Skip to main content

Abstract Collection (page 96)

"Exploring the Depths of Abstract Art: From Gelmeroda IX to The Wave" Step into a world where reality intertwines with imagination, as we delve into the realm art

Background imageAbstract Collection: Composition, 1923-24 (oil on canvas)

Composition, 1923-24 (oil on canvas)
3597146 Composition, 1923-24 (oil on canvas) by Doesburg, Theo van (1883-1931); 41.5x33.4 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageAbstract Collection: Juan Legua, 1911 (oil on canvas)

Juan Legua, 1911 (oil on canvas)
3472200 Juan Legua, 1911 (oil on canvas) by Gris, Juan (1887-1927); 54.9x46 cm; Metropolitan Museum of Art, New York, USA; Spanish, out of copyright

Background imageAbstract Collection: Composition II, c. 1916 (oil on canvas)

Composition II, c. 1916 (oil on canvas)
3367019 Composition II, c.1916 (oil on canvas) by Bruce, Patrick Henry (1881-1936); 97.4x130.2 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Background imageAbstract Collection: Landscape in the Park, 1920 (oil on canvas)

Landscape in the Park, 1920 (oil on canvas)
3330002 Landscape in the Park, 1920 (oil on canvas) by Stuckenberg, Fritz (1881-1944); 70.5x49.3 cm; Yale University Art Gallery, New Haven, CT, USA; German, out of copyright

Background imageAbstract Collection: Suprematist Composition, 1921 (oil on board)

Suprematist Composition, 1921 (oil on board)
FFA274496 Suprematist Composition, 1921 (oil on board) by Klyun (Kljunkov) Ivan (1873-1943); 32.4x32.4 cm; Private Collection; Russian, out of copyright

Background imageAbstract Collection: Still Life, c. 1913 (oil on canvas)

Still Life, c. 1913 (oil on canvas)
BRM347379 Still Life, c.1913 (oil on canvas) by La Fresnaye, Roger de (1885-1925); Private Collection; (add.info.: Nature Morte; formerly in collection of Brame & Lorenceau; ); French

Background imageAbstract Collection: Mountain Mist, 1870 (oil on board)

Mountain Mist, 1870 (oil on board)
PNH353178 Mountain Mist, 1870 (oil on board) by Goodwin, Albert (1845-1932); 22x29 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageAbstract Collection: Death of Abimelech at Thebez, 1855 (w / c over graphite on paper)

Death of Abimelech at Thebez, 1855 (w / c over graphite on paper)
XYC288949 Death of Abimelech at Thebez, 1855 (w/c over graphite on paper) by Dadd, Richard (1817-86); 36x25.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imageAbstract Collection: The Great Mother, c. 1914 (oil on canvas)

The Great Mother, c. 1914 (oil on canvas)
CGW445456 The Great Mother, c.1914 (oil on canvas) by Davies, Arthur Bowen (1862-1928); 102.2x66.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Bequest of Lillie P

Background imageAbstract Collection: Waterlilies, 1917-19 (detail of 160656) (oil on canvas)

Waterlilies, 1917-19 (detail of 160656) (oil on canvas)
MMT414401 Waterlilies, 1917-19 (detail of 160656) (oil on canvas) by Monet, Claude (1840-1926); 100x300 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageAbstract Collection: A Couple, 1912 (oil on canvas)

A Couple, 1912 (oil on canvas)
NUL385932 A Couple, 1912 (oil on canvas) by Filonov, Pavel Nikolaevich (1883-1941); Private Collection; Russian, out of copyright

Background imageAbstract Collection: Textile design (w / c on paper)

Textile design (w / c on paper)
STC404393 Textile design (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; The Stapleton Collection; Scottish, out of copyright

Background imageAbstract Collection: Graphic wallpaper print, design from Relais, 1920s (colour litho)

Graphic wallpaper print, design from Relais, 1920s (colour litho)
STC404338 Graphic wallpaper print, design from Relais, 1920s (colour litho) by Benedictus, Edouard (1878-1930); Private Collection; The Stapleton Collection; French, out of copyright

Background imageAbstract Collection: Lampas, from Woven and Brocaded Upholstery Fabrics by Leon Moussinac

Lampas, from Woven and Brocaded Upholstery Fabrics by Leon Moussinac
STC404318 Lampas, from Woven and Brocaded Upholstery Fabrics by Leon Moussinac, published 1925 (colour litho) by Ruhlmann

Background imageAbstract Collection: Scaffold at the Stadium, Mexico City, 1927 (b / w photo)

Scaffold at the Stadium, Mexico City, 1927 (b / w photo)
GBW469854 Scaffold at the Stadium, Mexico City, 1927 (b/w photo) by Modotti, Tina (1896-1942); eGalerie Bilderwelt; Italian, out of copyright

