Aisa Collection (#60)

PEDRET, Master of (12th century). Apse from Santa Maria d Aneu. 11th c. On the semicircular wall elements of

(Martincho, probably Antonio Ebassum) throws a bull in the r
GOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring

The rabble hamstring the bull with lances, sickles, banderil

The daring of Martincho in the ring at Saragossa
GOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate

The very skilful student of Falces wrapped in his cape, tr
GOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful student of Falces wrapped in his cape, tricks the bull

The agility and audacity of Juanito Apinani in the ring at M
GOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20

Aguarda que venga
GOYA Y LUCIENTES, Francisco de (1746-1828). Aguarda que venga. Drawing

drawing for plate 42 of Los Caprichos, red wash and sanguine
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 42 of Los Caprichos, red wash and sanguine

You will not find it

Spain. War of Independence. Siege in Zaragoza (June-August 1808). Etching

Do not open the eyes
GOYA Y LUCIENTES, Francisco de (1746-1828). Do not open the eyes. Drawing

The Grape Harvest
GOYA Y LUCIENTES, Francisco de (1746-1828). The Grape Harvest. Oil on canvas

Lux ex Tenebris
GOYA Y LUCIENTES, Francisco de (1746-1828). Lux ex Tenebris. Drawing

Goya Y Lucientes, Francisco

Leccin de esgrima (s. XVIII). Golpe de segunda debajo del brazo. Xylography

DEBUCOURT, Philibert Louis (1755-1832). The Palais Royal Garden Walk. Litography

Briseis Given back to Achilles by RUBENS, Peter Paul (1577-1640). Central detail. Cardboard for an Achilles History tapestry. Briseis

Triumphal Entrance of Henri IV into Paris by RUBENS, Peter Paul (1577-1640). Left central detail. Baroque art.; Flemish art

MOMMERS, Hendrick (1623-1693). The Louvre viewed from the Pont Neuf, ca. Baroque art.; Flemish art. Oil on canvas

The Triumph of the Church over Fury, Hatred and Discord by RUBENS, Peter Paul (1577-1640)

The paradise, the purgatory and the hell

KESSEL II, Jan van Kessel (1654-1708). Portrait of a Family in a Garden. At the window: a self-portrait of the painter, and

Peasant Wedding (Bauernhochzeit). Left-hand lower detail

Return of the Herd. Left-hand lower detail
Breugel, Pieter, The Elder, called Peasant Bruegel (1525-1569). The Return of the Herd. Left-hand lower detail

Abraham and Melchizedek by RUBENS, Peter Paul (1577-1640). 1625. Representaion of the Genesis, chapter 14. Baroque art

ORLEY, Bernard van (1488-1542). Portrait of a Man and his Wife. Portrait of the woman. Flemish art. Oil on canvas

COECKE VAN AELST, Pieter (1502-1550). The Adoration of the Magi. Central panel (87 x 55 cam). Flemish art. Oil

Burgkmair, Hans, The Elder. Saint John Altarpiece. Central panel. Depiction of Satin John at Patmos. Flemish art

VAN DYCK, Sir Anthony (1599-1641). Piet.. Until 1974 the Piet. was considered Rubens work, but after that date this is classified

Mercury by RUBENS, Peter Paul (1577-1640). Flemish art. Oil on canvas

FRANCKEN II, Frans, the Younger (1581-1642). Hagar and the Angel. Genesis, chap.16, verse 7-14. Hagar, fugitive, is found

TENIERS II, David, the Younger (1610-1690). The King Drinks. Flemish art. Oil on canvas

BENSON, Ambrosius (1495-1550). Piet.. Jesuchrist at the foot of the Cross hold by the Virgin, and Saint John, at

Snyders, Frans (1579-1657). Fight of Cocks. Baroque art.; Flemish art. Oil on canvas

The Ship of Fools
Bosch, Hieronymus Van Aeken, called (1450-1516). The Ship of Fools. Flemish art. Oil on wood

Campin, Robert, Called Master
Campin, Robert, called Master of Fl malle (1378-1444). Saint John the Baptist and the Donor, Heinrich von Werl. Flemish

Saint Barbara. Central detail
Campin, Robert, called Master of Fl malle (1378-1444). Saint Barbara. Central detail. Flemish art. Oil on wood

The Kitchen by David Teniers the Younger
The Kitchen by David Teniers II, (the Younger) (1610-1690). Flemish art. Oil on canvas

Garland with the Virgin

The Hay Cart
Bosch, Hieronymus Van Aeken, called (1450-1516). The Hay Cart. Central panel depicting an haywain. Work inspired

COLLANTES, Francisco (1599-1656). St. Flemish art. Oil on canvas

Bouts, Dirck. Resurrection. Flemish art. Tempera on wood

Saint Jerome Penitent by SEU D URGELL, Master of (12th century).. It formed part of an altarpiece. Oil on wood

Landscape with a River. Flemish anonymous from the 17th century. Formerly attributed to Paul Brill. Flemish art. Oil on canvas

Diest, Willem van (1610-1673). Seascape. Baroque art.; Flemish art. Oil on wood

Gathering of Gypsies in the Wood by Breugel, Jan, The Elder, called Velvet Bruegel (1568-1625). Flemish art. Oil on canvas

Patinir, Joachim (1480-1524). Landscape with St. Flemish art. Oil on canvas

JORDAENS, Jacob (1593-1678). The Feast of the Bean King. This work shows an ancient custom of some catholic countries in Europe

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"Aisa: A Journey Through Art, Music, and History" Step into the world of Aisa, where art transcends time and space. Inspired by the works of Pieter Bruegel the Elder's "Hunters in the Snow, " we embark on a visual adventure through breathtaking landscapes and captivating scenes. As we delve deeper into this artistic voyage, Flora, the goddess of Spring herself, graces us with her presence. Her ethereal beauty reminds us of nature's eternal cycle of renewal and rebirth. Moving forward, we encounter The Ghent Altarpiece or Adoration of the Mystic Lamb. This masterpiece by an unknown artist captures our imagination with its intricate details and religious symbolism. But our journey doesn't stop there; it takes us to The Battle of Issus—a moment frozen in time that depicts Alexander the Great's triumph over Darius III. Here bravery meets history as we witness one of humanity's defining moments. In this exploration through various art forms, even medicine finds its place. The Hippocratic Oath serves as a reminder that compassion and ethics are at the core of healing practices. Music becomes our companion on this cultural odyssey as Wagner's compositions resonate within our souls. His melodies evoke emotions beyond words can express—stirring passion and igniting inspiration within us all. The brushstrokes lead us to Jose Alcazar Tejedor—an artist whose work captivates with vibrant colors and evocative imagery. Each stroke tells a story waiting to be discovered by those who dare to look closer. And then there is Maria Callas—the soprano extraordinaire—who enchants audiences worldwide with her mesmerizing performances in operas like Norma. Her voice echoes through time itself, leaving an indelible mark on musical history. Our journey wouldn't be complete without experiencing the enchanting Whirling Dervishes from centuries past—a mystical dance that transports both performers and spectators to a higher plane of existence.