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Agony Collection (#4)

"Capturing the Unbearable: A Glimpse into Agony Through Art and History" Agony, a universal human experience, has been depicted throughout history in various forms

Background imageAgony Collection: Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles

Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles
ALI382737 Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles, Christ in the Garden of Olives, c.1340-51 (polychrome stone) by Ravy

Background imageAgony Collection: The Agony in the Garden, 1524 (oil on canvas)

The Agony in the Garden, 1524 (oil on canvas)
2630254 The Agony in the Garden, 1524 (oil on canvas) by Garofalo, Benvenuto Tisi da (1481-1559); 119.4x152.5 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

Background imageAgony Collection: Dramatic War Horses Statue, Agony, near Vlamertinge

Dramatic War Horses Statue, Agony, near Vlamertinge Date: 2016

Background imageAgony Collection: The Agony in the Garden (oil on copper)

The Agony in the Garden (oil on copper)
AGN227809 The Agony in the Garden (oil on copper) by Boeckhorst, Jan (1605-68); 44.5x44.5 cm; Private Collection; Photo eAgnew s, London; Dutch, out of copyright

Background imageAgony Collection: Suffering Man, detail from the reverse of the Isenheim Altarpiece, c. 1510-15 (oil on panel)

Suffering Man, detail from the reverse of the Isenheim Altarpiece, c. 1510-15 (oil on panel)
XJL62329 Suffering Man, detail from the reverse of the Isenheim Altarpiece, c.1510-15 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar, France

Background imageAgony Collection: Calvary, side panels from triptych (panel)

Calvary, side panels from triptych (panel)
BOO73196 Calvary, side panels from triptych (panel) by Heemskerck, Maerten van (1498-1574); 100.7x28 e cm; State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

Background imageAgony Collection: The Agony in the Garden, (oil on panel)

The Agony in the Garden, (oil on panel)
827922 The Agony in the Garden, (oil on panel) by Santacroce, Girolamo da (fl.1503-56); 45.2x39.7 cm; Private Collection; (add.info.: The Agony in the Garden. Girolama da Santacroce (c.1480-1556)

Background imageAgony Collection: Saint Sebastian, (oil on panel)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

Background imageAgony Collection: Christ at the Tomb with a Dominician Monk (tempera on gold ground panel)

Christ at the Tomb with a Dominician Monk (tempera on gold ground panel)
827749 Christ at the Tomb with a Dominician Monk (tempera on gold ground panel) by Bonomo, Jacobello di (fl.1375-85); 23.8x18.2 cm; Private Collection; (add.info)

Background imageAgony Collection: Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied

Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied
1768841 Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied Droi, c.1895 (bronze with dark brown patina) by Degas

Background imageAgony Collection: Jerusalem, Gethsemane, Grotto of the agony (b / w photo)

Jerusalem, Gethsemane, Grotto of the agony (b / w photo)
5214417 Jerusalem, Gethsemane, Grotto of the agony (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Jerusalem, Gethsemane, Grotto of the agony)

Background imageAgony Collection: Christs Agony in the Garden (engraving)

Christs Agony in the Garden (engraving)
5223857 Christs Agony in the Garden (engraving) by English School, (19th century); Private Collection; (add.info.: Christs Agony in the Garden)

Background imageAgony Collection: The Relief of Lucknow, and The Triumphant Meeting of Havelock

The Relief of Lucknow, and The Triumphant Meeting of Havelock
1767272 The Relief of Lucknow, and The Triumphant Meeting of Havelock, Outram and Sir Colin Campbell, 1862 (engraving) by Barker

Background imageAgony Collection: A Quack Dentist extracting a Tooth, while a Group of Onlookers watch nearby

A Quack Dentist extracting a Tooth, while a Group of Onlookers watch nearby
CH401905 A Quack Dentist extracting a Tooth, while a Group of Onlookers watch nearby (oil on canvas) by Honthorst, Gerrit van (1590-1656) (after)

Background imageAgony Collection: Amazon on Horseback, (bronze with brown patina, grey granite plinth)

Amazon on Horseback, (bronze with brown patina, grey granite plinth)
1197547 Amazon on Horseback, (bronze with brown patina, grey granite plinth) by Stuck, Franz von (1863-1928); Private Collection; Photo eChristies Images; German, out of copyright

Background imageAgony Collection: Military Skirmish, 1915 (oil on canvas)

Military Skirmish, 1915 (oil on canvas)
1195646 Military Skirmish, 1915 (oil on canvas) by Alexeyev, Alexander Alexeyevich (1811-78); 79.5x160.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageAgony Collection: Saint Francis Receiving the Stigmata, (oil on canvas)

Saint Francis Receiving the Stigmata, (oil on canvas)
659364 Saint Francis Receiving the Stigmata, (oil on canvas) by Carducho, Vicente (1571/76-1638); 131.9x96.4 cm; Private Collection; (add.info.: Saint Francis Receiving the Stigmata)

Background imageAgony Collection: Stallions Fighting in a Stormy Landscape, (oil on canvas)