Background imageAbstract Collection: Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print)

Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print)
STC439669 Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print) by Gladky, Serge (1880-1930); Private Collection; The Stapleton Collection; French, out of copyright

Background imageAbstract Collection: Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print)

Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print)
STC439624 Design from Nouvelles Compositions Decoratives, late 1920s (pochoir print) by Gladky, Serge (1880-1930); Private Collection; The Stapleton Collection; French, out of copyright

Background imageAbstract Collection: Textile with geometric pattern (needlework)

Textile with geometric pattern (needlework)
XJL181929 Textile with geometric pattern (needlework) by Moroccan School, (18th century); Museo Lazaro Galdiano, Madrid, Spain; Moroccan, out of copyright

Background imageAbstract Collection: Futurist Composition, c. 1914-16 (charcoal on paper) (b / w photo)

Futurist Composition, c. 1914-16 (charcoal on paper) (b / w photo)
FFA178152 Futurist Composition, c.1914-16 (charcoal on paper) (b/w photo) by Bogomazov, Alexander (1880-1930); 38.5x27.5 cm; Private Collection; Russian, out of copyright

Background imageAbstract Collection: Cubo-Futurist Composition, 1915 (charcoal on paper) (b / w photo)

Cubo-Futurist Composition, 1915 (charcoal on paper) (b / w photo)
FFA178149 Cubo-Futurist Composition, 1915 (charcoal on paper) (b/w photo) by Bogomazov, Alexander (1880-1930); 33x30.5 cm; Private Collection; Russian, out of copyright

Background imageAbstract Collection: Head (Dark Buddha), c. 1927 (oil on canvas laid down on board)

Head (Dark Buddha), c. 1927 (oil on canvas laid down on board)
FFA178139 Head (Dark Buddha), c.1927 (oil on canvas laid down on board) by Jawlensky, Alexej von (1864-1941); 37x27 cm; Private Collection; German, out of copyright

Background imageAbstract Collection: Suprematist Composition, c. 1915-16 (pencil on paper)

Suprematist Composition, c. 1915-16 (pencil on paper)
FFA178131 Suprematist Composition, c.1915-16 (pencil on paper) by Malevich, Kazimir Severinovich (1878-1935); 23x18 cm; Private Collection; Russian, out of copyright

Background imageAbstract Collection: Eye (charcoal on paper)

Eye (charcoal on paper)
CH376426 Eye (charcoal on paper) by Redon, Odilon (1840-1916); 43x29 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageAbstract Collection: Military, 1914-1915 (oil on canvas)

Military, 1914-1915 (oil on canvas)
499975 Military, 1914-1915 (oil on canvas) by Hartley, Marsden (1877-1943); 73.5x63.5 (framed) 60.6x50.2 (unframed) cm; Cleveland Museum of Art, OH

Background imageAbstract Collection: Waterlilies and Reflections of a Willow Tree, 1916-19 (158606) (oil on canvas)

Waterlilies and Reflections of a Willow Tree, 1916-19 (158606) (oil on canvas)
MMT414405 Waterlilies and Reflections of a Willow Tree, 1916-19 (158606) (oil on canvas) by Monet, Claude (1840-1926); 200x200 cm; Musee Marmottan Monet, Paris, France; (add.info.: Nympheas)

Background imageAbstract Collection: Multiplication is Vexation (chromolitho)

Multiplication is Vexation (chromolitho)
2811751 Multiplication is Vexation (chromolitho) by English School, (19th century); Private Collection; (add.info.: Multiplication is Vexation)

Background imageAbstract Collection: Composition spherique (Spherical composition). Oeuvre de Ivan Vassilyevich Klyun (Klioune

Composition spherique (Spherical composition). Oeuvre de Ivan Vassilyevich Klyun (Klioune
FIA5330364 Composition spherique (Spherical composition). Oeuvre de Ivan Vassilyevich Klyun (Klioune) (1873-1942), huile sur carton, 1922. Art moderne russe, art abstrait debut 20e siecle

Background imageAbstract Collection: Study for Red Stone Dancer, 1914 (brush & ink on paper)

Study for Red Stone Dancer, 1914 (brush & ink on paper)
1249187 Study for Red Stone Dancer, 1914 (brush & ink on paper) by Gaudier-Brzeska, Henri (1891-1915); 16.5x10.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageAbstract Collection: Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph)

Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph)
1197753 Cover for the magazine Het Overzicht, c. 1922-1925 (lithograph) by Belgian School, (20th century); 33.5x25 (approx) cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageAbstract Collection: The Pink Door; La porte rose, 1927 (oil on canvas)

The Pink Door; La porte rose, 1927 (oil on canvas)
1769254 The Pink Door; La porte rose, 1927 (oil on canvas) by Valmier, Georges (1885-1937); 114x146 cm; Private Collection; (add.info.: The Pink Door; La porte rose. Georges Valmier (1885-1937)

