Agony Collection (#3)

The Pieta, c. 1542 (oil on canvas)
990353 The Pieta, c.1542 (oil on canvas) by Vasari, Giorgio (1511-74); 192x136 cm; Private Collection; (add.info.: The Pieta. Giorgio Vasari (1511-1574). Oil on panel

Achilles confronting Hector outside Troy, (oil on canvas)
827698 Achilles confronting Hector outside Troy, (oil on canvas) by Corte, Juan de la (c.1585-1660); 195.9x309.2 cm; Private Collection; (add.info.: Achilles confronting Hector outside Troy)

Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas)
1195776 Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas) by Villevalde, Alexander (1857-after 1906); 116x156 cm; Private Collection; (add.info.: Villevalde)

Apollo flaying Marsyas, c. 1618 (oil on canvas)
AII79413 Apollo flaying Marsyas, c.1618 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palazzo Pitti, Florence

End of the Harvest (oil on board)
823085 End of the Harvest (oil on board) by Brown, Fred C. (fl. 19th century); 20.2x27.8 cm; Private Collection; (add.info.: End of the Harvest. Fred C. Brown (fl. 19th century). Oil on board

The Agony in the Garden, 1926 (wood engraving)
1631659 The Agony in the Garden, 1926 (wood engraving) by Gill, Eric (1882-1940); Private Collection; (add.info.: Christ in the Garden of Gethsemane before his arrest.); The Stapleton Collection

The Dead Season, the Last Man in Town (engraving)
1041818 The Dead Season, the Last Man in Town (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: The Dead Season, the Last Man in Town)

Laocoon and his sons being attacked by serpents, The Trojan Horse, Chamber of Troy (Sala di Troia), 1538 - 1539
2384706 Laocoon and his sons being attacked by serpents, The Trojan Horse, Chamber of Troy (Sala di Troia), 1538 - 1539 by Romano, Giulio (1492-1546) (and workshop); Palazzo Ducale & Museo, Mantua

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

The Crucifixion (oil on panel)
990064 The Crucifixion (oil on panel) by Master of Imola (15th century); 39.4x31.8 cm; Private Collection; (add.info.: The Crucifixion. The Master of Imola (15th Century). Oil on panel

Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas)
1767906 Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas) by Gogh

A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist
659307 A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist and Angels; on the Wings Christ Offered Vinegar Before the Crucifixion and the Lamentation

Ugolino and his Sons, 1860 (bronze) (see also 197136 & 347397)
XIR234151 Ugolino and his Sons, 1860 (bronze) (see also 197136 & 347397) by Carpeaux, Jean-Baptiste (1827-75); Louvre, Paris

Double Chambered Vessel in the Form of Seated Figure, Possibly Deceased, 100 B. C. / A. D
Double Chambered Vessel in the Form of Seated Figure, Possibly Deceased, 100 B.C./A.D. 500

Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown
Door Boss: Bust of a Satyress, c. 1580

The Football Game (oil on canvas)
1765060 The Football Game (oil on canvas) by Webster, Thomas (1800-86) (follower of); 73.5x99.5 cm; Private Collection; (add.info.: The Football Game. Follower of Thomas Webster (1800-1886)

Le Poete Assailli, 1929 (oil on canvas)
1196318 Le Poete Assailli, 1929 (oil on canvas) by Berghe, Frits van den (1883-1939); 140x120.5 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest
990126 Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest (tempera on panel) by Master of the Pavia Deposition (fl.1510)

Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)
991620 Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 96.5x122 cm; Private Collection; (add.info.: Bonaparte in Egypt, 21st July, 1798)

Ecce Homo, (oil on panel)
990333 Ecce Homo, (oil on panel) by Coxie or Coxcie, Michiel I (1499-1592); 68x87.6 cm; Private Collection; (add.info.: Ecce Homo. Attributed to Michiel Coxie I (1499-1592). Oil on panel

Removing the Thorn, (oil on canvas)
658316 Removing the Thorn, (oil on canvas) by Lejeune, Henry (1819-1904); 35.5x27.3 cm; Private Collection; (add.info.: Removing the Thorn. Henry Lejeune (1820-1904). Oil on canvas

Saint Veronica, (woodcut printed in pale brown ink)
828057 Saint Veronica, (woodcut printed in pale brown ink) by Netherlandish School (16th century); 30.4x20.6 cm; Private Collection; (add.info.: Saint Veronica. Netherlandish School, circa 1500)

The Crucifixion with the Madonna, Saints John the Baptist, Mary Magdalen
827851 The Crucifixion with the Madonna, Saints John the Baptist, Mary Magdalen, Andrew and Francis, 1503 (oil on panel) by Rosselli

The Lamentation, (oil on panel)
827786 The Lamentation, (oil on panel) by David, Gerard (c.1460-1523); 57.8x48 cm; Private Collection; (add.info.: The Lamentation. Gerard David (1460-1523). Oil on panel

The Man of Sorrows, (oil on panel)
827697 The Man of Sorrows, (oil on panel) by Morales, Luis de (1500-86); 37.2x27.2 cm; Private Collection; (add.info.: The Man of Sorrows. Luis de Morales (1500-1586). Oil on panel

Laocoon and His Sons (marble)
3433290 LaocoAon and His Sons (marble) by Roman, (2nd century BC); Musei e Gallerie Pontificie, Musei Vaticani, Vatican City; (add.info.: LaocoAon, son of Acoetes, was a Trojan priest who)

Christs Agony in the Garden, St Luke 22, Verse 39-46 (engraving)
3651514 Christs Agony in the Garden, St Luke 22, Verse 39-46 (engraving) by Cosway, Richard (1742-1821) (after); Private Collection; (add.info.: Christs Agony in the Garden, St Luke 22, Verse 39-46)