Stallions Fighting in a Stormy Landscape, (oil on canvas)
658667 Stallions Fighting in a Stormy Landscape, (oil on canvas) by Dedreux or de Dreux, Alfred (1810-60); 84.5x112.5 cm; Private Collection; (add.info.: Stallions Fighting in a Stormy Landscape)

Background imageAgony Collection: The Mater Dolorosa, c. 1509-1511 (oil on panel)

The Mater Dolorosa, c. 1509-1511 (oil on panel)
990257 The Mater Dolorosa, c.1509-1511 (oil on panel) by Coter, Colijn de (c.1455-c.1540); 64x43.5 cm; Private Collection; (add.info.: The Mater Dolorosa. Colijin de Coter (c.1480-1525)

Background imageAgony Collection: Saint Sebastian, c. 1640-50 (oil on canvas)

Saint Sebastian, c. 1640-50 (oil on canvas)
990097 Saint Sebastian, c.1640-50 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 190.7x105.4 cm; Private Collection; (add.info.: Saint Sebastian. Francisco de Zurbaran (1598-1664)

Background imageAgony Collection: The Man of Sorrows, from Kassa, c. 1470-80 (tempera on panel)

The Man of Sorrows, from Kassa, c. 1470-80 (tempera on panel)
BAL49152 The Man of Sorrows, from Kassa, c.1470-80 (tempera on panel) by Hungarian School, (15th century); 63x52 cm; Hungarian National Gallery, Budapest, Hungary; (add.info.: From Kassa)

Background imageAgony Collection: The Isenheim Altarpiece, closed (detail of the left hand of Christ), c. 1512-16 (oil on panel)

The Isenheim Altarpiece, closed (detail of the left hand of Christ), c. 1512-16 (oil on panel)
898678 The Isenheim Altarpiece, closed (detail of the left hand of Christ), c.1512-16 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden, Colmar

Background imageAgony Collection: Portrait of Gustave Dore (1832-83) (engraving) (b / w photo)

Portrait of Gustave Dore (1832-83) (engraving) (b / w photo)
CHT202837 Portrait of Gustave Dore (1832-83) (engraving) (b/w photo) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageAgony Collection: The Crucifixion from the Isenheim Altarpiece, detail of Christs body, c

The Crucifixion from the Isenheim Altarpiece, detail of Christs body, c. 1512-16 (oil on panel) (detail)
XIR230167 The Crucifixion from the Isenheim Altarpiece, detail of Christs body, c.1512-16 (oil on panel) (detail) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); Musee d Unterlinden

Background imageAgony Collection: Laocoon (marble) (detail of 217181) (b / w photo)

Laocoon (marble) (detail of 217181) (b / w photo)
ALI237392 Laocoon (marble) (detail of 217181) (b/w photo) by Greek; Vatican Museums and Galleries, Vatican City; Alinari

Background imageAgony Collection: Death of Countess Gerschutz Lulu (w / c on paper)

Death of Countess Gerschutz Lulu (w / c on paper)
BRN187446 Death of Countess Gerschutz Lulu (w/c on paper) by Demuth, Charles (1883-1935); The Barnes Foundation, Philadelphia, Pennsylvania

Background imageAgony Collection: Howard Visiting a Lazaretto (pen & ink and wash on paper)

Howard Visiting a Lazaretto (pen & ink and wash on paper)
AGN270961 Howard Visiting a Lazaretto (pen & ink and wash on paper) by Romney, George (1734-1802); Private Collection; (add.info)

Background imageAgony Collection: The Martyrdom of St. Bartholomew

The Martyrdom of St. Bartholomew
SCP38661 The Martyrdom of St. Bartholomew by Camilo, Francisco (1615-73); Prado, Madrid, Spain; Spanish, out of copyright

Background imageAgony Collection: Calvary, 1649 (oil on oak wood)

Calvary, 1649 (oil on oak wood)
3597122 Calvary, 1649 (oil on oak wood) by Flinck, Govaert (1615-60); 119x90 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageAgony Collection: The Agony of Saint Joseph, c. 1616-25 (oil on canvas)

The Agony of Saint Joseph, c. 1616-25 (oil on canvas)
3497578 The Agony of Saint Joseph, c.1616-25 (oil on canvas) by Procaccini, Giulio Cesare (1574-1625); 450x300 cm; Chiesa di San Giuseppe, Milan

Background imageAgony Collection: Head shouting, 1936 (painting)

Head shouting, 1936 (painting)
2623118 Head shouting, 1936 (painting) by Gonzalez, Julio (1876-1942); (add.info.: Painting to illustrate the agony of the Spanish Civil War.); Universal History Archive/UIG; Spanish, out of copyright

Background imageAgony Collection: Window depicting the Agony in the Garden of Gethsemene (stained glass)

Window depicting the Agony in the Garden of Gethsemene (stained glass)
1278774 Window depicting the Agony in the Garden of Gethsemene (stained glass) by French School, (14th century); St. Jean-Baptiste, Niederhaslach, France; (add.info.: St)

Background imageAgony Collection: Road to Golgotha, c. 1600 (oil on panel)

