, Alexej von (1864-1941); Private Collection; (add.info.: Grosser Kopf; ); Photo eChristies Images; German, out of copyright

Violin and Playing Cards on a Table, 1913 (oil on canvas)
3472199 Violin and Playing Cards on a Table, 1913 (oil on canvas) by Gris, Juan (1887-1927); 100.3x65.4 cm; Metropolitan Museum of Art, New York, USA; Spanish, out of copyright

Mt. Katahdin (Maine), Autumn #2, 1939-40 (oil on canvas)
3472184 Mt. Katahdin (Maine), Autumn #2, 1939-40 (oil on canvas) by Hartley, Marsden (1877-1943); 76.8x102.2 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Abstract Head: Gold and Pink, 1931 (oil on cardboard)
3597160 Abstract Head: Gold and Pink, 1931 (oil on cardboard) by Jawlensky, Alexej von (1864-1941); 42.5.x32.5 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Composition, 1923-24 (oil on canvas)
3597146 Composition, 1923-24 (oil on canvas) by Doesburg, Theo van (1883-1931); 41.5x33.4 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

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"Exploring the Depths of Abstract Art: From Gelmeroda IX to The Wave" Step into a world where reality intertwines with imagination, as we delve into the realm art. Journey back to 1926 in Germany's Essen, where Gelmeroda IX was born - an enigmatic masterpiece that challenges our perceptions. Its vibrant colors and intricate patterns invite us to unravel its hidden meanings. Next, let's set sail on a Viking ship at sunset, its silhouette against the horizon creating a mesmerizing scene enhanced by stunning 3D graphics. As we navigate through this visual voyage, we encounter the Mandelbrot fractal - an infinite geometric wonder that captivates with its intricate self-similarity. Moving forward in time, Piet Mondrian's Composition VII takes center stage. This oil-on-canvas creation from 1913 showcases his mastery of abstraction and invites contemplation on balance and harmony within chaos. As our journey continues, we ascend Upnor Castle staircase in awe of its architectural beauty captured in K951095 photograph. Meanwhile, Mexico beckons us with vibrant Mexican Folk Dance costumes swirling gracefully amidst lively celebrations in Oaxaca. Kandinsky's Small Pleasures then transport us to a world filled with joyous bursts of color and shapes that dance across the canvas. In contrast, traditional hand-painted didgeridoos from Australia bring forth cultural richness through their vivid hues and intricate designs. Our exploration concludes with a spiral staircase leading us towards Corrugated iron DP044414 artwork – revealing beauty even within industrial materials. Finally, we find ourselves standing before The Wave – nature’s breathtaking work of art carved delicately over centuries into Navajo sandstone cliffs in Arizona's Vermilion Cliffs National Monument. Abstract art transcends boundaries; it allows us to see beyond what meets the eye and embrace new perspectives.