Detail from Christ after the Flagellation contemplated by the Christian Soul, c. 1628-29 (oil on canvas)
3849918 Detail from Christ after the Flagellation contemplated by the Christian Soul, c.1628-29 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 165.1x206.4 cm; National Gallery

Christs Agony, Mark XIV, 36 (engraving)
6005712 Christs Agony, Mark XIV, 36 (engraving) by European School, (19th century); Private Collection; (add.info.: Christs Agony, Mark XIV, 36)

Ugolino and his Children, 1860, cast c. 1871 (bronze)
1068868 Ugolino and his Children, 1860, cast c.1871 (bronze) by Carpeaux, Jean-Baptiste (1827-75); 48.26x37.47x27 cm; Dallas Museum of Art, Texas

Who Would Have Thought It! (Quien lo creyera!), 1794-1796 (etching and aquatint)
1066732 Who Would Have Thought It! (Quien lo creyera!), 1794-1796 (etching and aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 18.7x13.2 cm; Dallas Museum of Art, Texas

The agony in the Garden (coloured engraving)
726571 The agony in the Garden (coloured engraving) by German School, (19th century); Private Collection; (add.info.: The agony in the Garden)

Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles
ALI382737 Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles, Christ in the Garden of Olives, c.1340-51 (polychrome stone) by Ravy

The Agony in the Garden, 1524 (oil on canvas)
2630254 The Agony in the Garden, 1524 (oil on canvas) by Garofalo, Benvenuto Tisi da (1481-1559); 119.4x152.5 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

Dramatic War Horses Statue, Agony, near Vlamertinge Date: 2016

The Agony in the Garden (oil on copper)
AGN227809 The Agony in the Garden (oil on copper) by Boeckhorst, Jan (1605-68); 44.5x44.5 cm; Private Collection; Photo eAgnew s, London; Dutch, out of copyright

Suffering Man, detail from the reverse of the Isenheim Altarpiece, c. 1510-15 (oil on panel)
XJL62329 Suffering Man, detail from the reverse of the Isenheim Altarpiece, c.1510-15 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar, France

Calvary, side panels from triptych (panel)
BOO73196 Calvary, side panels from triptych (panel) by Heemskerck, Maerten van (1498-1574); 100.7x28 e cm; State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

The Agony in the Garden, (oil on panel)
827922 The Agony in the Garden, (oil on panel) by Santacroce, Girolamo da (fl.1503-56); 45.2x39.7 cm; Private Collection; (add.info.: The Agony in the Garden. Girolama da Santacroce (c.1480-1556)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

Christ at the Tomb with a Dominician Monk (tempera on gold ground panel)
827749 Christ at the Tomb with a Dominician Monk (tempera on gold ground panel) by Bonomo, Jacobello di (fl.1375-85); 23.8x18.2 cm; Private Collection; (add.info)

Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied
1768841 Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied Droi, c.1895 (bronze with dark brown patina) by Degas

Jerusalem, Gethsemane, Grotto of the agony (b / w photo)
5214417 Jerusalem, Gethsemane, Grotto of the agony (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jerusalem, Gethsemane, Grotto of the agony)

Christs Agony in the Garden (engraving)
5223857 Christs Agony in the Garden (engraving) by English School, (19th century); Private Collection; (add.info.: Christs Agony in the Garden)

The Relief of Lucknow, and The Triumphant Meeting of Havelock
1767272 The Relief of Lucknow, and The Triumphant Meeting of Havelock, Outram and Sir Colin Campbell, 1862 (engraving) by Barker

A Quack Dentist extracting a Tooth, while a Group of Onlookers watch nearby
CH401905 A Quack Dentist extracting a Tooth, while a Group of Onlookers watch nearby (oil on canvas) by Honthorst, Gerrit van (1590-1656) (after)

Amazon on Horseback, (bronze with brown patina, grey granite plinth)
1197547 Amazon on Horseback, (bronze with brown patina, grey granite plinth) by Stuck, Franz von (1863-1928); Private Collection; Photo eChristies Images; German, out of copyright

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"Capturing the Unbearable: A Glimpse into Agony Through Art and History" Agony, a universal human experience, has been depicted throughout history in various forms. From the gruesome castration practices of the 17th century to the heart-wrenching scene of Bhishma's mortal wounds inflicted by Arjuna's arrows, it has left its mark on countless souls. In "Christ Carrying the Cross, " an oil painting from 1526, we witness Jesus' excruciating journey towards his crucifixion. The artist skillfully portrays Christ's physical pain as he bears the weight of his cross, symbolizing both his sacrifice and humanity's collective suffering. Migraine pain, often described as agonizing throbbing or pulsating sensations accompanied by nausea and sensitivity to light and sound, is another form of torment experienced by many. Those who have endured this debilitating condition can attest to its relentless grip on their lives. The plaster cast found in Pompeii's Macellum serves as a haunting reminder of one individual's final moments frozen in time. This preserved body encapsulates not only physical agony but also captures the emotional turmoil experienced during catastrophic events like volcanic eruptions. "Halt of Prince Charles Edward on the Banks of Nairne" depicts a poignant moment in history when defeat loomed over him. The anguish etched upon his face reflects not only personal despair but also represents collective sorrow felt during times of upheaval. "The Christ of Limpias, " an 18th-century sculpture located in Cantabria, Spain, showcases Jesus enduring unimaginable suffering through vividly carved wounds that evoke empathy within viewers' hearts. Rembrandt van Rijn masterfully captured "The Agony in the Garden" through an etching created around 1657. This artwork conveys Jesus' internal struggle before his crucifixion with raw emotion visible on every stroke.