Road to Golgotha, c. 1600 (oil on panel)
3617965 Road to Golgotha, c.1600 (oil on panel) by Brueghel, Jan the Elder (1568-1625); 21.6 diameter cm; Los Angeles County Museum of Art, CA, USA; Flemish, out of copyright

Background imageAgony Collection: Christ Crucified between the Two Thieves: The Three Crosses

Christ Crucified between the Two Thieves: The Three Crosses
3614057 Christ Crucified between the Two Thieves: The Three Crosses, 1653 (drypoint printed on vellum) by Rembrandt Harmensz

Background imageAgony Collection: The Agony in the Garden (engraving)

The Agony in the Garden (engraving)
1217310 The Agony in the Garden (engraving) by Schongauer, Martin (1440-91); 16.2x11.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Background imageAgony Collection: Abraham and Isaac, 1421 (gilded marble)

Abraham and Isaac, 1421 (gilded marble)
BAT192534 Abraham and Isaac, 1421 (gilded marble) by Donatello, (c.1386-1466); Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Background imageAgony Collection: Christs Agony in the Garden, Luke (engraving)

Christs Agony in the Garden, Luke (engraving)
2812927 Christs Agony in the Garden, Luke (engraving) by Correggio, (Antonio Allegri) (c.1489-1534) (after); Private Collection; (add.info.: Christs Agony in the Garden, Luke)

Background imageAgony Collection: A Middle Mochica mask of an aged dignitary, c. 100-200

A Middle Mochica mask of an aged dignitary, c. 100-200
1767136 A Middle Mochica mask of an aged dignitary, c.100-200 by Moche; Private Collection; (add.info.: A Middle Mochica mask of an aged dignitary, ca. A.D)

Background imageAgony Collection: The Deluge, 1828 (mezzotint with etching)

The Deluge, 1828 (mezzotint with etching)
1198426 The Deluge, 1828 (mezzotint with etching) by Martin, John (1789-1854); 60x80.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageAgony Collection: Centaur, (bronze with brown patina, bronze base)

Centaur, (bronze with brown patina, bronze base)
1197548 Centaur, (bronze with brown patina, bronze base) by Stuck, Franz von (1863-1928); 63 (height) cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageAgony Collection: The Crucifixion, from the Isenheim Altarpiece, c. 1512-15 (oil on panel)

The Crucifixion, from the Isenheim Altarpiece, c. 1512-15 (oil on panel)
XIR81214 The Crucifixion, from the Isenheim Altarpiece, c.1512-15 (oil on panel) by Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528); 270x310 cm; Musee d Unterlinden, Colmar, France

Background imageAgony Collection: The Tooth Extraction

The Tooth Extraction
AII79517 The Tooth Extraction by Caravaggio, Michelangelo (1571-1610) (attr. to); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Background imageAgony Collection: Without Effort, 1781 (colour engraving)

Without Effort, 1781 (colour engraving)
JHB114330 Without Effort, 1781 (colour engraving) by French School, (18th century); Private Collection; French, out of copyright

Background imageAgony Collection: The Three Crosses, 1456 (tempera on panel)

The Three Crosses, 1456 (tempera on panel)
VLS76912 The Three Crosses, 1456 (tempera on panel) by Foppa, Vincenzo (1427/30-1515/16); 67.9x38.1 cm; Galleria dell Accademia Carrara, Bergamo, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageAgony Collection: The angel giving Jesus strength during his Agony in the Garden of Gethsemane (colour litho)

The angel giving Jesus strength during his Agony in the Garden of Gethsemane (colour litho)
5226684 The angel giving Jesus strength during his Agony in the Garden of Gethsemane (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info)




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"Capturing the Unbearable: A Glimpse into Agony Through Art and History" Agony, a universal human experience, has been depicted throughout history in various forms. From the gruesome castration practices of the 17th century to the heart-wrenching scene of Bhishma's mortal wounds inflicted by Arjuna's arrows, it has left its mark on countless souls. In "Christ Carrying the Cross, " an oil painting from 1526, we witness Jesus' excruciating journey towards his crucifixion. The artist skillfully portrays Christ's physical pain as he bears the weight of his cross, symbolizing both his sacrifice and humanity's collective suffering. Migraine pain, often described as agonizing throbbing or pulsating sensations accompanied by nausea and sensitivity to light and sound, is another form of torment experienced by many. Those who have endured this debilitating condition can attest to its relentless grip on their lives. The plaster cast found in Pompeii's Macellum serves as a haunting reminder of one individual's final moments frozen in time. This preserved body encapsulates not only physical agony but also captures the emotional turmoil experienced during catastrophic events like volcanic eruptions. "Halt of Prince Charles Edward on the Banks of Nairne" depicts a poignant moment in history when defeat loomed over him. The anguish etched upon his face reflects not only personal despair but also represents collective sorrow felt during times of upheaval. "The Christ of Limpias, " an 18th-century sculpture located in Cantabria, Spain, showcases Jesus enduring unimaginable suffering through vividly carved wounds that evoke empathy within viewers' hearts. Rembrandt van Rijn masterfully captured "The Agony in the Garden" through an etching created around 1657. This artwork conveys Jesus' internal struggle before his crucifixion with raw emotion visible on every stroke.