Background imageAbstract Collection: Red enamel plaque (enamel)

Red enamel plaque (enamel)
1203539 Red enamel plaque (enamel) by Frampton, George James (1860-1928); diam: 10.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageAbstract Collection: The Drinker, 1914 (oil on canvas)

The Drinker, 1914 (oil on canvas)
LRI4634631 The Drinker, 1914 (oil on canvas) by Boccioni, Umberto (1882-1916); 86x87 cm; Museo del Novecento, Milan, Italy; Luisa Ricciarini; Italian, out of copyright

Background imageAbstract Collection: Banshan type jar (earthenware with iron pigments)

Banshan type jar (earthenware with iron pigments)
694203 Banshan type jar (earthenware with iron pigments) by Neolithic; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: 5000-2000 B.C.E.); eFreer Slacker Gallery; Freer Gallery of Art

Background imageAbstract Collection: Underwater Vision (pastel on paper)

Underwater Vision (pastel on paper)
XIR205431 Underwater Vision (pastel on paper) by Redon, Odilon (1840-1916); 65.8x54 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageAbstract Collection: Suprematist painting, 18th construction Painting by Kasimir Malevic (Malevich

Suprematist painting, 18th construction Painting by Kasimir Malevic (Malevich
LRI4637449 Suprematist painting, 18th construction Painting by Kasimir Malevic (Malevich) Malevich (1878-1935) 1915 Amsterdam, Stedelijk Museum by Malevich

Background imageAbstract Collection: Contra compositie, 1924

Contra compositie, 1924
PHD21391 Contra compositie, 1924 by Doesburg, Theo van (1883-1931); Prof. Aldo van Eyck, Loenen, The Netherlands; Dutch, out of copyright

Background imageAbstract Collection: Altarpiece, Group X, Number 1, 1915 (oil & metal leaf on canvas)

Altarpiece, Group X, Number 1, 1915 (oil & metal leaf on canvas)
HGM81161 Altarpiece, Group X, Number 1, 1915 (oil & metal leaf on canvas) by Klint, Hilma af (1862-1944); 237.5A--179.5 cm; Private Collection; (add.info)

Background imageAbstract Collection: Composition, c. 1900 (oil on canvas)

Composition, c. 1900 (oil on canvas)
NUL117864 Composition, c.1900 (oil on canvas) by Redon, Odilon (1840-1916); 50x37 cm; Private Collection; French, out of copyright

Background imageAbstract Collection: Large Meditation, 1937 (oil on panel)

Large Meditation, 1937 (oil on panel)
NUL117373 Large Meditation, 1937 (oil on panel) by Jawlensky, Alexej von (1864-1941); 25.3x16.5 cm; Private Collection; German, out of copyright

Background imageAbstract Collection: The Last Ray, 1931 (oil on canvas)

The Last Ray, 1931 (oil on canvas)
NUL117362 The Last Ray, 1931 (oil on canvas) by Jawlensky, Alexej von (1864-1941); 43x33 cm; Private Collection; German, out of copyright




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Depths of Abstract Art: From Gelmeroda IX to The Wave" Step into a world where reality intertwines with imagination, as we delve into the realm art. Journey back to 1926 in Germany's Essen, where Gelmeroda IX was born - an enigmatic masterpiece that challenges our perceptions. Its vibrant colors and intricate patterns invite us to unravel its hidden meanings. Next, let's set sail on a Viking ship at sunset, its silhouette against the horizon creating a mesmerizing scene enhanced by stunning 3D graphics. As we navigate through this visual voyage, we encounter the Mandelbrot fractal - an infinite geometric wonder that captivates with its intricate self-similarity. Moving forward in time, Piet Mondrian's Composition VII takes center stage. This oil-on-canvas creation from 1913 showcases his mastery of abstraction and invites contemplation on balance and harmony within chaos. As our journey continues, we ascend Upnor Castle staircase in awe of its architectural beauty captured in K951095 photograph. Meanwhile, Mexico beckons us with vibrant Mexican Folk Dance costumes swirling gracefully amidst lively celebrations in Oaxaca. Kandinsky's Small Pleasures then transport us to a world filled with joyous bursts of color and shapes that dance across the canvas. In contrast, traditional hand-painted didgeridoos from Australia bring forth cultural richness through their vivid hues and intricate designs. Our exploration concludes with a spiral staircase leading us towards Corrugated iron DP044414 artwork – revealing beauty even within industrial materials. Finally, we find ourselves standing before The Wave – nature’s breathtaking work of art carved delicately over centuries into Navajo sandstone cliffs in Arizona's Vermilion Cliffs National Monument. Abstract art transcends boundaries; it allows us to see beyond what meets the eye and embrace new perspectives.